Bands
Featured
Grateful Dead
2,065 shows
17,046 tapes
Phish
Powered by Phish.in
1,760 shows
1,763 tapes
Bands
7 Walkers
68 shows
105 tapes
Akron/Family
39 shows
42 tapes
American Babies
89 shows
108 tapes
Andrew Bird
121 shows
127 tapes
Animal Collective
109 shows
116 tapes
Animal Liberation Orchestra
406 shows
505 tapes
Aquarium Rescue Unit
145 shows
207 tapes
Aqueous
160 shows
247 tapes
Assembly of Dust
268 shows
395 tapes
Barefoot Manner
102 shows
107 tapes
Bela Fleck and the Flecktones
445 shows
552 tapes
Benevento Russo Duo
274 shows
377 tapes
Ben Kweller
31 shows
34 tapes
Bernie Worrell Orchestra
19 shows
27 tapes
Billy Strings
446 shows
887 tapes
Billy & the Kids
17 shows
61 tapes
Blueground Undergrass
178 shows
197 tapes
Blues Traveler
1,161 shows
1,518 tapes
Bobby Previte
17 shows
23 tapes
Bob Weir
276 shows
452 tapes
Boyfriends
3 shows
8 tapes
Brothers Past
451 shows
563 tapes
Built To Spill
391 shows
433 tapes
Cabinet
604 shows
1,080 tapes
Camper Van Beethoven
366 shows
460 tapes
Charlie Hunter
363 shows
472 tapes
Charlie Parr
222 shows
247 tapes
Choice And Company
1 show
1 tape
Chris Forsyth
37 shows
39 tapes
Chris Harford
75 shows
89 tapes
Circles Around The Sun
93 shows
145 tapes
Club d'Elf
458 shows
881 tapes
Cracker
510 shows
650 tapes
Cubensis
790 shows
844 tapes
Daniel Donato
103 shows
139 tapes
Dark Star Orchestra
725 shows
960 tapes
Dave Harrington
14 shows
28 tapes
Dawes
83 shows
94 tapes
Dead and Company
214 shows
687 tapes
Deep Banana Blackout
163 shows
212 tapes
Del McCoury Band
349 shows
524 tapes
Derek Trucks Band
718 shows
1,025 tapes
Disco Biscuits
1,071 shows
1,684 tapes
Dispatch
48 shows
56 tapes
Dogs In A Pile
71 shows
87 tapes
Donna the Buffalo
960 shows
1,182 tapes
Dopapod
343 shows
706 tapes
Drive-By Truckers
768 shows
1,115 tapes
Dub Apocalypse
273 shows
417 tapes
Eddie Roberts
32 shows
40 tapes
Eggy
70 shows
140 tapes
EGi
47 shows
50 tapes
ekoostik hookah
799 shows
1,011 tapes
Electric Beethoven
27 shows
44 tapes
Elliott Smith
143 shows
159 tapes
Eric Krasno
102 shows
150 tapes
Everyone Orchestra
176 shows
279 tapes
Formula 5
80 shows
86 tapes
Fruition
489 shows
742 tapes
Fugazi
24 shows
27 tapes
Furthur
246 shows
1,213 tapes
Garage A Trois
87 shows
122 tapes
Garaj Mahal
301 shows
394 tapes
Garcia Peoples
46 shows
58 tapes
Ghost Light
102 shows
165 tapes
G. Love and Special Sauce
194 shows
225 tapes
G-Nome Project
14 shows
15 tapes
Godspeed You Black Emperor!
413 shows
577 tapes
God Street Wine
351 shows
463 tapes
Goose
204 shows
500 tapes
Grace Potter
353 shows
580 tapes
Grampas Grass
57 shows
68 tapes
Greensky Bluegrass
819 shows
1,357 tapes
Greyboy Allstars
198 shows
272 tapes
GrooveSession
117 shows
142 tapes
Guerilla Toss
46 shows
50 tapes
Guitarmageddon
21 shows
24 tapes
Guster
697 shows
957 tapes
Hard Working Americans
73 shows
130 tapes
Holly Bowling
174 shows
211 tapes
Horseshoes and Hand Grenades
191 shows
254 tapes
Hot Buttered Rum
665 shows
837 tapes
Infamous Stringdusters
563 shows
902 tapes
Jackie Greene
339 shows
458 tapes
Jack Johnson
145 shows
171 tapes
Jazz Mandolin Project
205 shows
250 tapes
Jeff Austin and Chris Castino
12 shows
14 tapes
Jeff Austin And Friends
33 shows
46 tapes
Jeff Austin Band
112 shows
160 tapes
Jerry Joseph and the Jackmormons
1,062 shows
1,405 tapes
Jerry's Middle Finger
143 shows
172 tapes
Joe Russo Presents: Hooteroll? + Plus
2 shows
5 tapes
Joe Russo's Almost Dead
289 shows
968 tapes
John Kadlecik
435 shows
707 tapes
John Mayer
368 shows
446 tapes
John Popper
77 shows
103 tapes
Josh Ritter
74 shows
91 tapes
J.Wail
10 shows
12 tapes
Karina Rykman
55 shows
80 tapes
Keller Williams
994 shows
1,303 tapes
Kikagaku Moyo
40 shows
50 tapes
King Gizzard & the Lizard Wizard
105 shows
160 tapes
Kitchen Dwellers
246 shows
296 tapes
Kung Fu
304 shows
490 tapes
KVHW
76 shows
130 tapes
Leftover Salmon
867 shows
1,133 tapes
Lettuce
413 shows
635 tapes
Little Feat
787 shows
1,004 tapes
Los Lobos
727 shows
865 tapes
Lotus
419 shows
585 tapes
Marco Benevento
194 shows
270 tapes
Marcus King Band
235 shows
317 tapes
Matisyahu
343 shows
441 tapes
Matt Pond PA
12 shows
19 tapes
Max Creek
2,007 shows
2,958 tapes
Meat Puppets
228 shows
258 tapes
Mermen
147 shows
157 tapes
Minutemen
49 shows
53 tapes
moe.
