05 It Takes A Lot To Laugh, It Takes A Train To Cry | 1992-03-16 | Grateful Dead

2:46:17

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1992-03-16.dts.tobin.122040.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b> SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin

Taper Notes:

View NotesSBD 1 Source:
shnid = 13571
SBD->DAT->?->Cas->CD->EAC->SHN
Dan ([email protected]) 

AUD1 Source:
no shnid
LCPM audio from video soundtrack - used for patching only

AUD2 Source:
shnid = 85338
AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 
(lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. 
Mics on 7-foot stand in front row of OTS. 

Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge 
(at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. 

Notes: 
- The band's sound system was not loud enough at this concert. 
- Some loud feedback (Jerry's guitar) during Watchtower. 
- Soundforge used to make fades. 
- TLH used for FLAC compression, and making checksums. 

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 16-SEP-2012 - Trader Little Helper
-Tagged 16-SEP-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video.

2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly.

3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8.

-----------------------------------------------------------
Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db Matrix

Surround
Left Channel +1db AUD
Right Channel +1db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production