Hell In A Bucket | 1985-10-29 | Grateful Dead

View NotesNotes:
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to the Oade brothers for the patch source
-- This is 154300 2496 > 1644

SOURCE 2 OF 26

2:22:57

SBD

Taper:

Joani Walker and Paul Scotton

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] August 29, 2021

SHNID:

gd1985-10-29.154300.sbd.miller.flac2496

Source:

SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to the Oade brothers for the patch source

SOURCE 3 OF 26

Paul Scotton and Joani Walker

Transferrer:

Charlie Miller

SHNID:

gd1985-10-29.sbd.walker-scotton.miller.105818.flac16

Source:

SBD -> Cassette Master (Sony D5/Maxell MX90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 disc change is seamless
-- Thanks to Joani Walker and Paul Scotton for the cassettes

SOURCE 4 OF 26

Paul Scotton and Joani Walker

Transferrer:

Charlie Miller

SHNID:

gd1985-10-29.sbd.miller.33704.sbeok.flac16

Source:

SBD -> Cassette Master (Sony D5/Maxell MX90)

Lineage:

Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View NotesNotes: 
-- Thanks to Paul Scotton and Joani Walker for the Cassettes
-- Seamless transition between Discs 2 and 3

SOURCE 5 OF 26

gd1985-10-29.sbd.fix-shnid-33704.tetzeli.76118.flac16

Source:

Pitch-corrected fix of shnid 33704

Lineage:

See info file

Taper Notes:

View Notes-------------------------------------------------------------------------------------
Pitch-corrected fix of shnid 33704

All editing done in CE Pro.  The CE Pro temp directory and the files being worked on were on 2 separate, defragged external drives.
This source was pitch/time stretched to 101.5%.  Various tones generated in CE 2000 were compared with Brent's synthesizer played back in CE Pro.  All tracks were worked on individually.  Resulting SBEs were cleaned up using shntool.
The patch in drums was redone using the same source as Charlie Miller.  A 5 second crossfade was applied to the beginning and a 2-second crossfade to the end.  The patch source was time/pitch stretched to 97.79% to match the stretched SBD source (AUD source was also a little off-pitch, flat as opposed to the SBD being sharp).  After the crossfade back into the SBD there's a sudden, brief dropoff in volume, that's part of the SBD and not the patch.
Many thanks to Charlie Miller for the SBD source and to Doug Nawrocki for the fine AUD. CAVEATS: This is as close to the correct pitch as my ears and equipment could make it.  100% correct pitch is not guaranteed but expressly disavowed - this is nearer the target but not a bullseye.  Also, while any decreasing of pitch and speed automatically exaggerates any cassette wow, it's so infinitesimal in the original source as to be nonexistent, so it's not really a problem here.

Bill Tetzeli ([email protected])8:16 PM 7/25/2006
-------------------------------------------------------------------------------------

SOURCE 6 OF 26

gd1985-10-29.sbd-set2.harrison.12182.shnf

Source:

SBD>Cassette>Cassette>DAT

Lineage:

Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN)

Taper Notes:

View NotesMissing encore.
the transition from d1t08 to d2t01 is seamless

SOURCE 7 OF 26

2:21:19

Taper:

Recorded by Doug Lamarre

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-29.151884.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in the "Hell In A Bucket > Deal" transition, as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
February 2021

SOURCE 8 OF 26

2:21:19

Taper:

Recorded by Doug Lamarre

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-29.151883.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in the "Hell In A Bucket > Deal" transition, as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
February 2021

SOURCE 9 OF 26

2:22:39

Taper:

Ted Mattes, Bobby Hunt

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-29.148859.senn441.mattes.hunt.miller.clugston.flac2496

Source:

Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes and Robby Hunt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:27 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 10 OF 26

2:22:39

Taper:

Ted Mattes, Bobby Hunt

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-29.148858.senn441.mattes.hunt.miller.clugston.flac1648

Source:

Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes and Robby Hunt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:27 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 11 OF 26

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-29.148424.fob.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in the "Hell In A Bucket > Deal" transition, as well as 0:38 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 12 OF 26

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-29.148423.fob.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in the "Hell In A Bucket > Deal" transition, as well as 0:38 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 13 OF 26

2:22:06

SHNID:

gd1985-10-29.164047.akg451.ck8.eaton.miller.clugston.flac2496

SOURCE 14 OF 26

2:22:06

SHNID:

gd1985-10-29.164046.akg451.ck8.eaton.miller.clugston.flac1648

SOURCE 15 OF 26

2:21:35

Transferrer:

Matrix by Hunter Seamons

SHNID:

gd1985-10-29.157450.mtx.seamons.ht143.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging)

Taper Notes:

View NotesNotes:

Doug Oade's audience recording patches the majority of breaks between songs in Lamarre's AUD source (#132358 via Jim Wise and Dave Usborne, 1/28/15).

