Seastones | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	81.9k	10.2k
7d	207.1k	26.4k
30d	1.3M	158.4k

2,080 shows

18,085 tapes

Phish

360.2k

Playback	Listens	Hours
48h	47.4k	6.7k
7d	91.3k	16k
30d	360.2k	60.4k

Bands

Playback	Listens	Hours
48h	189	12
7d	272	18
30d	975	64

Playback	Listens	Hours
48h	29	4
7d	20	3
30d	181	25

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	0	0m
7d	4	5m
30d	49	4

49 shows

49 tapes

Adam Deitch

Playback	Listens	Hours
48h	0	0m
7d	30	7
30d	97	22

84 shows

117 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	3	29m
30d	10	1

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	21	3

Playback	Listens	Hours
48h	12	1
7d	19	1
30d	153	12

Playback	Listens	Hours
48h	32	3
7d	127	11
30d	509	43

Playback	Listens	Hours
48h	71	8
7d	59	6
30d	237	31

123 shows

134 tapes

Animal Liberation Orchestra

Playback	Listens	Hours
48h	52	7
7d	102	15
30d	1k	123

Playback	Listens	Hours
48h	7	2
7d	7	1
30d	157	31

Playback	Listens	Hours
48h	48	5
7d	165	15
30d	1.1k	98

Playback	Listens	Hours
48h	23	5
7d	28	4
30d	159	31

Playback	Listens	Hours
48h	27	4
7d	75	9
30d	797	101

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	3	11m
7d	0	0m
30d	42	4

102 shows

107 tapes

Bela Fleck and the Flecktones

1.4k

Playback	Listens	Hours
48h	121	15
7d	160	17
30d	1.4k	167

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	1	3m
7d	1	4m
30d	35	3

Playback	Listens	Hours
48h	13	2
7d	16	3
30d	117	17

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	56	9

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	43	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	2	23m
7d	0	0m
30d	38	5

Playback	Listens	Hours
48h	5	58m
7d	70	11
30d	513	78

Playback	Listens	Hours
48h	179	24
7d	406	55
30d	2.2k	289

Playback	Listens	Hours
48h	9k	977
7d	20.2k	2.2k
30d	88.8k	9.1k

Playback	Listens	Hours
48h	126	9
7d	199	14
30d	1.3k	90

62 shows

76 tapes

Blueground Undergrass

132

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	132	13

Playback	Listens	Hours
48h	227	28
7d	480	56
30d	2.8k	320

Playback	Listens	Hours
48h	435	58
7d	751	94
30d	4.6k	582

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	3	23m
30d	4	1

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	31	5
7d	60	12
30d	549	88

450 shows

562 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	55	8

113 shows

119 tapes

Built To Spill

Playback	Listens	Hours
48h	67	6
7d	128	13
30d	1k	101

Playback	Listens	Hours
48h	26	3
7d	488	48
30d	1.6k	169

Playback	Listens	Hours
48h	3	4m
7d	35	2
30d	329	18

Playback	Listens	Hours
48h	17	2
7d	43	6
30d	154	22

Playback	Listens	Hours
48h	1	3m
7d	62	4
30d	450	32

244 shows

274 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	2

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	4	33m
30d	6	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	4	42m
30d	42	5

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	49	11
7d	208	48
30d	1.6k	356

