18 I Need A Miracle | 1985-06-16 | Grateful Dead

View NotesNotes:
-- shnid=152288 was accidentally done in 16-bit, this is 24-bit (I had to start over)
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- PCM SBD (shnid=79021) was used to cover the tape flips
-- Thanks to Joe B. Jones for the pitch correction settings
-- This is 152304 24 -> 16 @ 44.1

SOURCE 2 OF 27

2:30:52

SBD

Taper:

Joani Walker and Paul Scotton

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021

SHNID:

gd1985-06-16.152288.sbd.walker-scotton.miller.flac1696

Source:

SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- PCM SBD (shnid=79021) was used to cover the tape flips
-- Thanks to Joe B. Jones for the pitch correction settings

SOURCE 3 OF 27

gd1985-06-16.sbd.miller.105876.flac16

Source:

SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless

SOURCE 4 OF 27

gd1985-06-16.sbd-pcm.miller.79021.sbeok.flac16

Source:

SBD -> PCM -> Dat (44.1k)

Lineage:

Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC

Taper Notes:

View NotesNotes:
-- 2nd Set is seamless
-- Numerous clipped bass notes fixed with Cool Edit Pro

SOURCE 5 OF 27

2:30:49

SBD

SHNID:

gd1985-06-16.152304.sbd.miller.scotton-walker.flac2496

SOURCE 6 OF 27

See info files for details

Transferrer:

Chris Chappell

SHNID:

gd1985-06-16.matrix.chappell.85833.sbeok.flac16

Source:

Matrix: (SBD/AUD mix) See info file for details

Lineage:

See info file for details

Taper Notes:

View NotesGeneral Notes:

The big surprise at this show is the Cryptical resurrection,
not played since 9-28-72, however, the last full Cryptical 
which sandwiches Other One (That's It For The Other One) was
played on 12-15-71.  Walkin' Blues appears after a 3 year 
hiatus.  SBD mix is a little sketchy for the first few tunes
(no or liitle Jerry) which is compensated by more AUD in the
matrix mix.

No EQ was used, just a very light Waves L-2 to keep it contained.
I synched the AUD to the SBD, and since both sources are from
digital masters, the pitch/speed correction was consistent
throughout resulting in the AUD being pitched down around 1 cent.

Thanks to Charlie Miller for the SBD source.  Thanks to Jim and 
Doug Oade for recording the wonderful AUD, Doug for transferring it,
and Darrin Sacks for tracking it.

Enjoy!
-Chappy

SOURCE 7 OF 27

gd85-06-16.sbd.braveman.26080.sbeok.shnf

Source:

SBD > Reel Master > DATs

Lineage:

DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT

Taper Notes:

View NotesSBD > Reel Master > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT

SOURCE 8 OF 27

gd85-06-16.sbd.barrick.970.sbefail.shnf

Source:

source update: SBD> MVHS> DAT> CD-R

Taper Notes:

View Notessource update: SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an <a href="http://db.etree.org/shninfo_detail.php?shnid=971" rel="nofollow">alternate</a> 3 CD version

SOURCE 9 OF 27

Scott Clugston, Charlie Miller

SHNID:

gd1985-06-16.167183.neumann.km84i.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in the "Looks Like Rain > Mississippi Half-Step Uptown Toodeloo" transition, as well as a 1:51 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2023

SOURCE 10 OF 27

Scott Clugston, Charlie Miller

SHNID:

gd1985-06-16.167182.neumann.km84i.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in the "Looks Like Rain > Mississippi Half-Step Uptown Toodeloo" transition, as well as a 1:51 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2023

SOURCE 11 OF 27

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-16.148773.nak700.severson.miller.clugston.flac2496

Source:

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in the "Big RR Blues > Looks Like Rain" transition, as well as an 0:08 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2019

SOURCE 12 OF 27

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-16.148772.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in the "Big RR Blues > Looks Like Rain" transition, as well as an 0:08 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2019

SOURCE 13 OF 27

Charlie Miller and SIRMick

SHNID:

gd1985-06-16.140862.aud.bryant.miller.sirmick.flac1644

Taper Notes:

View NotesNotes:

- The tape was paused between some tracks in Set I. I've patched in some crowd for continuity purposes.
- In addition the following patches have been made

"Walking Blues" the first 34 seconds.
"Looks Like Rain" 00:02.8-00:11.2
"Drums" 3:58-6:52

The source used is shnid 105543- Thank you Rango Keshavan and Charlie.

Many thanks to all involved

edited and mastered
SIRMick
January 2018

SOURCE 14 OF 27

Charlie Miller and SIRMick

SHNID:

gd1985-06-16.140857.aud.bryant.miller.sirmick.flac2496

Taper Notes:

View NotesNotes:

- The tape was paused between some tracks in Set I. I've patched in some crowd for continuity purposes.
- In addition the following patches have been made

"Walking Blues" the first 34 seconds.
"Looks Like Rain" 00:02.8-00:11.2
"Drums" 3:58-6:52

  The source used is shnid 105543- Thank you Rango Keshavan and Charlie.