1,852 shows
4,162 tapes
Mogwai
358 shows
445 tapes
Moon Taxi
88 shows
109 tapes
My Morning Jacket
390 shows
557 tapes
Nathan Moore
43 shows
47 tapes
Neal Francis
26 shows
33 tapes
Neighbor
83 shows
158 tapes
Nels Cline
42 shows
48 tapes
New Riders of the Purple Sage
384 shows
563 tapes
North Mississippi Allstars
871 shows
1,354 tapes
O.A.R.
537 shows
668 tapes
Pachyderm
29 shows
30 tapes
Papadosio
124 shows
245 tapes
Percy Hill
156 shows
193 tapes
Perpetual Groove
661 shows
879 tapes
Phil Lesh and Friends
776 shows
2,784 tapes
Pigeons Playing Ping Pong
296 shows
427 tapes
Pink Talking Fish
245 shows
364 tapes
Railroad Earth
1,157 shows
2,043 tapes
RANA
25 shows
26 tapes
Raq
274 shows
395 tapes
Ratdog
660 shows
1,148 tapes
Robert Hunter
234 shows
344 tapes
Rumpke Mountain Boys
373 shows
438 tapes
Ryan Adams
562 shows
706 tapes
Ryan Jewell
10 shows
11 tapes
Ryley Walker
74 shows
93 tapes
Scott Metzger
120 shows
228 tapes
Shafty
28 shows
28 tapes
Smashing Pumpkins
841 shows
1,418 tapes
Sound Tribe Sector 9
554 shows
738 tapes
Spafford
350 shows
516 tapes
Spoon
79 shows
86 tapes
Stanton Moore
184 shows
222 tapes
Steve Kimock
353 shows
567 tapes
Steve Kimock Band
369 shows
550 tapes
Strangefolk
654 shows
1,068 tapes
String Cheese Incident
1,224 shows
1,952 tapes
Surprise Me Mr. Davis
52 shows
59 tapes
Taper's Choice
24 shows
26 tapes
TAUK
170 shows
262 tapes
Tea Leaf Green
726 shows
1,111 tapes
Tedeschi Trucks Band
623 shows
1,116 tapes
Ted Leo and the Pharmacists
24 shows
25 tapes
Tenacious D
51 shows
56 tapes
The Big Wu
392 shows
443 tapes
The Breakfast
467 shows
618 tapes
The California Honeydrops
66 shows
71 tapes
The Clock Reads
64 shows
78 tapes
The Dead
110 shows
384 tapes
The Decemberists
85 shows
101 tapes
The Heavy Pets
156 shows
214 tapes
The Higgs
154 shows
185 tapes
The HippoCampus
25 shows
25 tapes
The Jauntee
650 shows
738 tapes
The Motet
264 shows
346 tapes
The Mountain Goats
391 shows
439 tapes
The National
105 shows
132 tapes
The New Deal
244 shows
320 tapes
The New Mastersounds
262 shows
406 tapes
The Other Ones
76 shows
246 tapes
The Radiators
1,328 shows
1,503 tapes
The Walkmen
17 shows
18 tapes
The War on Drugs
63 shows
83 tapes
The Werks
26 shows
193 tapes
The Wood Brothers
192 shows
248 tapes
Trampled by Turtles
164 shows
196 tapes
Trevor Garrod
12 shows
12 tapes
Trey Anastasio
464 shows
464 tapes
Turkuaz
129 shows
202 tapes
Twiddle
434 shows
716 tapes
Umphrey's McGee
1,704 shows
3,195 tapes
Vulfpeck
30 shows
41 tapes
Warren Zevon
158 shows
211 tapes
Ween
573 shows
1,035 tapes
White Denim
34 shows
46 tapes
Widespread Panic
Powered by PanicStream
2,411 shows
2,651 tapes
Yes
1,417 shows
2,245 tapes
Yonder Mountain String Band
1,341 shows
2,067 tapes
Zebu
20 shows
20 tapes
Zero
453 shows
647 tapes
Zoofunkyou
25 shows
27 tapes
1981
0/00
Unknown
Los Angeles and San Francisco, CA
1:36:29
1 tape
2/17
Club Front
San Rafael, CA
1:16:35
2 tapes
2/26
SBD
Uptown Theater
Chicago, IL, USA
3:02:21
6 tapes
2/27
SBD
Uptown Theater
Chicago, IL, USA
2:40:10
8 tapes
2/28
SBD
Uptown Theater
Chicago, IL, USA
3:17:08
10 tapes
3/02
SBD
Cleveland Music Hall
Cleveland, OH, USA
2:35:30
9 tapes
3/03
SBD
Cleveland Music Hall
Cleveland, OH, USA
2:44:50
9 tapes
3/04
SBD
Club Front
San Rafael, CA
1:17:49
3 tapes
3/05
SBD