Playback	Listens	Hours
48h	2	1
7d	36	10
30d	157	32

Playback	Listens	Hours
48h	55	4
7d	120	9
30d	739	60

Playback	Listens	Hours
48h	49	7
7d	71	10
30d	483	75

Playback	Listens	Hours
48h	169	23
7d	656	90
30d	4.5k	619

Playback	Listens	Hours
48h	303	43
7d	769	104
30d	5.1k	687

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	4	50m
30d	34	6

Playback	Listens	Hours
48h	6	34m
7d	12	1
30d	206	22

Playback	Listens	Hours
48h	2.2k	361
7d	5.9k	928
30d	39k	6.1k

Playback	Listens	Hours
48h	9	1
7d	30	4
30d	306	34

Playback	Listens	Hours
48h	25	2
7d	128	7
30d	1.4k	80

Playback	Listens	Hours
48h	61	7
7d	237	27
30d	1.3k	151

Playback	Listens	Hours
48h	935	199
7d	2.1k	436
30d	12.6k	2.6k

Playback	Listens	Hours
48h	36	4
7d	43	4
30d	338	33

Playback	Listens	Hours
48h	204	33
7d	626	106
30d	2.9k	450

161 shows

221 tapes

Domocile

Playback	Listens	Hours
48h	5	48m
7d	5	1
30d	60	16

38 shows

38 tapes

Donna the Buffalo

Playback	Listens	Hours
48h	138	14
7d	347	36
30d	2k	211

Playback	Listens	Hours
48h	20	3
7d	85	13
30d	274	45

Playback	Listens	Hours
48h	251	22
7d	384	34
30d	2.4k	208

Playback	Listens	Hours
48h	23	5
7d	43	7
30d	452	75

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	109	15

45 shows

57 tapes

Eggy

Playback	Listens	Hours
48h	80	13
7d	482	79
30d	2k	344

153 shows

296 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	3

Playback	Listens	Hours
48h	149	20
7d	300	41
30d	1.9k	258

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	24	7

Playback	Listens	Hours
48h	82	5
7d	213	12
30d	1.2k	64

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	4	44m
7d	21	3
30d	74	11

125 shows

185 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	2

Playback	Listens	Hours
48h	2	12m
7d	73	7
30d	114	11

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	1	11m
7d	0	0m
30d	3	35m

Playback	Listens	Hours
48h	3	13m
7d	67	7
30d	276	24

Playback	Listens	Hours
48h	13	57m
7d	23	2
30d	129	9

Playback	Listens	Hours
48h	14	55m
7d	54	4
30d	242	18

Playback	Listens	Hours
48h	19	1
7d	38	2
30d	130	8

Playback	Listens	Hours
48h	690	111
7d	1.8k	276
30d	10.7k	1.7k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	27m

14 shows

15 tapes

G. Love and Special Sauce

594

Playback	Listens	Hours
48h	28	3
7d	66	7
30d	594	54

Playback	Listens	Hours
48h	23	3
7d	149	16
30d	1.3k	143

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	113	15

Playback	Listens	Hours
48h	3	31m
7d	29	7
30d	151	29

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	27	3

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	3	52m
7d	0	0m
30d	44	11

Playback	Listens	Hours
48h	81	9
7d	563	63
30d	2.4k	276

378 shows

514 tapes

Godspeed You Black Emperor!

438

Playback	Listens	Hours
48h	47	11
7d	147	34
30d	438	111

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	2	1m
7d	9	2
30d	84	13

Playback	Listens	Hours
48h	1.9k	408
7d	5.4k	1.1k
30d	49.6k	10.8k

Playback	Listens	Hours
48h	7	36m
7d	110	10
30d	453	38

363 shows

589 tapes

Grahame Lesh and Friends

2.3k

Playback	Listens	Hours
48h	141	20
7d	359	56
30d	2.3k	340

41 shows

116 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	5	32m
30d	76	10

Playback	Listens	Hours
48h	334	39
7d	847	103
30d	5.3k	651

Playback	Listens	Hours
48h	13	1
7d	87	10
30d	761	87

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	26	4

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	26	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	2

Playback	Listens	Hours
48h	31	2
7d	29	2
30d	332	24

756 shows

1,037 tapes

Hard Working Americans

Playback	Listens	Hours
48h	4	25m
7d	20	2
30d	58	6

Playback	Listens	Hours
48h	11	2
7d	25	5
30d	343	55

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	1	3m
7d	19	2
30d	58	6

Playback	Listens	Hours
48h	41	4
7d	25	2
30d	239	24

675 shows

847 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	160	14
7d	239	22
30d	1.6k	149

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	230	17
7d	687	47
30d	4.8k	322

