Bands
Featured
Grateful Dead
2,065 shows
17,046 tapes
Phish
Powered by Phish.in
1,760 shows
1,763 tapes
Bands
7 Walkers
68 shows
105 tapes
Akron/Family
39 shows
42 tapes
American Babies
89 shows
108 tapes
Andrew Bird
121 shows
127 tapes
Animal Collective
109 shows
116 tapes
Animal Liberation Orchestra
406 shows
505 tapes
Aquarium Rescue Unit
145 shows
207 tapes
Aqueous
160 shows
247 tapes
Assembly of Dust
268 shows
395 tapes
Barefoot Manner
102 shows
107 tapes
Bela Fleck and the Flecktones
445 shows
552 tapes
Benevento Russo Duo
274 shows
377 tapes
Ben Kweller
31 shows
34 tapes
Bernie Worrell Orchestra
19 shows
27 tapes
Billy Strings
446 shows
887 tapes
Billy & the Kids
17 shows
61 tapes
Blueground Undergrass
178 shows
197 tapes
Blues Traveler
1,161 shows
1,518 tapes
Bobby Previte
17 shows
23 tapes
Bob Weir
276 shows
452 tapes
Boyfriends
3 shows
8 tapes
Brothers Past
451 shows
563 tapes
Built To Spill
391 shows
433 tapes
Cabinet
604 shows
1,080 tapes
Camper Van Beethoven
366 shows
460 tapes
Charlie Hunter
363 shows
472 tapes
Charlie Parr
222 shows
247 tapes
Choice And Company
1 show
1 tape
Chris Forsyth
37 shows
39 tapes
Chris Harford
75 shows
89 tapes
Circles Around The Sun
93 shows
145 tapes
Club d'Elf
458 shows
881 tapes
Cracker
510 shows
650 tapes
Cubensis
790 shows
844 tapes
Daniel Donato
103 shows
139 tapes
Dark Star Orchestra
725 shows
960 tapes
Dave Harrington
14 shows
28 tapes
Dawes
83 shows
94 tapes
Dead and Company
214 shows
687 tapes
Deep Banana Blackout
163 shows
212 tapes
Del McCoury Band
349 shows
524 tapes
Derek Trucks Band
718 shows
1,025 tapes
Disco Biscuits
1,071 shows
1,684 tapes
Dispatch
48 shows
56 tapes
Dogs In A Pile
71 shows
87 tapes
Donna the Buffalo
960 shows
1,182 tapes
Dopapod
343 shows
706 tapes
Drive-By Truckers
768 shows
1,115 tapes
Dub Apocalypse
273 shows
417 tapes
Eddie Roberts
32 shows
40 tapes
Eggy
70 shows
140 tapes
EGi
47 shows
50 tapes
ekoostik hookah
799 shows
1,011 tapes
Electric Beethoven
27 shows
44 tapes
Elliott Smith
143 shows
159 tapes
Eric Krasno
102 shows
150 tapes
Everyone Orchestra
176 shows
279 tapes
Formula 5
80 shows
86 tapes
Fruition
489 shows
742 tapes
Fugazi
24 shows
27 tapes
Furthur
246 shows
1,213 tapes
Garage A Trois
87 shows
122 tapes
Garaj Mahal
301 shows
394 tapes
Garcia Peoples
46 shows
58 tapes
Ghost Light
102 shows
165 tapes
G. Love and Special Sauce
194 shows
225 tapes
G-Nome Project
14 shows
15 tapes
Godspeed You Black Emperor!