Stanley Theatre
Early Show Pittsburgh, PA, USA
3:08:43
12 tapes
3/06
SBD
Stanley Theatre
Early Show Pittsburgh, PA, USA
3:01:58
9 tapes
3/07
SBD
Cole Field House, U. of Maryland
College Park, MD, USA
2:58:50
6 tapes
3/09
SBD
Madison Square Garden
New York, NY, USA
6:05:22
11 tapes
3/10
SBD
Madison Square Garden
New York, NY, USA
3:01:30
13 tapes
3/12
Boston Garden
Boston, MA, USA
2:43:32
10 tapes
3/13
SBD
Utica Memorial Auditorium
Utica, NY, USA
3:04:58
12 tapes
3/14
SBD
Veterans' Memorial Coliseum
Hartford, CT, USA
2:49:00
16 tapes
3/20
SBD
Rainbow Theatre
London, England
3:01:07
8 tapes
3/21
SBD
Rainbow Theatre
London, England
2:52:47
9 tapes
3/23
Rainbow Theatre
London, England
3:04:44
5 tapes
3/24
Rainbow Theatre
London, England
3:19:41
4 tapes
3/28
SBD
Gruga Halle
Essen, Germany
3:20:10
7 tapes
4/25
SBD
Berkeley Community Theater
Unknown Location
39:32
4 tapes
4/30
SBD
Greensboro Coliseum
Greensboro, NC, USA
2:38:42
8 tapes
5/01
SBD
Hampton Coliseum
Hampton, VA, USA
2:58:47
20 tapes
5/02
SBD
The Spectrum
Philadelphia, PA, USA
2:40:50
9 tapes
5/04
SBD
The Spectrum
Philadelphia, PA, USA
2:46:46
12 tapes
5/05
SBD
Glenns Falls Civic Center
Glenns Falls, NY, USA
2:54:49
13 tapes
5/06
Nassau Coliseum
Uniondale, NY, USA
2:58:28
14 tapes
5/07
NBC Studios
New York, NY, USA
34:47
1 tape
5/08
SBD
Nassau Coliseum
Uniondale, NY, USA
2:45:50
16 tapes
5/09
SBD
Nassau Coliseum
Uniondale, NY, USA
3:02:42
14 tapes
5/11
SBD
Veterans Memorial Coliseum
New Haven, CT, USA
3:03:43
13 tapes
5/12
SBD
Veterans Memorial Coliseum
New Haven, CT, USA
2:59:53
16 tapes
5/13
SBD
Providence Civic Center
Providence, RI, USA
2:43:06
14 tapes
5/15
SBD
Athletic Center, Rutgers U
New Brunswick, NJ, USA
2:55:55
8 tapes
5/16
SBD
Barton Hall, Cornell University
Ithaca, NY, USA
5:45:53
13 tapes
5/17
SBD
Onondaga County War Memorial
Syracuse, NY, USA
3:00:18
9 tapes
5/22
Warfield Theater
San Francisco, CA, USA
1:14:07
4 tapes
7/02
The Summit
Houston, TX, USA
2:54:22
6 tapes
7/04
SBD
Manor Downs
Austin, TX, USA
2:40:27
11 tapes
7/05
SBD
Zoo Amphitheater
Oklahoma City, OK, USA
3:06:14
9 tapes
7/07
SBD
Kansas City Municipal Auditorium Arena
Kansas City, MO, USA
2:46:26
7 tapes
7/08
Kiel Auditorium
St. Louis, MO, USA
2:46:28
5 tapes
7/10
St. Paul Civic Center
St. Paul, MN, USA
3:03:11
9 tapes
7/11
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
2:52:10
5 tapes
7/13
SBD
McNichols Sports Arena
Denver, CO, USA
2:42:10
10 tapes
7/14
McNichols Sports Arena
Denver, CO, USA
3:05:13
5 tapes
8/06
SBD
McArthur Court, University Of Oregon
Eugene, OR
2:38:05
1 tape
8/12
SBD
Salt Palace
Salt Lake City, UT, USA
3:00:43
9 tapes
8/14
Seattle Center Coliseum
Seattle, WA, USA
2:51:03
5 tapes
8/15
Portland Memorial Coliseum
Portland, OR, USA
2:42:04
2 tapes
8/16
SBD
McArthur Court, U. of Oregon
Eugene, OR, USA
2:36:13
7 tapes
8/27
Long Beach Arena
Long Beach, CA, USA
2:49:23
6 tapes
8/28
SBD
Long Beach Arena
Long Beach, CA, USA
3:01:25
10 tapes
8/30
SBD
Compton Terrace Amphitheatre
Tempe, AZ, USA
2:56:18
13 tapes
8/31
SBD
Aladdin Theater
Las Vegas, NV, USA
3:05:00
11 tapes
9/11
Greek Theatre
Berkeley, CA, USA
2:59:54
8 tapes
9/12
Greek Theatre
Berkeley, CA, USA
3:24:35
16 tapes
9/13
SBD
Greek Theatre
Berkeley, CA, USA
3:11:34
13 tapes
9/25
SBD
Stabler Arena, Lehigh U.