Playback	Listens	Hours
48h	32	3
7d	64	5
30d	314	28

366 shows

493 tapes

Jazz Mandolin Project

125

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	125	22

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	50m

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	41	5
7d	5	27m
30d	74	7

Playback	Listens	Hours
48h	50	7
7d	126	17
30d	756	97

112 shows

162 tapes

Jerry Joseph and the Jackmormons

1.9k

Playback	Listens	Hours
48h	136	22
7d	300	53
30d	1.9k	337

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.9k

Playback	Listens	Hours
48h	238	32
7d	694	93
30d	3.9k	533

262 shows

315 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	3

2 shows

5 tapes

Joe Russo's Almost Dead

30.7k

Playback	Listens	Hours
48h	2.1k	392
7d	6.5k	1.1k
30d	30.7k	5.6k

Playback	Listens	Hours
48h	39	3
7d	240	27
30d	805	90

Playback	Listens	Hours
48h	246	21
7d	657	57
30d	2.8k	243

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	3

Playback	Listens	Hours
48h	32	2
7d	42	3
30d	207	17

Playback	Listens	Hours
48h	4	25m
7d	29	3
30d	103	10

73 shows

109 tapes

Karl Denson's Tiny Universe

Playback	Listens	Hours
48h	3	11m
7d	3	30m
30d	54	13

Playback	Listens	Hours
48h	142	14
7d	489	45
30d	3.4k	332

Playback	Listens	Hours
48h	3	39m
7d	36	7
30d	167	26

43 shows

54 tapes

King Gizzard & the Lizard Wizard

14.5k

Playback	Listens	Hours
48h	830	114
7d	2.5k	338
30d	14.5k	2k

Playback	Listens	Hours
48h	146	17
7d	284	40
30d	2.1k	274

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	2	18m
7d	6	1
30d	26	4

Playback	Listens	Hours
48h	25	5
7d	78	15
30d	555	110

Playback	Listens	Hours
48h	44	5
7d	173	21
30d	632	76

Playback	Listens	Hours
48h	248	24
7d	638	55
30d	3.8k	345

981 shows

1,323 tapes

Lettuce

Playback	Listens	Hours
48h	229	37
7d	562	87
30d	3k	468

Playback	Listens	Hours
48h	370	33
7d	723	69
30d	4.4k	407

Playback	Listens	Hours
48h	96	8
7d	165	12
30d	1.3k	92

Playback	Listens	Hours
48h	72	13
7d	238	43
30d	1.5k	281

437 shows

624 tapes

Marco Benevento

Playback	Listens	Hours
48h	8	50m
7d	7	34m
30d	52	4

Playback	Listens	Hours
48h	150	14
7d	375	34
30d	2.1k	189

Playback	Listens	Hours
48h	15	1
7d	24	3
30d	205	22

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	1	1m
7d	0	0m
30d	2	10m

Playback	Listens	Hours
48h	266	43
7d	571	92
30d	3.4k	559

Playback	Listens	Hours
48h	27	2
7d	25	2
30d	210	12

Playback	Listens	Hours
48h	0	0m
7d	1	15m
30d	156	16

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	1	4m
7d	21	31m
30d	64	2

Playback	Listens	Hours
48h	27	2
7d	165	11
30d	723	50

Playback	Listens	Hours
48h	508	85
7d	1.5k	265
30d	9.2k	1.5k

1,994 shows

4,511 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	46	5

381 shows

482 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	29	2
30d	63	5

Playback	Listens	Hours
48h	272	28
7d	637	65
30d	3.4k	355

413 shows

602 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	64	6

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	3	11m
7d	13	1
30d	36	3

Playback	Listens	Hours
48h	74	9
7d	229	28
30d	771	97

141 shows

255 tapes

Nels Cline

Playback	Listens	Hours
48h	3	15m
7d	0	0m
30d	49	9

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	110	10
7d	215	20
30d	1.6k	140

411 shows

599 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	56	6
7d	110	11
30d	1.1k	107

Playback	Listens	Hours
48h	215	23
7d	410	45
30d	1.4k	155

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	3	12m

Playback	Listens	Hours
48h	0	0m
7d	18	4
30d	156	28

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	76	11

Playback	Listens	Hours
48h	90	18
7d	151	27
30d	1.2k	211

689 shows

920 tapes

Phil Lesh and Friends

15.4k

Playback	Listens	Hours
48h	1.1k	180
7d	2.7k	442
30d	15.4k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

1.6k

Playback	Listens	Hours
48h	119	18
7d	225	36
30d	1.6k	258

Playback	Listens	Hours
48h	99	13
7d	523	60
30d	3.8k	458

295 shows

438 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	308	38
7d	661	87
30d	3.8k	500

