Tennessee Jed | 1993-09-29 | Grateful Dead

View Notes<b>flac16</b>; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) Set 2: SBD -> Master Dat (48k)

Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC

Transferred and Edited By Charlie Miller

SOURCE 2 OF 12

3:04:04

Taper:

Rich Gastwirt

Transferrer:

Charlie Miller and Scott Clugston

SHNID:

gd1993-09-29.140132.schoeps.cmc4.mk4.gastwirt.miller.clugston.flac1648

Source:

Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255

Taper Notes:

View NotesNotes:
- Thanks to Rich Gastwirt for the master Dat source
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid86807 nakamichi cm300 source that supplies a 0:13 patch in "Liberty" to repair some digi-snits/static
- Weir on acoustic guitar for "Looks Like Rain"
- Terrapin Station false start between "Looks Like Rain" and "Way To Go Home"
- Playing space included in "Playing In The Band Reprise"


Mastered by Scott Clugston
12/4/17

SOURCE 3 OF 12

gd1993-09-29.senn421.miller.100235.sbeok.flac16

Source:

Sennheiser 421 -> Cassette Master

Lineage:

Cassette Master -> Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- I lost my masters and had to use a back up copy

SOURCE 4 OF 12

3:01:37

SHNID:

gd1993-09-29.164517.me88.rogosa.flac1648

SOURCE 5 OF 12

gd1993-09-29.139995.aud.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger

SOURCE 6 OF 12

gd1993-09-29.128697.boedicker.flac16

Source:

Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little helper. Taped By Dave Boedicker, Taper Section, Section BB, Row 34,Seat 1

Taper Notes:

View Notes1)Quality IS About A(Subjective Of Course).Samples Included.This Show Had The Best Sound 

In My Opinion Of The 3 Boston Shows I Taped This Run.

2)Tape Flip After"Loose Lucy"(No Music missed On Next Song "Black Throated 
Wind")

3)Tape Flip During "Jam" After "Terrapin Station"

4)Tape Flip After "Stella Blue"(Clean Flip.No Music Missed On Next Song "Sugar Magnolia") 
 
Enjoy!!!!

SOURCE 7 OF 12

gd1993-09-29.Nak300CP4.Baker.Keo.117090.Flac2496

Source:

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Mr.Baker,Transfer By Keo; Tapes Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz

Taper Notes:

View Notes* Bob Weir On Acoustic Guitar *

 Comments:Another huge thanks out to Mr. Baker for
sharing his source tapes!What an incredible Eyes and
a killer Jam out of Terrapin Station!
As always ENJOY!

SOURCE 8 OF 12

gd1993-09-29.Nak300CP4.Baker.Keo.117089.Flac1644

Source:

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Mr.Baker,Transfer By Keo; Tapes Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software

Taper Notes:

View NotesComments:Another huge thanks out to Mr. Baker for
sharing his source tapes!What an incredible Eyes and
a killer Jam out of Terrapin Station!
As always ENJOY!

SOURCE 9 OF 12

gd1993-09-29.neumann-birkhead.koucky.88144.flac16

Source:

Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1

Lineage:

Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8).

Taper Notes:

View NotesNotes Files are labeled by the set, to burn to 3 discs begin disc 3 with s2t07. 
Only known flaw is a cut after drums that was smoothed out with crossfades.

SOURCE 10 OF 12

gd1993-09-29.nak300.andrewf.86808.flac16

Source:

Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor taping section, aprx 2 or 3 rows behind soundboard.

Lineage:

MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.

Taper Notes:

View NotesNotes: 
- Brief digi-static at: crowd (set1) 1:02, 1:16; Bucket 6:01, 6:14; 
Sugaree 0:05; crowd (set2) 1:38, 1:42; Terrapin 9:56. 
- Soundforge used to make fades and smooth digi-static bursts.  
- TLH used for SBE-OK, FLAC compression, and making checksums. 
- Second set disc break is seamless.

SOURCE 11 OF 12

gd1993-09-29.48k.andrewf.86807.flac16

Source:

Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor taping section, aprx 2 or 3 rows behind soundboard.

Lineage:

MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNotes: 
- Brief digi-static at: crowd (set1) 1:02, 1:16; Bucket 6:01, 6:14; 
Sugaree 0:05; crowd (set2) 1:38, 1:42; Terrapin 9:56. 
- Soundforge used to make fades and smooth digi-static bursts.  
- TLH used for FLAC compression, and making checksums.

SOURCE 12 OF 12

gd93-09-29.schoeps.pujol.12436.sbeok.shnf

Source:

Audience: Schoeps