413 shows
577 tapes
God Street Wine
351 shows
463 tapes
Goose
204 shows
500 tapes
Grace Potter
353 shows
580 tapes
Grampas Grass
57 shows
68 tapes
Greensky Bluegrass
819 shows
1,357 tapes
Greyboy Allstars
198 shows
272 tapes
GrooveSession
117 shows
142 tapes
Guerilla Toss
46 shows
50 tapes
Guitarmageddon
21 shows
24 tapes
Guster
697 shows
957 tapes
Hard Working Americans
73 shows
130 tapes
Holly Bowling
174 shows
211 tapes
Horseshoes and Hand Grenades
191 shows
254 tapes
Hot Buttered Rum
665 shows
837 tapes
Infamous Stringdusters
563 shows
902 tapes
Jackie Greene
339 shows
458 tapes
Jack Johnson
145 shows
171 tapes
Jazz Mandolin Project
205 shows
250 tapes
Jeff Austin and Chris Castino
12 shows
14 tapes
Jeff Austin And Friends
33 shows
46 tapes
Jeff Austin Band
112 shows
160 tapes
Jerry Joseph and the Jackmormons
1,062 shows
1,405 tapes
Jerry's Middle Finger
143 shows
172 tapes
Joe Russo Presents: Hooteroll? + Plus
2 shows
5 tapes
Joe Russo's Almost Dead
289 shows
968 tapes
John Kadlecik
435 shows
707 tapes
John Mayer
368 shows
446 tapes
John Popper
77 shows
103 tapes
Josh Ritter
74 shows
91 tapes
J.Wail
10 shows
12 tapes
Karina Rykman
55 shows
80 tapes
Keller Williams
994 shows
1,303 tapes
Kikagaku Moyo
40 shows
50 tapes
King Gizzard & the Lizard Wizard
105 shows
160 tapes
Kitchen Dwellers
246 shows
296 tapes
Kung Fu
304 shows
490 tapes
KVHW
76 shows
130 tapes
Leftover Salmon
867 shows
1,133 tapes
Lettuce
413 shows
635 tapes
Little Feat
787 shows
1,004 tapes
Los Lobos
727 shows
865 tapes
Lotus
419 shows
585 tapes
Marco Benevento
194 shows
270 tapes
Marcus King Band
235 shows
317 tapes
Matisyahu
343 shows
441 tapes
Matt Pond PA
12 shows
19 tapes
Max Creek
2,007 shows
2,958 tapes
Meat Puppets
228 shows
258 tapes
Mermen
147 shows
157 tapes
Minutemen
49 shows
53 tapes
moe.
1,852 shows
4,162 tapes
Mogwai
358 shows
445 tapes
Moon Taxi
88 shows
109 tapes
My Morning Jacket
390 shows
557 tapes
Nathan Moore
43 shows
47 tapes
Neal Francis
26 shows
33 tapes
Neighbor
83 shows
158 tapes
Nels Cline
42 shows
48 tapes
New Riders of the Purple Sage
384 shows
563 tapes
North Mississippi Allstars
871 shows
1,354 tapes
O.A.R.
537 shows
668 tapes
Pachyderm
29 shows
30 tapes
Papadosio
124 shows
245 tapes
Percy Hill
156 shows
193 tapes
Perpetual Groove
661 shows
879 tapes
Phil Lesh and Friends
776 shows
2,784 tapes
Pigeons Playing Ping Pong
296 shows
427 tapes
Pink Talking Fish
245 shows
364 tapes
Railroad Earth
1,157 shows
2,043 tapes
RANA
25 shows
26 tapes
Raq
274 shows
395 tapes
Ratdog
660 shows
1,148 tapes
Robert Hunter
234 shows
344 tapes
Rumpke Mountain Boys
373 shows
438 tapes
Ryan Adams
562 shows
706 tapes
Ryan Jewell
10 shows
11 tapes
Ryley Walker
74 shows
93 tapes
Scott Metzger
120 shows
228 tapes
Shafty
28 shows
28 tapes
