Tennessee Jed | 1982-02-20 | Grateful Dead

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies the crowd and first few notes of "Franklin's Tower" (0:14 total)
- 2nd set tape flip during a pause in "Drums", no music was lost and the flip was cross faded
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
February 2020

SOURCE 2 OF 10

2:33:19

Taper:

Mark Severson

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1982-02-20.149021.fob.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies the crowd and first few notes of "Franklin's Tower" (0:14 total)
- 2nd set tape flip during a pause in "Drums", no music was lost and the flip was cross faded
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
February 2020

SOURCE 3 OF 10

gd1982-02-20.fob.sonyecm220t.keshavan.miller.94410.sbeok.flac16

Source:

(FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby DB)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesPatch Info:
Nakamichi 300/CP4 -> Cassette Master -> SHN (shnid=23823) supplies:
Big Railroad Blues (0:00 - 0:09)

Notes:
-- Set 2 is seamless
-- Thanks to Rango Keshavan for lending me his masters

SOURCE 4 OF 10

gd1982-02-20.151134.aud.lohr.vernon.flac2496

Source:

Nak CM700 > TC-D5 > MAC > This copy

Lineage:

This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)

Taper Notes:

View NotesRecording Notes:

tape pause
tape pause
tape flip
tape flip
tape pause
tape flip
tape pause

SOURCE 5 OF 10

gd1982-02-20.151133.aud.lohr.vernon.flac1648

Source:

Nak CM700 > TC-D5 > MAC > This copy

Lineage:

This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648

Taper Notes:

View NotesRecording Notes:

tape pause
tape pause
tape flip
tape flip
tape pause
tape flip
tape pause

SOURCE 6 OF 10

gd1982-02-20.137591.s1.nak300.schley.flac1644

Source:

Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017

Taper Notes:

View NotesNote: ID-94410 patches; crowd before TLEO 0:00 > 0:09, last note 
To Lay Me Down 8:42 > Let it Grow 0:10. Sorry, tape #2 is lost :( 
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

SOURCE 7 OF 10

gd1982-02-20.137590.s1.nak300.schley.flac2448

Source:

Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017

Taper Notes:

View NotesNote: ID-94410 patches; crowd before TLEO 0:00 > 0:09, last note 
To Lay Me Down 8:42 > Let it Grow 0:10. Sorry, tape #2 is lost :( 
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

SOURCE 8 OF 10

Audience Recording: 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B

Lineage:

Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable >Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)

Taper Notes:

View NotesRecorded by Rango Keshavan
6th row center:  
Sony ECM 220T mics on hats > 
Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On

Playback by Rango Keshavan 
Nak DR1 EQ Type II, Dolby B On > 
Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable >
Turtle Beach Montego II Digital I/O card > 
PC (CDWav used to record and break up tracks)

SOURCE 9 OF 10

gd82-02-20.set2.aud-reutelhuber.miller.23823.sbeok.shnf

Source:

Audience Recording: Nakamichi 300/CP4

Taper Notes:

View NotesRecording Info: Nakamichi 300/CP4 -> Cassette Master (Sony TCD5M / Hitachi ME C90 Metal Tape).
Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC ->  Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN
Transfered By Bill Reutelhuber
Tracked and Edited By Charlie Miller

SOURCE 10 OF 10

gd82-02-20.aud.willy.13613.sbeok.shnf

View NotesAUD>MC>DAT>CD; via Scott Shindell; seeded to etree by Willy