Bethlehem, PA, USA
3:06:00
10 tapes
9/26
SBD
War Memorial Auditorium
Buffalo, NY, USA
2:33:29
10 tapes
9/27
SBD
Capital Centre
Landover, MD, USA
2:37:48
5 tapes
9/30
SBD
Playhouse Theater
Edinburgh, Scotland
2:59:39
6 tapes
10/02
SBD
Rainbow Theatre
London, England
2:46:38
12 tapes
10/03
SBD
Rainbow Theatre
London, England
2:56:34
5 tapes
10/04
SBD
Rainbow Theatre
London, England
3:07:05
8 tapes
10/06
SBD
Rainbow Theatre
London, England
3:09:30
9 tapes
10/08
SBD
Forum Theater
Copenhagen, Denmark
3:05:04
6 tapes
10/10
SBD
StadtHalle
Bremen, Germany
3:05:58
6 tapes
10/11
Melk Weg
Amsterdam, Netherlands
35:10
4 tapes
10/12
SBD
Olympia Halle
Munich, Germany
3:12:37
6 tapes
10/13
SBD
Walter Koebel Halle
Russelsheim, Germany
2:46:45
4 tapes
10/15
Club Melk Weg
Amsterdam, Netherlands
2:12:09
6 tapes
10/16
SBD
Club Melk Weg
Amsterdam, Netherlands
1:57:22
12 tapes
10/17
SBD
The Hippodrome
San Diego, CA, USA
2:49:06
6 tapes
10/19
SBD
Sports Palace
Barcelona, Spain
2:51:40
6 tapes
11/11
Meadowlands Arena
East Rutherford, NJ
2:17:04
1 tape
11/29
SBD
Civic Arena
Pittsburgh, PA, USA
2:46:34
7 tapes
11/30
SBD
Hara Arena
Dayton, OH, USA
2:34:02
9 tapes
12/02
SBD
Assembly Hall, U. of Illinois
Champaign-Urbana, IL, USA
2:47:46
7 tapes
12/03
SBD
Dane County Coliseum
Madison, WI, USA
2:56:21
9 tapes
12/05
SBD
Market Square Arena
Indianapolis, IN, USA
2:39:09
12 tapes
12/06
SBD
Rosemont Horizon
Rosemont, IL, USA
2:47:40
13 tapes
12/07
SBD
Des Moines Civic Center
Des Moines, IA, USA
2:43:51
8 tapes
12/09
SBD
Events Center, U. of Colorado
Boulder, CO, USA
6:06:35
7 tapes
12/11
SBD
Club Front
Unknown Location
1:27:53
2 tapes
12/12
SBD
Fiesta Hall, San Mateo County Fairgrounds
San Mateo, CA, USA
1:55:53
4 tapes
12/26
SBD
Oakland Auditorium Arena
Oakland, CA, USA
3:00:44
10 tapes
12/27
SBD
Oakland Auditorium Arena
Oakland, CA, USA
2:45:44
10 tapes
12/28
SBD
Oakland Auditorium Arena
Oakland, CA, USA
2:42:56
11 tapes
12/30
SBD
Oakland Auditorium Arena
Oakland, CA, USA
2:51:35
8 tapes
12/31
SBD
Oakland Auditorium Arena
Oakland, CA, USA
7:38:41
20 tapes
Songs
Sources
SOURCE 1 OF 20
4:08:04
SBD
Taper:
Dan Healy and Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-31.143571.sbd.healy.walker.scotton.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the master soundboard cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Joan Baez acoustic set with The Grateful Dead - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid96106 soundboard source which supplies a 0:12 patch in "Terrapin Station" - Thanks to Mark Severson for the shnid96611 Nakamichi 700 source which supplies a 0:08 patch in "Goin' Down The Road Feeling Bad" - "CC Rider", "Big Boss Man", "New Minglewood Blues" and "Iko Iko" with Matthew Kelly - "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" and "It's All Over Now,Baby Blue" with Joan Baez - "The Other One > Not Fade Away > Going Down The Road Feeling Bad" with John Cippolina - Other One space included in "The Other One" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
SOURCE 2 OF 20
4:08:04
SBD
Taper:
Dan Healy and Joani Walker
Transferrer:
Scott Clugston and Charlie Miller and Paul Scotton
SHNID:
gd1981-12-31.143570.sbd.healy.walker.scotton.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)
Lineage:
Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the master soundboard cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Joan Baez acoustic set with The Grateful Dead - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid96106 soundboard source which supplies a 0:12 patch in "Terrapin Station" - Thanks to Mark Severson for the shnid96611 Nakamichi 700 source which supplies a 0:08 patch in "Goin' Down The Road Feeling Bad" - "CC Rider", "Big Boss Man", "New Minglewood Blues" and "Iko Iko" with Matthew Kelly - "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" and "It's All Over Now,Baby Blue" with Joan Baez - "The Other One > Not Fade Away > Going Down The Road Feeling Bad" with John Cippolina - Other One space included in "The Other One" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2018
SOURCE 3 OF 20
4:06:08
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1981-12-31.mtx.tobin.126611.flac16
Source:
Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611)
Lineage:
Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 03-JAN-2014 - Trader Little Helper - Tagged 03-JAN-2014 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0.5 AUD 0 SET TWO Stereo Matrix SBD -0.5 AUD 0 --------------------------------------------------------- BHP note: Both audio sources were very close to the video and only minor patching was needed mostly between songs in the first set. I also trimmed a little "Dead Air" between some of the songs so that the show could fit properly on a DVD. Brokedown House Production