Smashing Pumpkins
841 shows
1,418 tapes
Sound Tribe Sector 9
554 shows
738 tapes
Spafford
350 shows
516 tapes
Spoon
79 shows
86 tapes
Stanton Moore
184 shows
222 tapes
Steve Kimock
353 shows
567 tapes
Steve Kimock Band
369 shows
550 tapes
Strangefolk
654 shows
1,068 tapes
String Cheese Incident
1,224 shows
1,952 tapes
Surprise Me Mr. Davis
52 shows
59 tapes
Taper's Choice
24 shows
26 tapes
TAUK
170 shows
262 tapes
Tea Leaf Green
726 shows
1,111 tapes
Tedeschi Trucks Band
623 shows
1,116 tapes
Ted Leo and the Pharmacists
24 shows
25 tapes
Tenacious D
51 shows
56 tapes
The Big Wu
392 shows
443 tapes
The Breakfast
467 shows
618 tapes
The California Honeydrops
66 shows
71 tapes
The Clock Reads
64 shows
78 tapes
The Dead
110 shows
384 tapes
The Decemberists
85 shows
101 tapes
The Heavy Pets
156 shows
214 tapes
The Higgs
154 shows
185 tapes
The HippoCampus
25 shows
25 tapes
The Jauntee
650 shows
738 tapes
The Motet
264 shows
346 tapes
The Mountain Goats
391 shows
439 tapes
The National
105 shows
132 tapes
The New Deal
244 shows
320 tapes
The New Mastersounds
262 shows
406 tapes
The Other Ones
76 shows
246 tapes
The Radiators
1,328 shows
1,503 tapes
The Walkmen
17 shows
18 tapes
The War on Drugs
63 shows
83 tapes
The Werks
26 shows
193 tapes
The Wood Brothers
192 shows
248 tapes
Trampled by Turtles
164 shows
196 tapes
Trevor Garrod
12 shows
12 tapes
Trey Anastasio
464 shows
464 tapes
Turkuaz
129 shows
202 tapes
Twiddle
434 shows
716 tapes
Umphrey's McGee
1,704 shows
3,195 tapes
Vulfpeck
30 shows
41 tapes
Warren Zevon
158 shows
211 tapes
Ween
573 shows
1,035 tapes
White Denim
34 shows
46 tapes
Widespread Panic
Powered by PanicStream
2,411 shows
2,651 tapes
Yes
1,417 shows
2,245 tapes
Yonder Mountain String Band
1,341 shows
2,067 tapes
Zebu
20 shows
20 tapes
Zero
453 shows
647 tapes
Zoofunkyou
25 shows
27 tapes
1977
2/17
SBD
Sound City
Van Nuys, CA
1:16:53
3 tapes
2/20
SBD
Studio (Terrapin Station Outtakes)
Novato, CA
54:54
1 tape
2/26
SBD
Swing Auditorium
San Bernardino, CA, USA
5:39:22
10 tapes
2/27
SBD
Robertson Gym, UC Santa Barbara
Goleta, CA, USA
2:31:18
7 tapes
3/01
SBD
Multiple
Multiple
3:10:50
1 tape
3/18
SBD
Winterland Arena
San Francisco, CA, USA
3:16:04
10 tapes
3/19
SBD
Winterland Arena
San Francisco, CA, USA
3:12:59
9 tapes
3/20
SBD
Winterland Arena
San Francisco, CA, USA
3:08:00
7 tapes
Spring 1977
4/22
SBD
The Spectrum
Philadelphia, PA, USA
2:57:35
4 tapes
4/23
SBD
Springfield Civic Center
Springfield, MA, USA
5:56:53
13 tapes
4/25
SBD
Capitol Theater
Late Show Port Chester, NY, USA
2:38:35
5 tapes
4/26
Capitol Theater
Late Show Port Chester, NY, USA
2:26:58
1 tape
4/27
SBD
Capitol Theater
Late Show Port Chester, NY, USA
2:55:14
5 tapes
4/29
The Palladium
New York, NY, USA
3:17:53
1 tape
4/30
The Palladium
