Phil works with Steve on the tele-prompter | 1995-03-17 | Grateful Dead

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1995

Salt Lake City, UT, USA

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2/24

Oakland-Alameda County Coliseum

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Mountain View, CA, USA

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Shoreline Amphitheatre

Mountain View, CA, USA

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Mountain View, CA, USA

Franklin County Airport

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Auburn Hills, MI, USA

Auburn Hills, MI, USA

Deer Creek Music Center

Riverport Amphitheatre

Maryland Heights, MO, USA

Riverport Amphitheatre

Maryland Heights, MO, USA

3/17/95

Phil practices base line by himself

2:01

it would really help to have Vinny here...Bob did you give that disc to Steve?

0:32

mostly dead air, drummers start to come in

2:19

Phil, Vince, and drummers practice

1:46

Phil gives directions

0:09

Vince- Let me here the groove of the body of the song

0:06

Phil to Bobby -I want to do it in Philadelphia MAN

0:20

Let's do the verses from A-Minor C - Take 1

0:30

more from the A-minor C - Take 2

2:24

Phil - That tempo is too fast

0:38

next take from same spot - Take 3

0:32

Phil - If I have to go lookin fo famila fafes

1:04

Take 4

3:43

Vince -Is there one of those elevens at the end of the threes

0:16

Phil counts out the changes

2:29

Learning the part after the first verse

2:15

Vince - Where in the bar are you starting that three

3:13

Back to the intro - Take 1

0:53

intro - Take 2

1:20

intro - Take 3 - Phil explains the timing

1:45

Phil works with Steve on the tele-prompter

0:27

Well then get your God damn earphones tunred up man

0:33

Take 4 intro - whole song

What are the stumbling blocks -- Jerry - Not Knowing It

0:43

Let's do something else for a while

0:52

Here Comes Sunshine - Take 1

1:11

Here Comes Sunshine - Take 2

2:49

FIN

View on archive.org

Sources

SOURCE 1 OF 11

gd1995-03-17.sbd.miller.97658.flac16

Source:

SBD -> Dat -> Cassette Master -> Dat

Lineage:

Dat-> Samplitude Professional v10.2 -> FLAC

Taper Notes:

View Notes-- Set 2 is seamless
-- There is some occasional quiet static from the master Dat

SOURCE 2 OF 11

2:44:27

SBD

Transferrer:

Dolphinmile Production

SHNID:

gd1995-03-17.150765.dsbd.dolphinsmile.flac1648

Source:

DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8

SOURCE 3 OF 11

gd95-03-17.soundcheck.sbd.17951.sbeok.shnf

Source:

Rehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol

Taper Notes:

View NotesRehersal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol

SOURCE 4 OF 11

gd95-03-17.sbd.16057.sbeok.shnf

Source:

Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN.Secondary audience source (Schoeps MK4) used for drums > space.This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamles

Taper Notes:

View NotesSources: 
Primary - DSBD >?>Bootleg CD>EAC>SHN.
Secondary audience source (Schoeps MK4) used for drums > space.

This source represents a composite of the two previously circulated sources.  An audience source for drums and space has been (relatively) seamlessly spliced in.  A droupout in Loose Lucy in the SBD source was removed using soundforge 5.

SOURCE 5 OF 11

Charlie Miller and Joe Noel

SHNID:

gd1995-03-17.141505.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648

Source:

<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48

Taper Notes:

View NotesPatch info:
- shnid 92087 (Nakamichi CM-300 CP-4) supplies
- s1t01; start - 1:30

Notes:
- Thanks to Ray for sharing his excellent recording.
- Thanks to Charlie for being the broker.
- Grateful to Greg Holtz for providing the patch source
- features Weir on acoustic guitar

SOURCE 6 OF 11

gd1995-03-17.142982.Boedicker.flac1644

Source:

Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section

Taper Notes:

View NotesNotes:

1)Tape Flip After "Lazy River Road" (No Music Missed On Next Song "Eternity")

2)Tape Flip During Drums.

SOURCE 7 OF 11

gd1995-03-17.141179.FOB-BK4011.ebel.flac1644

Source:

<b/>flac16/44.1</b> Source Info:FOB B&K 4011-> DATTransfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel

Taper Notes:

View NotesNotes:

* Set #2 is Seamless

SOURCE 8 OF 11

gd1995-03-17.nak300.holtz.jaz.92087.flac16

Source:

Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz

Lineage:

Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain, 16/44.1kHz-> Traders Little Helper, flac8

Taper Notes:

View NotesNote: * Weir on acoustic

SOURCE 9 OF 11

gd1995-03-17.aud.bleich.91840.flac16

Source:

Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)

Taper Notes:

View Notes-------------------------------------------------------

Notes:

- This is a nice source of this show. There is some sporadic over saturation 
in the low end that I've done my best to attenuate. All tape flips are cross 
faded,EQ and plugins added to flavor. 

- Huge Thanks to John "the wild man" Bleich for supplying his source tapes

- Transfer and edit by Bgreen

SOURCE 10 OF 11

gd95-03-17.schoeps.13400.sbeok.shnf

Source:

Audience: Schoeps MK4's

Lineage:

Schoeps MK4's > DAT > CDR > EAC 0.9 beta 4 > Soundforge 5 (dropout repair) > CD Wave > SHN

Taper Notes:

View NotesMinor to moderate crowd intrusiveness.  Fairly decent audience recording considering the venue.
d1t01 - beginning of Here Comes Sunshine missing.
d3t02 - SOTM d/o @ 03:45.
D2>D3 transition restored to seamlessness.

SOURCE 11 OF 11

gd1995-03-17.sndchk.fm.toland.1366.shnf

Source:

FM Analog>DAT>Macromedia Sound Edit>SHN

Taper Notes:

View NotesThis recording, until now, was coveted by only 4 tapers that I know of.
It was recorded using a portable boom box with a FM radio. The band was
using a low frequency FM signal to power the monitors. What we have here is
Phil's signal intercepted by our Boom box! It was then mastered to DAT.
Enjoy this rare treat, take notice of the banter between band members and
sound people. It will give you a glimps of the dynamics of the worlds
greatest band!

FM Analog>DAT>Macromedia Sound Edit>SHN

Track 1-10 are all different takes of Unbroken Chain. It was debuted that
very night for the first time ever!

Enjoy
James Toland
[email protected]

Additional comments from Cosmic Chuck [email protected]: 

> The soundcheck did get around during the late spring of that tour, and
> of course I have an analog tape of it (high gen and lots of hiss).  I
> was specifically told to wait at least a number of months before I could
> trade it in my area (sometimes us tapers have particular rules that are
> forced upon us, although I have gotten a few jems that had these
> "restrictions").
>
> As for the banter between the band members, rumour has it (from a
> reliable personal friend and dead productions source, whose name I can
> not reveal) that Phil pushed very hard to get Unbroken Chain out during
> this Philly run.  A bunch of the band members were disappointed with
> Jerry at that time due to his "getting" back on the train (heroin), and
> his lackluster performance during the rehearsals and you can actually
> hear hardly any jerry during that recording (yeah, I know it was Phil's
> monitor mix).