SOURCE 4 OF 20
4:06:43
SBD
Rating:
10.00 / 2 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1981-12-31.sbd.fix.walker-scottor.miller.96107.flac24
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies: Terrapin Station (12:47 - 13:03) Goin' Down The Road Feeling Bad (6:54 - 7:01) Notes: -- This has fixed levels on s3t02, s3t03 and s3t04 -- Joan Baez is backed by The Grateful Dead during her acoustic set -- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly -- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez -- The Other One, Not Fade Away and GDTRFB with John Cippolina -- This is an upgrade to all previous circulating copies -- Patch source was EQ'd and pitch corrected -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction Joan Baez Acoustic Set: s1t01 - Land Of A Thousand Dances s1t02 - Do Right Woman s1t03 - The Boxer s1t04 - Tunisian New Year Song s1t05 - Me
SOURCE 5 OF 20
4:06:43
SBD
Rating:
9.50 / 4 ratings
Taper:
Joani Walkerand Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1981-12-31.sbd.fix.walker-scotton.miller.96106.sbeok.flac16
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies: Terrapin Station (12:47 - 13:03) Goin' Down The Road Feeling Bad (6:54 - 7:01) Notes: -- This has fixed levels on d3t02, d3t03 and d3t04 -- All sets are seamless -- Joan Baez is backed by The Grateful Dead during her acoustic set -- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly -- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez -- The Other One, Not Fade Away and GDTRFB with John Cippolina -- This is an upgrade to all previous circulating copies -- Patch source was EQ'd and pitch corrected -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction Joan Baez Acoustic Set: d1t01 - Land Of A Thousand Dances d1t02 - Do Right Woman d1t03 - The Boxer d1t04 - Tunisian New Year Song d1t05 - Me
SOURCE 6 OF 20
4:06:43
SBD
Rating:
10.00 / 1 rating
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1981-12-31.sbd.walker.scotton.miller.96090.flac24
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies: Terrapin Station (12:47 - 13:03) Goin' Down The Road Feeling Bad (6:54 - 7:01) Notes: -- Joan Baez is backed by The Grateful Dead during her acoustic set -- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly -- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez -- The Other One, Not Fade Away and GDTRFB with John Cippolina -- This is an upgrade to all previous circulating copies -- Patch source was EQ'd and pitch corrected -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction Joan Baez Acoustic Set: s1t01 - Land Of A Thousand Dances s1t02 - Do Right Woman s1t03 - The Boxer s1t04 - Tunisian New Year Song s1t05 - Me
SOURCE 7 OF 20
4:06:43
SBD
Rating:
7.50 / 4 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1981-12-31.sbd.walker-scotton.miller.96082.sbeok.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies: Terrapin Station (12:47 - 13:03) Goin' Down The Road Feeling Bad (6:54 - 7:01) Notes: -- All sets are seamless -- Joan Baez is backed by The Grateful Dead during her acoustic set -- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly -- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez -- The Other One, Not Fade Away and GDTRFB with John Cippolina -- This is an upgrade to all previous circulating copies -- Patch source was EQ'd and pitch corrected -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
SOURCE 8 OF 20
4:06:11
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1981-12-31.143774.mtx.tobin.flac1644
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-NOV-2018 - Trader Little Helper - Tagged 18-NOV-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
SOURCE 9 OF 20
4:04:15
SBD
Rating:
8.25 / 8 ratings
Transferrer:
David Gans
SHNID:
gd1981-12-31.sbd.gans.33660.sbeok.flac16
Source:
SBD -> Cassette Master (Dolby B)
Lineage:
Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC
Taper Notes:
View Notes-- Thanks to Joani Walker and Paul Scotton for the tapes
SOURCE 10 OF 20
7:38:41
SBD
Rating:
10.00 / 1 rating
Source:
Master reels->cass->DAT
Lineage:
DAT->CD-R->EAC(x2 w/wav compare)->shn
Taper Notes:
View NotesJoan Baez sits in on the acoustic set (disc 1) and the Baby Blue encore. Matt Kelly sits in on Big Boss Man and New Minglewood Blues. John Cipollina sits in post-drums on disc 3. Bill Graham flies in on a joint at midnight.