New York, NY, USA
3:04:09
2 tapes
5/01
SBD
The Palladium
New York, NY, USA
3:28:45
8 tapes
5/03
SBD
The Palladium
New York, NY, USA
3:12:57
5 tapes
5/04
SBD
The Palladium
New York, NY, USA
2:55:12
8 tapes
5/05
SBD
Veterans Memorial Coliseum
New Haven, CT, USA
5:49:16
9 tapes
5/07
SBD
Boston Garden
Boston, MA, USA
3:15:28
8 tapes
5/08
SBD
Barton Hall, Cornell University
Ithaca, NY, USA
3:24:27
23 tapes
5/09
SBD
War Memorial Auditorium
Buffalo, NY, USA
5:15:24
7 tapes
5/11
SBD
St. Paul Civic Center
St. Paul, MN, USA
5:53:21
7 tapes
5/12
Auditorium Theatre
Chicago, IL, USA
2:29:28
2 tapes
5/13
SBD
Auditorium Theatre
Chicago, IL, USA
2:41:09
3 tapes
5/15
SBD
St. Louis Arena
St. Louis, MO, USA
3:01:19
9 tapes
5/17
SBD
Memorial Coliseum, U. of Alabama
Tuscaloosa, AL, USA
6:06:15
5 tapes
5/18
SBD
Fox Theater
Atlanta, GA, USA
2:56:45
3 tapes
5/19
SBD
Fox Theater
Atlanta, GA, USA
3:10:08
4 tapes
5/21
SBD
Lakeland Civic Center
4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA
3:05:23
4 tapes
5/22
SBD
The Sportatorium
Pembroke Pines, FL, USA
3:17:29
8 tapes
5/25
SBD
The Mosque
Richmond, VA, USA
2:58:32
11 tapes
5/26
SBD
Baltimore Civic Center
Baltimore, MD, USA
3:01:55
7 tapes
5/28
SBD
Hartford Civic Center
Hartford, CT, USA
3:19:35
10 tapes
6/04
The Forum
Inglewood, CA, USA
3:05:07
3 tapes
6/07
SBD
Winterland Arena
San Francisco, CA, USA
3:06:40
6 tapes
6/08
SBD
Winterland Arena
San Francisco, CA, USA
3:21:30
7 tapes
6/09
SBD
Winterland Arena
San Francisco, CA, USA
2:54:48
10 tapes
9/03
SBD
Raceway Park
Englishtown, NJ, USA
3:19:18
6 tapes
9/28
SBD
Paramount Northwest Theater
Seattle, WA, USA
2:42:09
3 tapes
9/29
SBD
Paramount Northwest Theater
Seattle, WA, USA
2:53:08
5 tapes
10/01
SBD
Paramount Theater
Portland, OR, USA
2:43:45
7 tapes
10/02
SBD
Paramount Theater
Portland, OR, USA
2:43:21
6 tapes
10/06
SBD
Activity Center. Arizona State U
Tempe, AZ, USA
2:58:04
10 tapes
10/07
SBD
U. of New Mexico
Albuquerque, NM, USA
1:26:46
3 tapes
10/09
SBD
McNichols Sports Arena
Denver, CO, USA
2:32:43
6 tapes
10/11
SBD
Lloyd Noble Center, U. of Oklahoma
Norman, OK, USA
2:37:06
8 tapes
10/12
SBD
Manor Downs
Austin, TX, USA
2:34:16
4 tapes
10/14
SBD
Hofheinz Pavilion
Houston, TX, USA
2:59:15
4 tapes
10/15
SBD
Moody Coliseum, S.M.U
Dallas, TX, USA
2:56:00
7 tapes
10/16
SBD
Assembly Center, Lousiana State U
Baton Rouge, LA, USA
2:39:05
5 tapes
10/28
SBD
Soldiers' and Sailors' Memorial Hall
Kansas City, KS, USA
3:00:28
6 tapes
10/29
SBD
Field House, Northern Illinois U.
De Kalb, IL, USA
3:20:06
8 tapes
10/30
SBD
Assembly Hall, Indiana U
Bloomington, IN, USA
2:37:00
7 tapes
11/01
SBD
COBO Arena
Detriot, MI, USA
2:29:26
2 tapes
11/02
SBD
Field House, Seneca College
Toronto, Ontario, Canada
3:00:36
4 tapes
11/04
SBD
Cotterrell Gym, Colgate U.