Some occasional pops and crackles from the PA.

SOURCE 16 OF 26

2:21:34

Transferrer:

Matrix by Hunter Seamons

SHNID:

gd1985-10-29.157449.mtx.seamons.ht143.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging)

Taper Notes:

View NotesNotes:

Doug Oade's audience recording patches the majority of breaks between songs in Lamarre's AUD source (#132358 via Jim Wise and Dave Usborne, 1/28/15).

Some occasional pops and crackles from the PA.

SOURCE 17 OF 26

gd1985-10-29.132358.schoeps.oade.BCE.flac16

Source:

Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5

Taper Notes:

View NotesMastering by Dave Usborne:
Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts.
Editing done in Reaper V4.591/X64
BCE de-emphasis curve (modified PCM de-emphasis) applied.
Tracks cut and Flac files created in Audacity 2.0.5
01-28-2015

Patches:
gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16
---a few drop outs in Deal


metadata added

Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

BCE Collaboration
[email protected]

SOURCE 18 OF 26

gd1985-10-29.126305.chasingwilma.flac24

Source:

source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 19 OF 26

gd1985-10-29.119948.sony.roberts.flac16

Source:

Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts

SOURCE 20 OF 26

gd1985-10-29.108081.BeyerM160s-SonyD5.D5scott.flac16

Source:

2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet ~ 16th row-center ~ Maxell MX90's

Lineage:

Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View NotesAt the end of Hell In A Bucket and the begining of Deal, the right channel drops out, so I fixed it (80 seconds worth) by making it mono.
Tape flip after Hell In A Bucket. 
What a beautiful Theater!!!
-------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy- aka "Bigfoot"   He was a friend of mine, who had nothing to do with this recording, but we sure do miss him!
------------------------------------------------------------------------------------------------------------------------------------------

SOURCE 21 OF 26

gd1985-10-29.nak300.cohen.104708.sbeok.flac16

Source:

3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. Orchestra Floor Sec. L/C Row RR Seat 73

Lineage:

The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).

SOURCE 22 OF 26

gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16

Lineage:

MAC > Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] > iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC

Taper Notes:

View NotesCrossfades applied for tape flips and before encore.
Discs 2 and 3 are seamless.

SOURCE 23 OF 26

gd1985-10-29.senn441.pa-deli-mike.83024.sbeok.flac16

Source:

2x Sennheiser 441's -> Sony TCD5-M -> Maxell MX

Lineage:

Nakamichi CR-7A -> DAT (Sony DTC-60ES with SBM) -> CD -> EAC -> WAV -> FLAC

SOURCE 24 OF 26

gd85-10-29.aud-fixed.nawrocki.16756.sbeok.shnf

Source:

Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):Nak 300 > Sony D-5

Taper Notes:

View NotesPitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):

Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000  > CDwav > Shnv3
Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy
Eac > cool edit > CDwav > shnv3 Ernie Dodd
shntool verified

SOURCE 25 OF 26

gd1985-10-29.nak300.danscuk.dodd.8599.sbeok.shnf

Source:

Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3

Lineage:

Eac > cool edit > CDwav > shnv3

Taper Notes:

View Notes* dropout in right channel at 4:01,4:31,6:13
  replaced with the left channel for 350,260,172
  milliseconds, respectively.
# missing a few seconds due to tape flip
& tape flip at beginning of drums
x drums fade in

SOURCE 26 OF 26

CDR > EAC > CDR > EAC > SHN

Taper Notes:

View Notes- I slightly retracked the CDRs I received from Paul, removed and cross-faded a
  minor 0.5 second drop-out in d1t01 at 2:02, and boosted the levels by 4db
- All track boundaries verified with shntool.