Playin In The Band >* | 1989-12-27 | Grateful Dead

View NotesNotes:
-- Iko Iko, Playing In The Band, The Wheel and I Need A Miracle with Clarence Clemmons
-- Two sets of masters were used to make this show complete

SOURCE 2 OF 16

2:39:33

SBD

gd1989-12-27.142852.UltraMatrix.sbd.cm.miller.flac1644

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Iko Iko, Playing In The Band, The Wheel and I Need A Miracle with Clarence Clemmons
-- Two sets of masters were used to make this show complete
-- This file set is 142853 24 -> 16 at 44.1

SOURCE 3 OF 16

gd1989-12-27.sbd.walker-scotton-miller.88397.sbeok.flac16

Source:

SBD -> Dat -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
(FOB) Schoeps CMC3/MK4 -> Dat -> CD -> Samplitude supplies:
Drums (5:31 - 6:05) 

Notes:
-- Set 2 is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 16

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

SHNID:

gd1989-12-27.144151.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 08-DEC-2018 - Trader Little Helper
- Tagged 08-DEC-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 5 OF 16

gd1989-12-27.sbd.clugston.tetzeli.fix-6662.82051.sbeok.shnf

Source:

Patch fix of shnid 6662

Taper Notes:

View NotesI patched in about 30 secs that were missing from Drums from the LlaMA FOB (shnid 20785), starting at 5:28.  Both drum tracks were merged into one at the end of d2.  Resulting SBEs were corrected with shntool and the transition between CDs 2 and 3 is now seamless.

Many thanks to Scott Clugston for the SBD source as well as to Chris Ladner for the FOB source.

Bill Tetzeli ([email protected])
8:22 AM 11/17/2006
--------------------------------------------------------------------------------
Main Source: Dan Healy's Master Soundboard Cassette > CDR

* with Clarence Clemons

made possible thru the usual group of suspects and mental patients

Original CD Mastering by Scott Clugston 11/25/01

Patch Source: Source:  FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3

SOURCE 6 OF 16

gd89-12-27.sbd.clugston.6662.sbefail.shnf

Source:

Dan Healy's Master Soundboard Cassette > CDR

Taper Notes:

View NotesDan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd

SOURCE 7 OF 16

Scott Clugston and Charlie Miller

SHNID:

gd1989-12-27.142683.fob.schoeps.cmc3.mk4.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
July 11, 2018

SOURCE 8 OF 16

2:40:41

SHNID:

gd1989-12-27.165017.mtx.seamons.ht158.flac16

SOURCE 9 OF 16

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1989-12-27.144153.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 08-DEC-2018 - Trader Little Helper
- Tagged 08-DEC-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 10 OF 16

gd1989-12-27.140420.fob.AA.toak1.flac1644

Source:

Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints

Taper Notes:

View NotesNotes:
______________

I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his.  The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. 

I had DIY'd my To a K1 capsules  to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands.
Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too.

No EQ or other effects were applied. 

Tech Notes:
________________
The first 23 minutes primarily patched with Right as Left (AKA mono). 
Cold Rain and Snow to Althea

Multiple patches in Althea.

You will notice patches, but they are better then "dead channel", trust me on that or the sever pops and transient spikes as well as the  portions of buzz in the left if it were left untouched.
 Patches in Big River
And the Crowd at the end and the beginning of Tom Thumbs, No further patches.... !

Birdsong intact as 2 channel

Very amazing sounding - Check out Birdsong! 


No patches in second set


For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. 

enjoy - ArchivalAudio

SOURCE 11 OF 16

gd1989-12-27.140369.AA-fob-toak1.flac2448

Source:

Taper Notes:

View NotesNotes:
______________

I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his.  The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. 

I had DIY'd my To a K1 capsules  to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands.
Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too.

No EQ or other effects were applied. 

Tech Notes:
________________
The first 23 minutes primarily patched with Right as Left (AKA mono). 
Cold Rain and Snow to Althea

Multiple patches in Althea.

You will notice patches, but they are better then "dead channel", trust me on that or the sever pops and transient spikes as well as the  portions of buzz in the left if it were left untouched.
 Patches in Big River
And the Crowd at the end and the beginning of Tom Thumbs, No further patches.... !

Birdsong intact as 2 channel

Very amazing sounding - Check out Birdsong! 


No patches in second set


For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. 

enjoy - ArchivalAudio

SOURCE 12 OF 16

gd1989-12-27.131027.cmc521.fob.deal.jwpetty.flac16

Source:

Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal;

Lineage:

Fostex D-5 (AES/EBU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty

SOURCE 13 OF 16

gd1989-12-27.117696.NeumannKMF4.daweez.d5scott.flac16

Source:

Set 2 only Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassette;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 14 OF 16

gd1989-12-27.aud.mpmgumby.105433.flac16

Source:

Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430

SOURCE 15 OF 16

gd89-12-27.schoeps.ladner.20785.sbeok.shnf

Source:

FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3

SOURCE 16 OF 16

gd89-12-27.aud.wiley.8960.sbeok.shnf

Source:

AUD>DAT>CDR

Taper Notes:

View NotesAUD>DAT>CDR; Seeded to etree by Tim W