Hamilton, NY, USA
3:03:06
11 tapes
11/05
SBD
Community War Memorial Auditorium
Rochester, NY, USA
2:57:39
6 tapes
11/06
SBD
Broome County Arena
Binghamton, NY, USA
2:52:12
7 tapes
12/27
SBD
Winterland Arena
San Francisco, CA, USA
3:05:52
4 tapes
12/29
SBD
Winterland Arena
San Francisco, CA, USA
3:10:33
8 tapes
12/30
SBD
Winterland Arena
San Francisco, CA, USA
2:51:59
8 tapes
12/31
SBD
Winterland Arena
San Francisco, CA, USA
3:00:54
14 tapes
Songs
Sources
SOURCE 1 OF 23
2:58:43
SBD
Rating:
8.00 / 3 ratings
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48
Taper Notes:
View Notespatch info: - shnid 137569 supplies - s1t01; start - 01:00 - s1t08; 03:18 - end - s1t09; start - 00:25 - s2t10; 04:36 - end Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to dusborne for his work on the matrix
SOURCE 2 OF 23
2:56:32
SBD
Rating:
8.00 / 18 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1977-05-08.mtx.seamons.97274.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes---------------------------------------------------- SBD (shnid=4982): Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) ---------------------------------------------------- AUD (shnid=29303): Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Notes: 10 Feet From Stage = Great Instrument Pickup, Vocals A Bit Lower Than Moore's Copy. A Few Pauses But Not Many, Tape Filp After Supplication, Flip During NFA Crossfaded And Is Barely Noticeable, Probably Lost 3-4 Sec's, Minimal Crowd Chatter, But With Handheld Mic's, Up Front, There Are A Few Spots Where In An Ideal World, A Few People Would Have Been Standing Somewhere Else. If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It! Recording And Transfer: Jeff Stevenson --------------------------------------------------- Thank you to Rob Eaton for the SBD transfer, and to Jeff Stevenson for recording this all-time great show. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
SOURCE 3 OF 23
1:03:29
SBD
SHNID:
gd1977-05-08.sbd.cube.87486.flac16
Source:
See info file
Lineage:
See info file
SOURCE 4 OF 23
2:45:47
SBD
Rating:
9.58 / 19 ratings
Transferrer:
Dan Haugh
SHNID:
gd1977-05-08.mtx.dan.35086.flac24
Source:
DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for the SBD & both AUDs. CEP was used to do the multitrack mixdown to 24/96. This is a 60% SBD, 20% AUD1, 20% AUD2 mix. DiscWelder was used to author and create the DVD-Audio in 24/96. DVD Decryptor read and created the ISO image file. This incorporates 2 channels of 24/96 wave files. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double DVD case. --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. This represents the 24 bit files that are the result of all my editing and the multitrack mixdown. It is unclear exactly what we have in the way of high resolution. However it seems there is agreement that what we have cannot be represented accurately in 16/44. What you are getting is the full result of the matrix mix process. How much different does this sound? is this better? A little and yes. This is more accurate and has more dynamic range. 24/96 resolution versus a 16/44 of the same material will usually result in very subtle but important differences. Most of it relying on the quality of the DVD-A player and the D to A conversion. With that in mind, this 24 bit copy is no different. Small but important gains over the same material in 16/44. This is just one man's take. Take it or leave it. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. The SBD+AUD matrix details. The stereo matrix it is approx 60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD. The matrix mix on the center channel is a 50/50 with just the SBD and Steve Maizner's AUD. I also D'EQ'd both sources to pull up the vocals and give the center channel a unique sound as not to detract from the front stereo imaging or the rear surround effect. You will also note that the rear channels are just Jerry's AUD and not a matrix of the 2 AUD sources. I did give that configuration a listen but opted for the single rear source. It was clearer and had more definition on its own. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. --------------------------------------------------------- Burning Instructions A & B A. Use DVD Decryptor or similar program to burn as an image file (ISO) onto a DVDR. Enjoy. B. This may also circulate as 2 channel FLAC files and will require assembly. Included is the discwelder file. If you use that program, decode all the FLAC file and stick them in a folder. Click on the DiscWelder file (which will open DiscWelder) and point it towards that folder with the wave files and VIOLA! DVD-A pre-assembled and ready to author. ---------------------------------------------------------
