1970-06-24 | Grateful Dead | Relisten

Bands

Featured

Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

6/24/70

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FIN

View on archive.org

Sources

SOURCE 1 OF 9

5.00 / 2 ratings

Ken and Judy Lee

John Hance and Sirmick

gd1970-06-24.145261.late.SonyF95.lee.hance.sirmick.flac1644

Source: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee,

Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16

View NotesComments:

- This is not a remaster of what has gone before, it's a redo using the original raw files.
- "Silver Threads And Golden Needles " is now complete, John came across another tape with it on. You also get 4 or so extra minutes of tuning at the start of the electric set.

Notes:

Acoustic Dead:

patches

- "FOTD" - all
- part of the banter before "Cumberland Blues"

source used shnid 100223 - Thank you Bill Gadsden and Chuck Reynolds

The patches have been eq'd so that they are a better fit.

NRPS:

- A few knocks, bumps, clicks, etc removed
- There are probably 4 or 5 seconds missing from the start of "Cecilia" because of a tape flip. There are no sources available to patch this with.

Electric Dead;

- Azimuth and phase adjustments have been made
- The lights came up after "UJB" but nobody was ready to go home. A Joan Baez record could be heard over the PA but the audience wanted more.  So the boys came back on and gave them what they wanted.  Joan has been edited out for copyright reasons.

Thanks to Ken and Judy Lee for these wonderful recordings.

Thanks to John Jay Hance for the transfers and passing the original files to me.

Thanks to Joe B. Jones for his advice on pitch correction.

edited and mastered
SIRMick
February 2019

SOURCE 2 OF 9

7.33 / 6 ratings

gd1970-06-24.124175.cooper.berger.flac16

source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger

View Notesthe material on disc one is missing from the Lee/PCRP source.
the material on disc two is new to digital circulation.

Black Peter - end is patched with Jim's 2006 transfer - shnid:32710,  
part of Minglewood,most of China Cat and all of Rider and UJB are mono due to  problems with left mic cable.
parts of NFA & Easy Wind are garbled due to tape damage BUT when it really counts the sound quality is very good.

SOURCE 3 OF 9

2.67 / 3 ratings

Bill Gadsen and Chuck Reynolds

Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16

SOURCE 4 OF 9

Rob Berger and Moose

gd1970-06-24.late-partial.aud.moore.berger.98880.flac16

aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b

View Notesa nice segment of my favorite grateful dead concert,
all sources from these port chester '70 shows deserve a listen

SOURCE 5 OF 9

9.00 / 4 ratings

gd1970-06-24.aud.cooper.coopernicus.32710.flac16

recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape.

Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC

SOURCE 6 OF 9

8.76 / 68 ratings

John Jay Hance, Peter G

gd_nrps70-06-24.aud.pcrp5.23062.sbeok.flacf

Sony dynamic mics > Sony TC124; Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 > Mac G4 Titanium Powerbook > Peak 3.2.1 > xACT V 1.2 > FLAC16

SOURCE 7 OF 9

9.33 / 6 ratings

EAC, Sound Forge, & SHN by harlan; CDR from Crazy Jimi

gd1970-06-24.late.aud.harlan.9330.sbefail.shnf

center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN

View NotesUncle John's Band had to be spliced in because some idiot had used it as filler 
on a different disk. It occurs 10 seconds into UJB....

SOURCE 8 OF 9

7.82 / 11 ratings

Wayne Gucwa and Mike Lai

gd1970-06-24.aud.lai.7467.sbefail.shnf

(no source info given- listeners report AUD)

SOURCE 9 OF 9

8.71 / 17 ratings

This is from the Usher Tree; for further source info, the notes from that tree are appended following the track list.

gd1970-06-24.aud.lee.5339.sbeok.shnf

Aud > cassette x 2 > CD, mics balcony center 15' spread

View Notes"Source Information for The Usher's Tapes Tree

"the person who is responsible for the bulk of the capitol theatre audience recordings is a fellow by the name of ken lee (not sure of his last name spelling). this is the
guy who was employed by howard stein (local ny area promoter of the time) my source is his brother in law, mark c (a long time dead head & quite a nice &
unassuming person) i owe mark a huge debt of gratitude. 

ken's port chester masters were recorded on a sony cassette deck (don't have the 'model # or mic info) his positioning was generally center lodge with mic's mounted
on the rail. 3/21/70 had the mic's spaced at over 15 feet, and the recording bears out that information. 6/24/70 set#2 was mastered on a 120-minute cassette. 

ken is reported to be very un-friendly and intimidating (6 foot 5 inches with a security guard attitude) he was at tompkins square park, nyc 6/67 and reported a ? hour
dancin' in the street, fwiw. he recorded many local shows (queens college, all 4 stands at port chester, Manhattan center.etc. mark says he was doing this only for
himself and never did much of anything at all with his recordings. at port chester he had howard steins permission to tape, with the footnote of never letting them out.
so...marks older sister is married to this guy & he would occasionally let mark have tapes & mark was apparently pretty free with his copies over the years. most of
what circulates from gd @ port chester originated mainly from mark's 1st gen copies, not ken's masters. as time went on their relationship deteriorated (now they are
estranged) and ken literally & figuratively shut the door on mark. 

marks last score from ken's tapes was back in 1986. when ken was out, mark & an instigating friend went armed with sony tc d5m's and recorded as much from the
masters as they could get away with. ken arrived in the middle of all this and was outraged and shut it all down & proceeded to take all the copies (not all it turned
out) mark told me that at that point in time, all the tapes he witnessed were badly in need of restoration (and this was back in 1986) i am sad to relay that even though
these master still exist, there are rotting in un-kind hands it took me close to 2 years & many phone calls to hook up with mark, and then only for one day. things were
haphazard & i taped what i could given the time i had on hand. 

mark had 2 separate copies of 6/24/70 late show. the older copy he received with ken's blessing in the mid '70's, this was on a xl 2, no dolby, the fresher copy was from
the incident in 1986. this was on a mx metal cassette and had a better frequency response, but there was a bad squeal & lisp on the right hand channel and proves the
deterioration of the recording. i went with the older copy that was made when the master was in better condition set list has; nfa easy wind (very powerful), me & my
uncle, dark star ikyr, then uncle johns band (which is not the encore, as they never leave the stage. the encore is an acoustic "swing low sweet chariot" it was mia, but
I WILL get it 3/21/70 has never sounded this good. it's actually quite fantastic in spots. it's the best recording i've ever heard coming out of that room 11/5/70 is a
powerful psychedelic feast. i could never sit through it before, because of the abysmal quality 

i want to, and enjoy bringing pleasure to fellow music lovers. please let it be known i have zero tolerance for any suspicion, or dishonesty. criticism, on the other hand
i can handle fairly well. so give me a few days & i'll get seeds to someone who has already volunteered to handle the administration and decimation on deadlist. our
1970 caretaker, jim powell, will get cd's from me for his analysis 

that's the story"

THANKS, Jim!