Tennessee Jed | 1984-04-14 | Grateful Dead

View NotesNotes:
-- Disc change is seamless
-- Playin' Jam after Terrapin Station
-- One More Saturday Night tease after Morning Dew
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 2 OF 25

2:19:24

SBD

Rating:

8.00 / 2 ratings

Taper:

Transferred/Edited by Charlie Miller

SHNID:

gd1984-04-14.sbd.walker-smiller.32501.sbeok.flac16

Source:

SBD -> Cassette Master -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View Notes-- Thanks to Paul Scotton and Joani Walker for the cassettes. 
-- There is a discontinuity ~4 seconds into Tennessee Jed.

SOURCE 3 OF 25

gd1984-04-14.senn441.koucky.ladner.34901.sbeok.flac16

Source:

SBD FOB Sennheiser 441s > Sony D5 > Maxell MX90 MAC > cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5 (recorded as 24 bit / 96 kHz WAV) > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)

Taper Notes:

View NotesSecond public performance of the Brent rarity "Don't Need Love".
Taper gets hassled at the beginning of the first set to lower mic stands (NOT!).
First set flip spliced at end of d1t06/beginning of "Tennesee Jed" snagged from recently seeded shotgun audience masters.
Pauses between tracks during the first set smoothed with crossfades.

SOURCE 4 OF 25

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1984-04-14.164499.neumann.u87.eaton.miller.clugston.flac2496

Source:

Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Bill Koucky and the folks responsible for the Sennheiser 441 source which supplies some crowd and the first notes of "Tennessee Jed" (0:06 total), as well as a 0:27 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
December 2022

SOURCE 5 OF 25

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1984-04-14.164498.neumann.u87.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Bill Koucky and the folks responsible for the Sennheiser 441 source which supplies some crowd and the first notes of "Tennessee Jed" (0:06 total), as well as a 0:27 patch in "Drums"
- Pitch verified

Mastered by Scott Clugston
December 2022

SOURCE 6 OF 25

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-14.154428.fob.senn441.lamarre.miller.clugston.flac2496

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:1 patch in "Truckin'" as well as a 10:02 patch in Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
June 2021

SOURCE 7 OF 25

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-14.154427.fob.senn441.lamarre.miller.clugston.flac1648

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:1 patch in "Truckin'" as well as a 10:02 patch in Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
June 2021

SOURCE 8 OF 25

Charlie Miller and Scott Clugston

SHNID:

gd1984-04-14.139328.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Dropout in "Playin' in the Band" @ 1:51 smoothed and is virtually transparent
-- Tape flip in "Space" smoothed and is transparent

Transfer by Charlie Miller
Mastered by Scott Clugston
September 12, 2017

SOURCE 9 OF 25

2:21:15

Taper:

Oade, Bryant, Rick Castwirk

Transferrer:

Charlie Miller, Scott Clugston

SHNID:

gd1984-04-14.139327.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Dropout in "Playin' in the Band" @ 1:51 smoothed and is virtually transparent
-- Tape flip in "Space" smoothed and is transparent

Transfer by Charlie Miller
Mastered by Scott Clugston
September 12, 2017

SOURCE 10 OF 25

gd1984-04-14.neumann-u87.eaton.miller.90595.sbeok.flac16

Source:

(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) D

Lineage:

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Recorded By Rob Eaton
-- One More Saturday Night Tease before Throwing Stones

SOURCE 11 OF 25

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-14.148458.fob.senn.441.koucky.miller.clugston.flac2496

Source:

Bill Koucky's Master (FOB) Audience Cassettes ; Sennheiser 441 mics > Sony D5 (Maxell MX90)(2nd deck in line, in the pit)

Lineage:

Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bill Koucky for the master recording and the fresh transfer (June 2019)
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies the transition and first few notes of "Tennessee Jed" (0:10 total)
- Thanks to Steve Adelman for the Sennheiser 441 source which supplies a 2:13 patch in "Drums"
- One More Saturday Night tease before "Throwing Stones"
- Pitch corrected
- from Bill "IMO this is my best GD capture of a top 5 attended show, this what a Grateful Dead Show sounded like"

Mastered by SCott Clugston
December 2019

SOURCE 12 OF 25

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-14.148457.fob.senn.441.koucky.miller.clugston.flac1648

Source:

Bill Koucky's Master (FOB) Audience Cassettes ; Sennheiser 441 mics > Sony D5 (Maxell MX90)(2nd deck in line, in the pit)

Lineage:

Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bill Koucky for the master recording and the fresh transfer (June 2019)
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies the transition and first few notes of "Tennessee Jed" (0:10 total)
- Thanks to Steve Adelman for the Sennheiser 441 source which supplies a 2:13 patch in "Drums"
- One More Saturday Night tease before "Throwing Stones"
- Pitch corrected
- from Bill "IMO this is my best GD capture of a top 5 attended show, this what a Grateful Dead Show sounded like"

Mastered by SCott Clugston
December 2019

SOURCE 13 OF 25

2:18:31

SHNID:

gd1984-04-14.161418.mtx.seamons.ht155.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 25, 2022

Taper Notes:

View NotesNotes:

16-second cut in Tennessee Jed and 5-second cut in Morning Dew now patched in the SBD source. 7 seconds missing from the AUD source during Space.

Occasional SBD hot level distortion, but still a pretty good sound.

SOURCE 14 OF 25

2:19:39

SHNID:

gd1984-04-14.157542.aud.carpenter.flac2448

SOURCE 15 OF 25

2:18:19

Taper:

Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-14.149491.beyerm201.holbrook.flac2448

Source:

MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby

Lineage:

Taper Notes:

View Notes+ 1s cut at about 25 second mark of track
# Playing tease at end just before transition into "Don't Need Love"
Recording Information:
First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums.

SOURCE 16 OF 25

2:18:19

Taper:

Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson)

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-14.149490.beyerm201.holbrook.flac1644

Source:

MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby

Lineage:

Taper Notes:

View Notes+ 1s cut at about 25 second mark of track
# Playing tease at end just before transition into "Don't Need Love"
Recording Information:
First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums.

SOURCE 17 OF 25

2:17:57

Taper:

Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-14.149112.mke2002.holbrook.flac2448

Source:

MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.

Lineage:

Taper Notes:

View Notes# Playing tease at end just before transition into "Don't Need Love"

Recording Information:

1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment.
This will sound BEST through headphones; through a stereo you may choose to increase bass slightly.
2] First set tape was stopped between every song break; we must have been trying to conserve tape. Second set same method until after drums.

SOURCE 18 OF 25

2:17:56

Taper:

Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-14.149111.mke2002.holbrook.flac1644

Source:

MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.

Lineage:

Taper Notes:

View Notes# Playing tease at end just before transition into "Don't Need Love"

Recording Information:

1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment.
This will sound BEST through headphones; through a stereo you may choose to increase bass slightly.
2] First set tape was stopped between every song break; we must have been trying to conserve tape. Second set same method until after drums.

SOURCE 19 OF 25

2:27:36

SHNID:

gd1984-04-14.126040.sennheiser_441.scarletdog.flac16

Source:

Master: 2 Sennhesier 441s and Sony TC-D5m Cassette Master; 2nd deck in line after another D5;

Lineage:

Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670

SOURCE 20 OF 25

gd1984-04-14.123023.chasingwilma.flac24

Source:

lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 21 OF 25

gd1984-04-14.109331.beyer-senn.daweez.D5scott.flac16

Source:

source: 2 Beyer M160's & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes-----------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
-----------------------------------------------------------------------------------------------------------------------------------------------------------------

SOURCE 22 OF 25

gd1984-04-14.senn421.mccue.ford.79652.sbeok.flac16

Source:

(FOB) Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s (MAC); MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > TLH > FLAC

Taper Notes:

View Notes- files encoded at level 6. Correct sector boundaries verified with Trader's Little Helper
- patches: d1t06 My Brother Esau 4:58-5:00 / d1t07 Tennessee Jed 00:00-00:28 &  07:31-08:03
  d2t05 Drums 08:17-8:36
- all patches from shn id #32501 - http://db.etree.org/shninfo_detail.php?shnid=32501
- alll edits performed with Cool Edit Pro 2.0

SOURCE 23 OF 25

2:32:03

SHNID:

gd1984-04-14.aud.bandrofcheck.34555.sbeok.shnf

Taper Notes:

View NotesThis recording was done to capture as much as possible. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed.

SOURCE 24 OF 25

3 Nak 701s > MX-100(modified) > D5

Lineage:

D5 > D10 > SHN

Taper Notes:

View NotesEdited out a few minutes of Space.  This transfer was done in '88 when DAT tapes were costing $25 a piece and my friends and I had to order them from Japan.

SOURCE 25 OF 25

gd84-04-14.neumann.pj.1562.sbeok.shnf

Source:

Neumann U-87 mics > Sony D-6 > DAT > CDR

Taper Notes:

View NotesNeumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here)