SOURCE 5 OF 23
3:00:02
SBD
Rating:
9.33 / 293 ratings
Taper:
Steve Maizner
Transferrer:
Rob Eaton
SHNID:
gd77-05-08.sbd.hicks.4982.sbeok.shnf
Source:
Matrix (see notes)
Taper Notes:
View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton; Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks
SOURCE 6 OF 23
3:24:27
SBD
Rating:
9.44 / 36 ratings
Taper:
Betty Cantor
Transferrer:
Darrin Sacks
SHNID:
gd1977-05-08.sbd.cantor.sacks.266.shnf
Source:
WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN
Taper Notes:
View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD
SOURCE 7 OF 23
2:49:17
Rating:
7.88 / 17 ratings
Taper:
Jerry Moore
Transferrer:
Charlie Miller;Rob Berger
SHNID:
gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24
Source:
source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
SOURCE 8 OF 23
2:49:17
Rating:
10.00 / 6 ratings
Taper:
Jerry Moore
Transferrer:
Charlie Miller, Rob Berger
SHNID:
gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16
Source:
source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
SOURCE 9 OF 23
2:33:27
Rating:
8.00 / 1 rating
Taper:
Recording by Rich Petrunis.
Transferrer:
Transferred by Andrew F. 04/2021
SHNID:
gd1977-05-08.152379.aud.petrunis.flac2448
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Most of the stand-alone tracks clip-in abruptly with small amounts missing. Noted flaws: The tape broke, causing drop-outs at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication cuts-out near the end. Taper got disrupted or lowered the mic in Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33. With thanks to John and Rich Petrunis for sharing their tapes!
SOURCE 10 OF 23
2:56:25
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1977-05-08.137572.mtx-2aud.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels
Lineage:
technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson
SOURCE 11 OF 23
2:56:23
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1977-05-08.137571.mtx-2aud.dusborne.flac24
Source:
2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels
Lineage:
technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson
SOURCE 12 OF 23
3:02:48
REMASTER
Rating:
10.00 / 6 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1977-05-08.137570.mtx.dusborne.flac16
Source:
3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels
Lineage:
technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson
SOURCE 13 OF 23
3:02:47
REMASTER
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1977-05-08.137569.mtx.dusborne.flac24
Source:
3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels
Lineage:
technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson
SOURCE 14 OF 23
2:26:43
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1977-05-08.134093.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger
SOURCE 15 OF 23
2:56:29
Rating:
9.24 / 34 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1977-05-08.111493.mtx.seamons.sbeok.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>
Taper Notes:
View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix. Jerry Garcia - Lead Guitar, Vocals Donna Jean Godchaux - Vocals Keith Godchaux - Keyboards Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Bob Weir - Rhythm Guitar, Vocals *40th Matrix* ---------------------------------------------------- SBD (shnid=4982): Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) ---------------------------------------------------- AUD (shnid=29303): Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Notes: 10 Feet From Stage = Great Instrument Pickup, Vocals A Bit Lower Than Moore's Copy. A Few Pauses But Not Many, Tape Filp After Supplication, Flip During NFA Crossfaded And Is Barely Noticeable, Probably Lost 3-4 Sec's, Minimal Crowd Chatter, But With Handheld Mic's, Up Front, There Are A Few Spots Where In An Ideal World, A Few People Would Have Been Standing Somewhere Else. If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It! Recording And Transfer: Jeff Stevenson --------------------------------------------------- Thank you to Rob Eaton for the SBD transfer, and to Jeff Stevenson for recording this all-time great show. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing. Thank you for your continued patience and support. -Hunter February 14, 2010
SOURCE 16 OF 23
2:45:47
Rating:
10.00 / 2 ratings
Taper:
See info file
Transferrer:
DTS and Matrixing by Dan Haugh