Many thanks to all involved


edited and mastered
SIRMick
January 2018

SOURCE 15 OF 27

gd1985-06-16.akg.keshavan.miller.105543.flac16

Source:

AKG Mics -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Rango Keshavan for lending me his masters

SOURCE 16 OF 27

2:22:50

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 18, 2020

SHNID:

gd1985-06-16.150523.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac2496

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesNotes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for transfer
- Thanks to Mark Severson, et al. for the patch source
- tape pauses were cross faded
- pitch corrected
- last Walking Blues, 1982-05-28 [195]
- last Cryptical Envelopment, 1972-09-23 [791]

Patch info;
- shnid (Nak 700) supplies;
- s1t08; 07:42 - end
- s1t09; start - 00:13
- s2t05; 01:30 - end
- s2t06; start - 00:43

SOURCE 17 OF 27

2:22:50

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 18, 2020

SHNID:

gd1985-06-16.150586.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac1644

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)

Taper Notes:

View NotesNotes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for transfer
- Thanks to Mark Severson, et al. for the patch source
- tape pauses were cross faded
- pitch corrected
- last Walking Blues, 1982-05-28 [195]
- last Cryptical Envelopment, 1972-09-23 [791]
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 2, 2020

SOURCE 18 OF 27

2:15:37

SHNID:

gd1985-06-16.158882.Nak100.pasternak.vernon.flac1648

SOURCE 19 OF 27

2:29:03

Taper:

Recorded, Transferred & Mastered by Anon

Transferrer:

Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021

SHNID:

gd1985-06-16.152790.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648

Source:

Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.

Lineage:

Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.

Taper Notes:

View NotesNotes;
- Thanks to Anon for sharing his masters & the outstanding transfer.
- Thanks to the Oade Bros & everyone involved with the patch source.
- The tape pauses were cross faded were applicable
- This source has been pitch corrected
- last Walking Blues, 1982-05-28 [195]
- last Cryptical Envelopment, 1972-09-23 [791]
- 24/48 > dBpoweramp > 16/48

SOURCE 20 OF 27

Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021

SHNID:

gd1985-06-16.152643.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448

Source:

Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.

Lineage:

Taper Notes:

View NotesNotes;
- Thanks to Anon for sharing his masters & the outstanding transfer.
- Thanks to the Oade Bros & everyone involved with the patch source.
- The tape pauses were cross faded were applicable
- This source has been pitch corrected
- last Walking Blues, 1982-05-28 [195]
- last Cryptical Envelopment, 1972-09-23 [791]

SOURCE 21 OF 27

gd1985-06-16.nak300.andrewf.127488.flac1644

Source:

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 03/2014

Taper Notes:

View NotesNotes: We were half-way up OTS center with mics at 6-feet and 
angled downwards slightly. Patches from ID-105543: LLRain 7:42 > 
Half Step 0:17, Drums 4:47 > 4:57, and false start 0:53 > 1:08.

CDRs: Fits on two discs if you break between FOTM & Samson.

SOURCE 22 OF 27

gd1985-06-16.nak300.andrewf.127487.flac2448

Source:

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448. Taped and transferred by Andrew F. 03/2014

Taper Notes:

View NotesNotes: We were half-way up OTS center with mics at 6-feet and 
angled downwards slightly. Patches from ID-105543: LLRain 7:42 > 
Half Step 0:17, Drums 4:47 > 4:57, and false start 0:53 > 1:08.

SOURCE 23 OF 27

2:28:04

Taper:

anonymous taper, Jamie Poris, Mark Severson

Transferrer:

Brian Green and Evan K.

SHNID:

gd1985-06-16.nak700.anon-severson-poris.lmpp.97499.flac16

Source:

FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B )

Lineage:

MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit ) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )

Taper Notes:

View NotesNotes:

- Another fine show. Thanks to he who wishes to remain nameless, Mark Severson, and Jamie poris for making these, and Anon for supplying the tapes.

- Encore patched in from shnID7087.

- There are a few instances of unidentified pops on this source. These are not digital anomalies, but rather something present on the masters. Very minor, but worth mentioning.

SOURCE 24 OF 27

1:58:05

Taper:

Adam, Justin & Monica

Transferrer:

Alex Ford

SHNID:

gd1985-06-16.senn441.mccue.ford.33669.sbeok.flac16

Source:

(FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes

Lineage:

MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>Flac Frontend>FLAC16

Taper Notes:

View NotesNotes:
 - the last 3 tracks of Disc 02 (Wharf Rat, Turn On Your Lovelight and Brokedown Palace)
   were not included in this fileset. It sounds like a battery was dying in the D5.
 - static 1:49-1:50 and mic adjustment @ 1:54-2:09 of d1t01 Midnight Hour
 - garbled tape: 5:11-5:20 of d2t03 The Other One
 - garbled tape: 1:58-2:09 of d2t05 GDTRFB

SOURCE 25 OF 27

Doug Oade - Darren Sacks

SHNID:

gd85-06-16.oade-schoeps.sacks.24611.sbeok.flacf

Source:

Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Taper Notes:

View NotesRecorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

SOURCE 26 OF 27

gd1985-06-16.oade.sacks.9218.sbefail.shnf

Source:

Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x3?) (48khz)

Lineage:

Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN

SOURCE 27 OF 27

gd85-06-16.oade.sacks.7087.sbeok.shnf

Source:

Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype

Lineage:

Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks;There are two circulating transcriptions seeded by Darrin Sacks, this seed is

Taper Notes:

View NotesOade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks;There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source;  see <a href="http://db.etree.org/shninfo_detail.php?shnid=9218" rel="nofollow">alternate seed</a>