1,237 shows

2,200 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	65	5

Playback	Listens	Hours
48h	51	8
7d	67	10
30d	452	68

Playback	Listens	Hours
48h	507	66
7d	1.2k	160
30d	7.1k	922

Playback	Listens	Hours
48h	101	6
7d	288	22
30d	1.4k	113

Playback	Listens	Hours
48h	222	18
7d	261	21
30d	1.2k	99

Playback	Listens	Hours
48h	78	6
7d	125	12
30d	1.6k	143

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	9	1

Playback	Listens	Hours
48h	76	7
7d	289	30
30d	2.9k	274

133 shows

199 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	5	36m
30d	99	12

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	9m

Playback	Listens	Hours
48h	9	1
7d	18	2
30d	105	11

Playback	Listens	Hours
48h	73	6
7d	93	8
30d	817	69

Playback	Listens	Hours
48h	191	28
7d	371	58
30d	2.9k	455

Playback	Listens	Hours
48h	158	28
7d	185	45
30d	1.1k	255

Playback	Listens	Hours
48h	8	32m
7d	41	3
30d	212	13

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	14	2
7d	1	7m
30d	30	4

Playback	Listens	Hours
48h	43	10
7d	118	19
30d	597	96

385 shows

614 tapes

Steve Kimock Band

Playback	Listens	Hours
48h	64	14
7d	341	78
30d	2k	447

Playback	Listens	Hours
48h	44	5
7d	96	13
30d	935	120

667 shows

1,139 tapes

String Cheese Incident

18.5k

Playback	Listens	Hours
48h	1.3k	203
7d	2.8k	445
30d	18.5k	3k

1,285 shows

2,082 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	5

Playback	Listens	Hours
48h	0	0m
7d	50	9
30d	127	21

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	117	15

Playback	Listens	Hours
48h	34	4
7d	194	21
30d	978	110

730 shows

1,117 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	5	17m

Playback	Listens	Hours
48h	935	108
7d	1.8k	217
30d	11.6k	1.3k

Playback	Listens	Hours
48h	8	30m
7d	6	30m
30d	269	14

Playback	Listens	Hours
48h	88	11
7d	241	30
30d	1.6k	199

Playback	Listens	Hours
48h	20	2
7d	32	5
30d	260	39

473 shows

627 tapes

The California Honeydrops

535

Playback	Listens	Hours
48h	35	4
7d	70	9
30d	535	66

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	310	42
7d	311	43
30d	3.4k	471

Playback	Listens	Hours
48h	2	8m
7d	23	2
30d	209	17

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	27	4

160 shows

219 tapes

The Higgs

Playback	Listens	Hours
48h	3	7m
7d	3	3m
30d	14	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	2	22m
30d	17	2

Playback	Listens	Hours
48h	0	0m
7d	20	4
30d	245	40

Playback	Listens	Hours
48h	12	2
7d	8	1
30d	141	18

Playback	Listens	Hours
48h	95	4
7d	482	25
30d	3.7k	199

Playback	Listens	Hours
48h	40	3
7d	118	9
30d	683	50

Playback	Listens	Hours
48h	6	26m
7d	13	3
30d	157	37

Playback	Listens	Hours
48h	44	5
7d	129	14
30d	995	102

Playback	Listens	Hours
48h	241	37
7d	327	48
30d	2.4k	356

Playback	Listens	Hours
48h	547	54
7d	1k	95
30d	7.3k	696

Playback	Listens	Hours
48h	5	17m
7d	3	15m
30d	191	14

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	64	6
7d	142	14
30d	1k	106

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	2	21m
7d	0	0m
30d	34	6

Playback	Listens	Hours
48h	131	11
7d	156	14
30d	1.1k	102

Playback	Listens	Hours
48h	140	9
7d	99	7
30d	975	66

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	14m

Playback	Listens	Hours
48h	233	34
7d	487	76
30d	4.2k	635

Playback	Listens	Hours
48h	5	26m
7d	27	3
30d	165	16

Playback	Listens	Hours
48h	221	38
7d	610	125
30d	1.9k	333

439 shows

729 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	329	50
7d	940	135
30d	6k	876