SHNID:
gd1977-05-08.mtx.dts.dan.30756.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesTech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. The center matrix track is a 60% SBD, 40% AUD2 mix. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Reel Right Channel SBD Reel Center Mixed to mono -6db SBD+AUD2 Matrix Surround Left Channel -2db AUD1 (with some AUD2 patches) Right Channel -2db AUD1 (with some AUD2 patches) Sub/LFE Mixed to mono -4db SBD Reel --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. The SBD+AUD matrix details. The stereo matrix it is approx 60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD. The matrix mix on the center channel is a 50/50 with just the SBD and Steve Maizner's AUD. I also D'EQ'd both sources to pull up the vocals and give the center channel a unique sound as not to detract from the front stereo imaging or the rear surround effect. You will also note that the rear channels are just Jerry's AUD and not a matrix of the 2 AUD sources. I did give that configuration a listen but opted for the single rear source. It was clearer and had more definition on its own. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
SOURCE 17 OF 23
2:45:47
Rating:
9.17 / 29 ratings
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1977-05-08.mtx.dan.29511.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) --------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. The SBD+AUD matrix details. The stereo matrix it is approx 60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD. The matrix mix on the center channel is a 50/50 with just the SBD and Steve Maizner's AUD. I also D'EQ'd both sources to pull up the vocals and give the center channel a unique sound as not to detract from the front stereo imaging or the rear surround effect. You will also note that the rear channels are just Jerry's AUD and not a matrix of the 2 AUD sources. I did give that configuration a listen but opted for the single rear source. It was clearer and had more definition on its own. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?
SOURCE 18 OF 23
2:54:10
Rating:
9.15 / 108 ratings
Taper:
Jeff Stevenson
Transferrer:
Jeff Stevenson
SHNID:
gd1977-05-08.shure57.stevenson.29303.flac16
Source:
Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC
Lineage:
MC>CDR>EAC>WAV>FLAC
Taper Notes:
View NotesNotes:10 Feet From Stage=Great Instrement Pickup, Vocals A Bit Lower Than Moore's Copy. A Few Pauses But Not Many,Tape Filp After D01T08,D03T03 Flip Durning NFA Crossfaded And Is Barely Noticeable, Probably Lost 3-4 Sec's Minimal Crowd Chatter, But With Handheld Mic's, Up Front, There Are A Few Spots Where In An Ideal World, A Few People Would Have Been Standing Somewhere Else. if Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!
SOURCE 19 OF 23
2:45:23
Rating:
8.00 / 5 ratings
Transferrer:
Rob Berger and Chris Larson
SHNID:
gd1977-05-08.aud.moore.berger.28354.flac16
Source:
MAC>R>CD
Taper Notes:
View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U. Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."
SOURCE 20 OF 23
2:45:22
Rating:
6.57 / 7 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger and Sean Cribbs
SHNID:
gd1977-05-08.aud.moore.cribbs.28301.shnf
Source:
MAC>R>CD
Taper Notes:
View NotesMAC>R>CD Audience Recording by Jerry Moore Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U. Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying." EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.
SOURCE 21 OF 23
1:15:11
Rating:
9.44 / 71 ratings
Transferrer:
Dan
SHNID:
gd77-05-08.matrix.dan.26857.sbeok.flacf
Source:
Matrix - 3 Sources
Taper Notes:
View NotesSBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN Tech Notes: SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix. - Mixed by [email protected] - FLAC conversion 08-MAY-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Notes: I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?
SOURCE 22 OF 23
1:15:11
Rating:
7.82 / 11 ratings
SHNID:
gd77-05-08.dts.dan.26856.sbeok.flacf
Source:
<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7
Taper Notes:
View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b> <b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version
SOURCE 23 OF 23
2:47:39
Rating:
9.37 / 118 ratings
Taper:
Steve Maizner
Transferrer:
Karen Hicks
SHNID:
gd77-05-08.maizner.hicks.5002.sbeok.shnf
Source:
Audience - Sony ECM-990
Lineage:
Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive
Taper Notes:
View NotesLineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks