China Cat Sunflower -> | 1989-04-29 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple ultramatrix masters were used to make this show complete
-- This is 161421 2496 > 1644

SOURCE 2 OF 10

2:46:33

SBD

gd1989-04-29.sbd.miller.88124.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16

SOURCE 3 OF 10

gd89-04-29.sbd.clugston.13756.sbefail.shnf

Source:

Master Soundboard Cassette > CDR

Taper Notes:

View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor

SOURCE 4 OF 10

Scott Clugston and Charlie Miller

SHNID:

gd1989-04-29.142344.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort


Mastered by Scott Clugston
June 17, 2018

SOURCE 5 OF 10

Scott Clugston and Charlie Miller

SHNID:

gd1989-04-29.141009.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644

Source:

Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16

SOURCE 6 OF 10

2:46:30

SHNID:

gd1989-04-29.161421.ultramatrix.miller.flac2496

SOURCE 7 OF 10

gd1989-04-29.fob.french.loy.76511.sbeok.flac16

Source:

Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.

Lineage:

Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown.

Taper Notes:

View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd.,
and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail
at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows 
further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far 
back as possible in the seated area.



Patched and edited by Bob Loy  -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping,
convert sample rate ultra high 1 -> 44100hz,  dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries 
aligned -> id3 tag   < Seamless transition between Discs 2 and 3 >

_____________________________________________________________________________________________________________
editing notes:  balloon pops reduced in volume, smoothed w/ pencil tool at both edges
		d1t04 	3:35.748 - .749 -9 db
		d1t07 	3:53.985 - .991 -15
			6:41.634 - .639 -15
		d1t10	0:25.819 - .824 -15
		d2t03 	1:29.468 - .500 -18
		d3t06 	8:53.118 - .133 -18

patched the end of d1t07 to the start of d1t08 w/ 1:06.517464  shnid9052 converted to 96khz - 24bit using wavelabs5 
and isotpe ozone3, raised +6db to match. patched end of d3t06 to start of encore w/ 4:45.693067 raised level +3db to match 
patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, 16/44.1 conversion,
renamed to etree naming conventions. small spots of light static in just a couple tracks, not too obtrusive. 
all in all a a very good listen, No EQ or NR.
     
				and still tmns...

SOURCE 8 OF 10

gd1989-04-29.fob.french.loy.76495.sbeok.flac24

Source:

Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.

Lineage:

Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.

Taper Notes:

View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd.,
and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail
at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows 
further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far 
back as possible in the seated area.

______________________________________________________________________________________________________
balloon pops reduced in volume, smoothed w/ pencil tool at both edges
set1t4 	3:35.748 - .749 -9
set1t7 	3:53.985 - .991 -15
	6:41.634 - .639 -15
set1t10	0:25.819 - .824 -15
set2t03 1:29.468 - .500 -18
set2t12 8:53.118 - .133 -18

patched the end of t7 to the start of t8 w/ 1:06.517464  shnid9052 converted to 96khz - 24bit using wavelabs5 
and isotpe ozone3, raised +6db to match 
patched end of t12 to start of encore w/ 4:45.693067 raised level +3db to match 
patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, renamed to etree standards.
small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR.
     
				and still tmns...

SOURCE 9 OF 10

gd1989-04-29.fob.french.35360.sbeok.flac24

Source:

Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.

Lineage:

Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.

Taper Notes:

View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd.,
and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail
at the front of this audience section, directly above the lighting board.
The OTS for this concert was likely 
75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right,
as far back as possible in the seated area.

SOURCE 10 OF 10

gd89-04-29.aud.wiley.9052.sbeok.shnf

Source:

AUD>PCM>DAT>CDR

Taper Notes:

View NotesAUD>PCM>DAT>CDR; Seeded to etree by Tim W