SOURCE 11 OF 20
25:01
SBD
Rating:
7.08 / 13 ratings
SHNID:
gd81-12-31.acoustic.warren.14040.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > MR > CASS > DAT > CDR > EAC > SHN
Taper Notes:
View NotesAcoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren
SOURCE 12 OF 20
3:22:31
SBD
Rating:
8.13 / 31 ratings
SHNID:
gd81-12-31.sbd.bertha-ashley.12784.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> PCM> DAT> CDR> SHN> DAW (Bertha)> CDA
Taper Notes:
View NotesJay Ashley (Bertha) remaster of Jay Serafin's <a href="http://db.etree.org/shninfo_detail.php?shnid=7041" rel="nofollow">4 TRACK RTR</a> source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing
SOURCE 13 OF 20
3:22:34
SBD
Rating:
8.33 / 6 ratings
Transferrer:
Jay Serafin
SHNID:
gd1981-12-31.msbd.serafin.7041.sbefail.shnf
Source:
SBD > 4 track RTR @ 7.5 i.p.s. monitor mix > 16-bit PCM GD Archive > SSSB
Taper Notes:
View NotesRELEASED ON: 11/22/01 LINEAGE: Monitor Mix SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded); NRPS opened; *=w/Joan Baez; **=w/Matt Kelly; ***=w/John Cippolina; Bill Graham flies in on a giant joint; LAST "Dark Star": 01-20-79 [232]; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 11/01] JAY'S PERSONAL COMMENTS: NOTE: This is NOT the version of the show which is in circulation now; that copy is the "regular SBD" mix, while this version is the Monitor Mix version (differences in mix and volume for each instrument and vocalist). This information was verified by my Marin County source, who sent me this version to work on and release. It was told to me, by my Marin County source, that Phil wanted each band member to hear how the slightly different way they played a lot of the electric songs actually sounded, and then it would be decided whether to keep playing them in this manner, revert back to the "old ways", or to try a different approach. You can hear this on the "staggered chorus vocals" on Shakedown Street, the opening of Me & My Uncle, CR&S, Playin' In The Band (the opening is distinctly "old school"), as is Dark Star), etc. You'll notice that the vocals are slightly more prominent in the mix, as well as they're "dry"... no reverb, delay, etc., and no compression/limiting, so you'll hear it when Jerry (especially) and Bobby back off from their microphones a little bit, or go off their "pickup axis"... their voices kind of trail off slightly. It's more realistic that hearing them at their C&L form, as you can mentally picture Jerry moving back slightly when he's ending a line in a sing. The kick drums, and some of the toms, aren't as much in the mix either, as they could be hear more by the musicians on stage naturally, and didn't need to be in the mix as much. You can hear, on Disc 1 Track 6, where the sound crew started to put the effects onto Jerry's vocals, but they got the "wave off", and stopped it. So, you can hear what the "normal mix" would have been, compared to this monitor mix. You'll also hear some of the levels of the instruments being raised and lowered, slightly and slowly, as not to be abrupt and annoying. The Ken Kesey opening of Electric Set II (Countdown to Midnight) has Ken really, and literally, freaking out on stage when the band begins to play BEFORE the stroke of midnight! Ken's trying to tell the "You're starting too soon", but to no avail. This isn't a "knock" on Ken, but simply an example of how he was on stage sometimes. And it was the day Ken dies is when I was working on that part of the show... the master had a LOT of volume problems (cycling up and down), and I was having a very tough time getting the parts to match up without having to delete a lot of the Countdown (only 15 seconds were lost, due to the mixing console getting knocked out of whack). But when Ken died, it was almost like he was "guiding me", and the solutions came to me so clearly, it was unreal. Personally, I do think that Ken had his hand in me getting the Countdown correct. Thanks, my friend! The BAD NEWS: The Acoustic Set was not being on the masters I received from my MC source. The good news is that all 3 of the Electric Sets are complete. The encore is from the regular SBD mix, and as such, has a slightly different audio difference. I did make every attempt to match the encore's EQ curve to that of the show itself, with very good results. Only 2 reel changes were needed in this recording, and they were during lulls or very low-volume sections of the show. Only one cross-fade, which was between songs, is evident, as I didn't have a lot of "working room" to do a longer cross-fade. This is the end of Good Lovin' into the Encore. But, it was better than the original, and is the best I could do. The RTR (especially the Encore, which was quite noisy) was a bit on the hissy side, even with the Dolby B (or because of it, take your pick!). The hiss has been brought down to "damn near inaudible", and it's only the opening couple of seconds of Dark Star where you actually can hear the hiss in the audio. So, this is a VERY CLEAN show, audio-wise, and very energetic to boot. Ok... on with the "Set by Set" breakdown of the show: The opener, Shakedown Street, is LONG! Very refreshing to hear an extended set of solos, and it set the tone for the remainder of the night. Close to 16 minutes, it's rockin' and smokin' from the first chord. I really liked the "staggered chorus vocals" towards the end of the song. It's hard to explain in words, but you'll hear it... similar to how a group of people would sing "Row, Row, Row Your Boat"). This was one of those "new ways" ideas of Phil's, it was new to me, and I thought it gave