Ripple | 1988-09-03 | Grateful Dead

Bands

Featured

Grateful Dead

2,064 shows

17,321 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,083 shows

1,447 tapes

Jerry's Middle Finger

176 shows

211 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,244 shows

1,990 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1988

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

San Francisco, CA, USA

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Hartford Civic Center

Hartford Civic Center

Hartford Civic Center

Summer 1988

Metropolitan Sports Center

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Buckeye Lake Music Center

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Oxford Plains Speedway

Oxford Plains Speedway

Laguna Seca Recreation Area

Laguna Seca Recreation Area

Laguna Seca Recreation Area

Autzen Stadium, U. of Oregon

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Bayfront Center Arena

St. Petersburg, FL, USA

Keifer Lakefront Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

4:07:00

11 tapes

Songs

Sources

SOURCE 1 OF 18

2:23:25

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] August 23, 2022

SHNID:

gd1988-09-03.157832.UltraMatrix.sbd.cm.miller.t.flac1644

Source:

Ultramatrix SBD > Cassette Master (TDK SA-X90)

Lineage:

Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- This is 157681 2496 > 1644

SOURCE 2 OF 18

2:23:24

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] August 23, 2022

SHNID:

gd1988-09-03.157681.ultramarix.miller.flac2496

Source:

Ultramatrix SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24

SOURCE 3 OF 18

gd88-09-03.sbd-encores.miller.31224.sbeok.flacf

Source:

flac16 Encores verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC

Lineage:

Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller

Taper Notes:

View Notes<b>flac16</b>; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller

SOURCE 4 OF 18

gd1988-09-03.136755.5-1.tobin.flac1648

Source:

flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch;

Taper Notes:

View Notes5.1 LPCM Surround Sound Mix (48k)
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 20-AUG-2016 - Trader Little Helper
- Tagged 20-AUG-2016 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 5 OF 18

gd1988-09-03.136753.dts.tobin.flac16

Source:

DTS-Audio-CD 5.1 Mix; SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch;

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 20-AUG-2016 - Trader Little Helper
- Tagged 20-AUG-2016 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 6 OF 18

gd1988-09-03.136752.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch;

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 20-AUG-2016 - Trader Little Helper
- Tagged 20-AUG-2016 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 7 OF 18

gd1988-09-03.136750.upg-sbd.tobin.flac16

Source:

(original shnid = 27749) verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch;

Lineage:

Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; & (original shnid = 31224) Vault dat SBD (of encore) - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesPatched and pitch corrected soundboard

Brokedown House Production

SOURCE 8 OF 18

gd88-09-03.sbd.miller.27749.sbeok.flacf

Source:

flac16

Lineage:

Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller

Taper Notes:

View Notes<b>flac16</b>; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller

SOURCE 9 OF 18

Scott Clugston, Charlie Miller

SHNID:

gd1988-09-03.163790.nak300.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Boyd McHugh for the Nakamichi 100 source which supplies a 0:26 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
January 2022

SOURCE 10 OF 18

Scott Clugston, Charlie Miller

SHNID:

gd1988-09-03.163789.nak300.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Boyd McHugh for the Nakamichi 100 source which supplies a 0:26 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
January 2022

SOURCE 11 OF 18

Charlie Miller and Joe Noel

SHNID:

gd1988-09-03.142142.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644

Source:

Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller

Lineage:

Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16

Taper Notes:

View NotesPatch info:
- shnid 136751 (AKG-OTS) supplies
- s2t11; 09:59 - 10:49

Notes:
- Master PCM courtesy of Ted Mattes
- Thanks to Don Crandall & Chris Huron for manning Ted's rig.
- Thanks to Charlie Miller for directing traffic
- 1st row tapers section
- DC offset removed
- Dixie tuning before M&MU
- Big River has a Mexicali intro
- last Ripple (acoustic): 10-16-81 [459] 
- last/final Ripple (electric): 04-29-71 [1113]

SOURCE 12 OF 18

DES and Charlie Miller

SHNID:

gd88-09-03.aud.miller.5913.sbeok.shnf

SOURCE 13 OF 18

2:20:38

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 01, 2020

SHNID:

gd1988-09-03.150549.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info:
- shnid 142142 (Schoeps CMC3 MK41) supplies
- s1t06; 0:43 - 0:55, 07:02 - end (Dixie tuning)
- s1t07; 0:57 - end
- s1t08; all
- s2t07; 05:08 - end
- s2t08; start - 00:10

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for transfer
- Thanks to Don Crandall, Chris Huron, et al. for the patch source
- pitch corrected
- The mix for the 1st minute (s1t01) is a bit rough. Gets much better after that.
- Dixie tuning before M&MU
- Big River has a Mexicali intro
- last Ripple (acoustic): 10-16-81 [459]
- last/final Ripple (electric): 04-29-71 [1113]

SOURCE 14 OF 18

gd1988-09-03.136751.upg-aud.tobin.flac16

Source:

(original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet

Taper Notes:

View NotesPatched and pitch corrected audience

SOURCE 15 OF 18

gd1988-09-03.131130.nakcm100.datbrad.flac16

Source:

OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s);

Lineage:

Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD

SOURCE 16 OF 18

gd1988-09-03.akgmics.suraci.82980.sbeok.flac16

Source:

AKG>Sony D5M

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View Notes*I got shut out for taper tix and hooked up a patch. It was tough to get 
near the section, so my D5 was handed to the taper. He was using small diameter 
AKG mics, probably 451's or 461's and a full sized DAT recorder. Unfortunately,
I do not remember his name.

# The OTS was in the first riser at the back of the floor.

Notes: This is the 16 bit version.

SOURCE 17 OF 18

gd1988-09-03.nak100.mchugh.82967.sbeok.flac16

Source:

NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section([email protected])

Lineage:

MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom ([email protected]) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl ([email protected]) > flac

Taper Notes:

View Notesleft channel levels vary for first ~40 secs of Box.

There is a tape flip before Bird Song. No music missing.
There is a tape flip at 5:21.03 of Space which, after editing, is not perceptible to the human ear, at least not to mine!

I received this show in .shn format and converted them to .flac with shntool (shntool conv -o flac *.shn) prior to circulating.  The files were renamed to Etree standards.  Trader's Little Helper was used to generate checksums.  Shntool was used to verify that all tracks were cut on sector boundaries.

SOURCE 18 OF 18

gd1988-09-03.senn4xx.hubbard.bandrofcheck.82511.sbeok.flac16

Source:

Sennheiser 4xx's > Marantz PMDxxx > MC

Lineage:

Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.

Taper Notes:

View NotesEncores will fit at the end of Disc 1.  I chose to track it this way
for continuity and filler at the end of Disc 3.