Feel Like A Stranger | 1985-03-22 | Grateful Dead

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 5:40 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
June 2022

SOURCE 2 OF 21

2:43:22

Taper:

Rob Eaton

Transferrer:

Rob, Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1985-03-22.163331.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 5:40 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
June 2022

SOURCE 3 OF 21

Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. Mark Goldey

SHNID:

gd1985-03-22.150715.nak701x3.barnum.miller.flac2496

Source:

3x Nak 701s > MX-100 > D5

Lineage:

Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16

Taper Notes:

View NotesThe beginning of Big Railroad Blues and about six minutes of Drums patched with the Oade PCM.

As Jerry said, "I wouldn't be here trying to sleep in these railroad blues."

Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48.  Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then.

After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY.  Some were bought by random people nostalgic for the days of cassettes.  The rest were purchased by a fellow Deadhead and archivist.  Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized.  Many of these recordings sound excellent for their age.  They are Bruce's legacy.  Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light.

Enjoy!

--mhg :: 2020-10-20

SOURCE 4 OF 21

Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction.Mark Goldey

SHNID:

gd1985-03-22.150714.nak701x3.barnum.miller.flac16

Source:

3x Nak 701s > MX-100 > D5

Lineage:

Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16

Taper Notes:

View NotesThe beginning of Big Railroad Blues and about six minutes of Drums patched with the Oade PCM.

As Jerry said, "I wouldn't be here trying to sleep in these railroad blues."

Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48.  Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then.

After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY.  Some were bought by random people nostalgic for the days of cassettes.  The rest were purchased by a fellow Deadhead and archivist.  Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized.  Many of these recordings sound excellent for their age.  They are Bruce's legacy.  Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light.

Enjoy!

--mhg :: 2020-10-20

SOURCE 5 OF 21

2:37:48

Taper:

Rob Hunt and Ted Mattes

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-03-22.149239.senn441.hunt.mattes.miller.clugston.flac2496

Source:

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in the "Cassidy > Big Railroad Blues" transition, a 2:03 patch in the "Terrapin Station > Drums" transition, as well as a 0:13 patch in the "Black Peter > Sugar Magnolia" transition
- Pitch verified

Mastered by Scott Clugston
March 2019

SOURCE 6 OF 21

2:37:48

Taper:

Rob Hunt and Ted Mattes

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-03-22.149238.senn441.hunt.mattes.miller.clugston.flac1648

Source:

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:36 patch in the "Cassidy > Big Railroad Blues" transition, a 2:03 patch in the "Terrapin Station > Drums" transition, as well as a 0:13 patch in the "Black Peter > Sugar Magnolia" transition
- Pitch verified

Mastered by Scott Clugston
March 2019

SOURCE 7 OF 21

Charlie Miller and Joe Noel

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info:
- source #23144 (Schoeps CMC441s)
- s1t06; 06:00 - end
- s1t07; start - 00:07
- s2t05; 14:22 - 14:50
- s2t06; 00:51 - 00:58
- s2t11; 08:23 - end
- s2t12; start - 00:15 & 5:39 - 5:54

Notes:
- files have been speed corrected
- tape pauses have been cross faded
- tape flips patched
- the ultimate Ship of Fools
- wonderful jam created out of Terrapin
- The big toe test reveals the waters just fine.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Remaster Notes:
- if you dl'd this previously, my apologies for putting out such a PoK

SOURCE 8 OF 21

Charlie Miller and Joe Noel

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesRemastered January 30, 2018

Patch info:
- source #23144 (Schoeps CMC441s)
- s1t06; 06:00 - end
- s1t07; start - 00:07
- s2t05; 14:22 - 14:50
- s2t06; 00:51 - 00:58
- s2t11; 08:23 - end
- s2t12; start - 00:15 & 5:39 - 5:54

Notes:
- files have been speed corrected
- tape pauses have been cross faded
- tape flips patched
- the ultimate Ship of Fools
- wonderful jam created out of Terrapin
- The big toe test reveals the waters just fine.

Remaster Notes:
- if you dl'd this previously, my apologies for putting out such a PoK

SOURCE 9 OF 21

Charlie Miller and Joe Noel

SHNID:

gd1985-03-22.140838.Bryant.Miller.Noel.t-flac2496

Lineage:

Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesPatch info:
- source #23144 (Schoeps CMC441s)
- s1t06; 06:00 - end
- s1t07; start - 00:07
- s2t05; 14:22 - 14:50
- s2t06; 00:51 - 00:58
- s2t11; 08:23 - end
- s2t12; start - 00:15 & 5:39 - 5:54

Notes:
- files have been speed corrected
- tape pauses have been cross faded
- tape flips patched
- the ultimate Ship of Fools
- wonderful jam created out of Terrapin
- The big toe test reveals the waters just fine.

SOURCE 10 OF 21

2:44:36

Transferrer:

DTS-Audio-CD 5.1 Mix by Kevin Tobin

SHNID:

gd1985-03-22.148302.dts.tobin.flac16

Source:

DTS-Audio-CD 5.1 Mix

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 22-NOV-2019 - Trader Little Helper
- Tagged 22-NOV-2019 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 11 OF 21

2:44:36

SHNID:

gd1985-03-22.148301.mtx.tobin.flac16

SOURCE 12 OF 21

2:44:36

SHNID:

gd1985-03-22.148300.PandP.aud.damico.tobin.flac16

SOURCE 13 OF 21

gd1985-03-22.124570.chasingwilma.flac24

Source:

lineage: sennheiser 421 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 14 OF 21

gd1985-03-22.117821.Sennheiser421.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 15 OF 21

gd1985-03-22.nak300.damico.87093.sbeok.flac16

Source:

nak 300 mics > sony d5 > MAC

Lineage:

MAC > nak dragon deck > creative extigy souncard>cool edit pro >flac frontend

SOURCE 16 OF 21

gd1985-03-22.aud.bandrofcheck.35257.sbeok.flac16

Lineage:

MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs

SOURCE 17 OF 21

2:37:53

Taper:

Mark McCue, Adam, Monica & John

Transferrer:

Alex Ford

SHNID:

gd1985-03-22.senn421.mccue.ford.34470.sbeok.flac16

Source:

MAC (FOB) 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's

Lineage:

MAC>Nakamichi CD2(azimuth adjusted)>RCA>Audiophile 2496>WinXP Pro>CEP 2.0(normalized100%)>CD Wave Editor>Flac Frontend>FLAC16.

Taper Notes:

View NotesMic Config: mics on T-Bar, chest high, pointed at the stacks

 Location: FOB - 20-25 feet from the stage, DFC

SOURCE 18 OF 21

Doug Oade - Darren Sacks

SHNID:

gd85-03-22.oade-schoeps.sacks.23144.sbeok.flacf

Source:

Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Taper Notes:

View NotesOade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:  Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

SOURCE 19 OF 21

gd85-03-22.gibbs.hudson.13782.sbeok.shnf

Source:

Taper:Mark Gibbs Nak 300's > Sony D5 > Master CASS > SoundMAX Digital Audio > CD Wav > SHN Transferred by John Hudson

Taper Notes:

View NotesTaper:Mark Gibbs Nak 300's > Sony D5 > Master CASS > SoundMAX Digital Audio > CD Wav > SHN Transferred by John Hudson

SOURCE 20 OF 21

gd85-03-22.aud-set2.ingle.8593.sbeok.shnf

View Notes2nd set only; AUD>PCM>DAT>CDR; Seeded to etree by Brad Ingle

SOURCE 21 OF 21

2:44:35

SHNID:

gd1985-03-22.148303.5-1.tobin.1648