the song that little extra touch... it took the usually "monotonous" way the 3 vocalists would do the chorus, and made it sound "brand new" again. An "old time" opening to Me & My Uncle > Mexicali was nice to hear. Reminiscent of the early '70's "C&W Style" the Boyz did a lot of their songs in. Again, not disappointing at all. Cold Rain & Snow, sort of the same "older opening", and again, nice on the ears. Big Boss Man -> Minglewood was a nicely staged segue. Well done, and on the unusual side. Don't Ease Me In had NOT segue to it, which was NOT ordinary. Onto Set II... The Ken Kesey opening had quite a lot of SBD problems, as the audio was constantly fluctuating feeding the RTR deck. That was all edited out, rather than trying to alter the volume, as there was simply too much to do (and to make it sound right, as there were audible effects changes going on). About 30 seconds of this opening track were edited out, and only a couple of Ken's words wound up "on the cutting room floor". A very "Space-oriented" early Countdown To Midnight started early, and Ken simply was in a panic. I could picture him running around the stage trying to keep everyone from starting the song! The band, by my calculations, started Aiko about 25 seconds too early... oh well, that's life in a live show. Aiko had nothing special to offer, in my opinion, just a slight party feel to it. Playin' In The Band, well it was too short for my personal taste. They went into the Playin' Jam after just 3 minutes into the song. But it was a GOOD and HOT Jam, a bit over 11 minutes. The PITB Jam into Terrapin was nice, with Bobby leading the segue, not Jerry. Jerry was on the mark for his solos and riffs in Terrapin, and the audience was not left "wanting" at all. A good and smooth segue back into Playin' (again, 3 minutes!) was just wonderful. The band started to drift off going into Drums (which starts on Disc 3), so there was almost silence, so real segue. You can hear the instruments being unplugged before Mickey and Billy got their groove on. Drums began with the audience ambience microphones turned on, and there was a very noticeable jump in the volume. This was a good place to start Disc 3, since there weren't any other members playing their instruments at the time. Drums is slightly "overloaded", because of the levels of the up front monitors kept feeding into the percussion mics, and the audience ambience just added to this. So, on the very low-frequency sections of Drums, there's noticeable (albeit slight) distortion. It detracts from the enjoyment a little, but there's nothing I could do about this. The ambience mikes were lowered down once Space began, and by the time Space was over, they were only slightly on. This is the opposite of what was going on before Drums, where I believe the ambience mikes were totally turned off. In keeping with this "new style" tryout, TOO wasn't set off with the usual Phil riff, but more of a subtle opening. I wasn't upset with this, but it did surprise me, especially with it being New Year's Eve. I wanted to hear a good, resounding Phil riff and a couple of Phil Bombs thrown in for good measure, but all of us were denied this. Ah, such is life. The remainder of Electric Set II, which was TOO > NFA > GDTRFB > Morning Dew (great energy, and very good "dynamics") were not disappointing. These were mostly their current forms of the songs, so I need not go into details of these songs. A slight break (I believe it was about 15 minutes) took place, and the Dead set up for the 3rd electric set. And we would not be denied for good music. SET III: I had to keep looking (literally!) at my editing sheets to remind myself of the year... Dark Star's keyboards were almost identical to the typical Keith riffs and fills, except that it was Brent on the electric piano. This 14+ minute song was a dream! You could picture Keith playing, rather than Brent, and Jerry was just letting it rip. Hard on the vocals, well done with his solos and fills, he spanned his repertoire of playing. The verses were short, leaving the audience a lot of music to absorb. This is a Dark Star which you want to play over and over again, as it was a 1970's style version. Well received (remember, the audience mikes were still on slightly!) and very much enjoyed, the audience had to be disappointed to hear it end. The DS > Bertha segue was SHORT... and I mean THREE MEASURES SHORT! No, this wasn't a tape splice, this is how it was. And because of the lack of compression and limiting, Jerry was really belting out the vocals, and I was in heaven. Damn, this man could sing when he wanted to, and this Bertha is one of my all-time favorites! Upon first (and maybe 2nd or 3rd) listening, you would think that I started Track 3 (Good Lovin') way too soon. But the GL riffs were in there, buried in the rest of the music. So, I start the songs where the actual song becomes apparent, not from any "teaser". Bobby, worn and weary from this night, mustered up his energy and did a Pigpen-energy Good Lovin'. Weir was not going to leave the audience disappointed, and he dished up this song in high-octane-Dead style. The most unusual thing about the Electric sets: NOT A SINGLE BRENT SONG. Those of you who are Brent fans are going to be disappointed that all you get are his backup vocals (which were very good), and his style of playing that night (which was VERY good). I don't know why it was this way, but since I haven't heard the Acoustic opening set at all, I don't know how much Mydland contributed in that set. Now comes the "downer of the night". Probably the most disappointing