Playback	Listens	Hours
48h	2	10m
7d	27	2
30d	194	15

Playback	Listens	Hours
48h	89	6
7d	374	26
30d	1.4k	101

Playback	Listens	Hours
48h	915	72
7d	2.3k	210
30d	14.8k	1.2k

Playback	Listens	Hours
48h	0	0m
7d	30	2
30d	190	12

Playback	Listens	Hours
48h	12.7k	1.6k
7d	32.2k	3.9k
30d	205.5k	24.5k

Playback	Listens	Hours
48h	57	7
7d	78	11
30d	933	133

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.5k

Playback	Listens	Hours
48h	667	62
7d	1.7k	159
30d	10.5k	999

Playback	Listens	Hours
48h	71	11
7d	138	21
30d	1.2k	202

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	2	4m
30d	3	6m

Playback	Listens	Hours
48h	64	13
7d	201	36
30d	1.2k	217

464 shows

675 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	1m
30d	3	13m

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	632	85
7d	1.2k	167
30d	24.9k	3.3k

Playback	Listens	Hours
48h	2.9k	417
7d	10.6k	1.4k
30d	27.3k	3.7k

Playback	Listens	Hours
48h	678	91
7d	1.6k	209
30d	12.7k	1.7k

Playback	Listens	Hours
48h	498	61
7d	1k	139
30d	14.5k	1.8k

Playback	Listens	Hours
48h	2.7k	351
7d	4.3k	555
30d	20.2k	2.7k

Playback	Listens	Hours
48h	6.1k	788
7d	25.3k	3.3k
30d	99.1k	12.9k

Playback	Listens	Hours
48h	5k	626
7d	18.5k	2.3k
30d	118.2k	15k

Playback	Listens	Hours
48h	1.8k	211
7d	4.6k	542
30d	48.9k	5.9k

Playback	Listens	Hours
48h	8.6k	874
7d	8.1k	956
30d	62.3k	7k

Playback	Listens	Hours
48h	482	53
7d	1.2k	139
30d	18.7k	2.1k

Playback	Listens	Hours
48h	3.5k	399
7d	12.1k	1.4k
30d	68.1k	8k

Playback	Listens	Hours
48h	2k	263
7d	14.2k	1.8k
30d	65k	8.2k

Playback	Listens	Hours
48h	1.4k	180
7d	3.1k	403
30d	22.2k	2.9k

Playback	Listens	Hours
48h	4.7k	625
7d	3.6k	450
30d	20.6k	2.5k

Playback	Listens	Hours
48h	1.5k	192
7d	4.3k	541
30d	55.8k	7k

Playback	Listens	Hours
48h	1.8k	210
7d	3.9k	447
30d	29.2k	3.4k

Playback	Listens	Hours
48h	1.4k	190
7d	3.4k	477
30d	24.8k	3.4k

Playback	Listens	Hours
48h	2.4k	328
7d	4.7k	637
30d	54.1k	7.2k

Playback	Listens	Hours
48h	7.1k	983
7d	14.6k	2.1k
30d	89.7k	12.6k

Playback	Listens	Hours
48h	3.4k	442
7d	10.5k	1.4k
30d	92.4k	12.2k

45 shows

298 tapes

1975

Playback	Listens	Hours
48h	409	42
7d	861	90
30d	4k	415

Playback	Listens	Hours
48h	8.7k	1k
7d	19.1k	2.5k
30d	78.4k	10.3k

Playback	Listens	Hours
48h	3.4k	440
7d	8k	1k
30d	62.7k	8k

Playback	Listens	Hours
48h	5.8k	713
7d	17k	2k
30d	50.5k	6.2k

Playback	Listens	Hours
48h	1.9k	211
7d	3.7k	420
30d	27.2k	3k

Playback	Listens	Hours
48h	1.5k	169
7d	3.4k	376
30d	25.5k	2.7k

Playback	Listens	Hours
48h	879	127
7d	1.9k	265
30d	20.2k	2.8k

Playback	Listens	Hours
48h	464	59
7d	979	126
30d	5.1k	672

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	86	12
7d	472	56
30d	2k	267

Playback	Listens	Hours
48h	253	16
7d	711	49
30d	7.7k	555

Playback	Listens	Hours
48h	29	2
7d	73	4
30d	447	26

1974

Playback	Listens	Hours
48h	0	0m
7d	4	27m
30d	32	3

San Francisco, CA, USA

682

Playback	Listens	Hours
48h	40	4
7d	85	10
30d	682	83

San Francisco, CA, USA

Playback	Listens	Hours
48h	100	12
7d	110	15
30d	1k	128

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	74	13
7d	176	29
30d	1.2k	185

San Francisco, CA, USA

569

Playback	Listens	Hours
48h	21	2
7d	84	10
30d	569	62

San Francisco, CA, USA

472

Playback	Listens	Hours
48h	22	4
7d	129	19
30d	472	85

Playback	Listens	Hours
48h	5	60m
7d	37	5
30d	134	19

Playback	Listens	Hours
48h	18	2
7d	75	10
30d	253	34

Playback	Listens	Hours
48h	49	7
7d	79	11
30d	509	71

Playback	Listens	Hours
48h	0	0m
7d	48	7
30d	149	21

Playback	Listens	Hours
48h	90	14
7d	234	42
30d	967	173

Playback	Listens	Hours
48h	11	1
7d	123	22
30d	324	58

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	134	18

Playback	Listens	Hours
48h	141	20
7d	254	33
30d	1.5k	198

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

489

Playback	Listens	Hours
48h	17	2
7d	138	16
30d	489	64

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

472

Playback	Listens	Hours
48h	13	1
7d	125	18
30d	472	66

Playback	Listens	Hours
48h	141	17
7d	284	34
30d	1.4k	166

Playback	Listens	Hours
48h	61	8
7d	101	14
30d	488	61

Playback	Listens	Hours
48h	114	14
7d	285	36
30d	2.6k	329

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

1.2k

Playback	Listens	Hours
48h	5k	548
7d	462	51
30d	1.2k	136

Playback	Listens	Hours
48h	140	18
7d	4.6k	571
30d	4.9k	615

Playback	Listens	Hours
48h	272	37
7d	6.1k	855
30d	7.3k	1k

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

6.4k

Playback	Listens	Hours
48h	81	12
7d	204	30
30d	6.4k	909

Playback	Listens	Hours
48h	148	22
7d	303	47
30d	8k	1.1k

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

10.4k

Playback	Listens	Hours
48h	275	38
7d	596	82
30d	10.4k	1.4k

Playback	Listens	Hours
48h	221	25
7d	390	44
30d	3.1k	359

Playback	Listens	Hours
48h	92	10
7d	161	17
30d	1k	124

Playback	Listens	Hours
48h	32	4
7d	174	21
30d	672	79

Playback	Listens	Hours
48h	250	35
7d	431	61
30d	3.2k	465

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

1.3k

Playback	Listens	Hours
48h	88	13
7d	182	29
30d	1.3k	199

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

760

Playback	Listens	Hours
48h	59	8
7d	127	17
30d	760	105

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

751

Playback	Listens	Hours
48h	129	12
7d	106	11
30d	751	76

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

Playback	Listens	Hours
48h	56	7
7d	174	27
30d	1k	140

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

6.3k

Playback	Listens	Hours
48h	366	41
7d	1.2k	134
30d	6.3k	693

Vancouver, British Columbia, Canada

610

Playback	Listens	Hours
48h	48	5
7d	131	14
30d	610	66

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

1.7k

Playback	Listens	Hours
48h	88	12
7d	228	35
30d	1.7k	230

Playback	Listens	Hours
48h	38	4
7d	101	12
30d	508	63

Playback	Listens	Hours
48h	170	19
7d	399	44
30d	1.9k	205

Playback	Listens	Hours
48h	4	23m
7d	8	38m
30d	95	8

San Francisco, CA, USA

1.8k

Playback	Listens	Hours
48h	58	9
7d	448	66
30d	1.8k	263

San Francisco, CA, USA

911

Playback	Listens	Hours
48h	98	13
7d	158	19
30d	911	108

San Francisco, CA, USA

983

Playback	Listens	Hours
48h	69	7
7d	72	7
30d	983	103

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)