Baby Blue I have ever been graced with listening to. I'm sorry if this offends anyone, but the combo of Jerry and Joan Baez DOES NOT WORK. Here's a man who keeps his vocals short and sweet, and a folk singer who stretches out each word in that (sometimes unbearable) falsetto/vibrato voice of hers. Picture in your mind the worse Donna/Jerry vocal duet, multiply it by about 500, and that's the Baby Blue for the closer. It simply didn't work. My mind kept telling me to leave the song out, and just lie about it not being in the masters I got, but my Marin County source would be a little upset (my source doesn't tell me how to write my comments, I'm just given information I would have not known by listening to the show) if the entire show wasn't released. My personal feeling: just end your listening of this great show before the encore starts. All I can say about this show: very 70's style in many ways, high energy, Kesey was being Kesey, and the Dead did not disappoint the audience that night. It's a wonderful NYE show in many ways, and I hope you enjoy it as much as I did. PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent) Audio Mix: 10 Audio Quality: 10 Energy Level: 9.8 Show "Completeness": 10 (not counting the missing Acoustic Set) Song Selection: No Brent songs Surprises: The openings of many of the songs reverted back to the 1970's era style of playing... this monitor mix (rare), and the show as a whole ** timesheet.txt: Grateful Dead 12/31/81 Oakland Auditorium Arena Oakland, CA "This show is dedicated to the memory of Ken Kesey, who passed away while I was editing Disc 2 at the time... he "guided me" through a very tough section which contained a large number of master volume changes! I'll shake his hand again someday, and tell him 'Thanks for the help'... and I know Ken will just give me that knowing wink of his..." Jay Serafin, owner/chief engineer, Serafin Station Studio B
SOURCE 14 OF 20
3:48:54
SBD
Source:
Master Reels > cass > dat > cdr
SOURCE 15 OF 20
4:11:57
Taper:
Jim Voss
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-31.156059.fob.senn421.voss.miller.clugston.flac2496
Source:
Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Voss for the master FOB cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:07 patch in the "Terrapin Station > Playin' In The Band" transition, as well as an 0:08 patch in "Drums" - Joan Baez is backed by The Grateful Dead during her acoustic set - "CC Rider", "Big Boss Man", "New Minglewood Blues" & "Iko Iko" with Matthew Kelly - "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" & "It's All Over Now, baby Blue" with Joan Baez - "The Other One", "Not Fade Away" & "Goin' Down The Road Feeling Bad" with John Cippolina - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston February 2022
SOURCE 16 OF 20
4:11:57
Taper:
Jim Voss
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-12-31.156058.fob.senn421.voss.miller.clugston.flac1648
Source:
Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Voss for the master FOB cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:07 patch in the "Terrapin Station > Playin' In The Band" transition, as well as an 0:08 patch in "Drums" - Joan Baez is backed by The Grateful Dead during her acoustic set - "CC Rider", "Big Boss Man", "New Minglewood Blues" & "Iko Iko" with Matthew Kelly - "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" & "It's All Over Now, baby Blue" with Joan Baez - "The Other One", "Not Fade Away" & "Goin' Down The Road Feeling Bad" with John Cippolina - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston February 2022
SOURCE 17 OF 20
4:06:10
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1981-12-31.143777.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-NOV-2018 - Trader Little Helper - Tagged 18-NOV-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
SOURCE 18 OF 20
4:06:11
Transferrer:
Kevin Tobin
SHNID:
gd1981-12-31.143773.PandP-aud.tobin.flac1644
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View NotesMajor patch during Iko Iko. Speedwise the audience was a very fast when compared to other recordings - 1.5 seconds per minute. Brokedown House Production
SOURCE 19 OF 20
4:05:04
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Jamie Waddell and Brian Green
SHNID:
gd1981-12-31.nak700.anon-severson-poris.LMPP.96611.flac16
Source:
Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's)
Lineage:
MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Taper Notes:
View NotesNotes: - there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent. Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard. - This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out. Tapers Notes - Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite. --------------------------------------------------------- - Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris - Transferred by Bgreen. ( AKA "The Boss" ) - Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. As always, Eternal gratitude for Bluedakota. - First seeded to www.shnflac.net December 2008 (New Years Eve) - A cooporative effort of Live Music preservation Project, The Gems Team, and great group of Tapers - contact [email protected] with questions/concerns www.livemusicpreservationproject.com
SOURCE 20 OF 20
3:06:03
Rating:
9.50 / 4 ratings
Taper:
Matt Field
Transferrer:
Chris Ladner
SHNID:
gd1981-12-31.nak100.field.gmb.85628.sbeok.flac16
Source:
FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes
Lineage:
Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3,sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8)