Johnny B. Goode | 1971-02-21 | Grateful Dead

Bands

Featured

Grateful Dead

2,056 shows

16,447 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

176 shows

211 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,246 shows

1,992 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1971

Freeborn Hall, U. of California

Lane Community College

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

San Francisco, CA, USA

Camp Randall Field House, U. of Wisconsin

Fieldhouse, U. Of Iowa

San Francisco, CA, USA

East Hall Franklin & Marshall Col.

Catholic Youth Center

Christy Mathewson Stadium, Bucknell U.

Allegheny State College

Dillon Gym, Princeton U.

Lusk Field House, S.U.C.N.Y

Rhode Island Auditorium

Bangor Municipal Auditorium

Wallace Wade Stadium, Duke U.

Early Show New York, NY, USA

Early Show New York, NY, USA

Early Show New York, NY, USA

Early Show New York, NY, USA

Early Show New York, NY, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Terminal Island Correctional Fac.

Berkeley Community Theater

Berkeley Community Theater

Studio Rehearsals with Keith Godchaux

Santa Venetia, California

Northrop Auditorium, U. of Minnesota

The Palestra, U. of Rochester

Onondaga County War Memorial

San Francisco, CA, USA

San Francisco, CA, USA

Atlanta Municipal Auditorium

San Antonio Civic Auditorium

Austin Municipal Auditorium

Albuquerque Civic Auditorium

Pauley Pavilion, UCLA

San Francisco, CA, USA

3:30:49

8 tapes

Sources

SOURCE 1 OF 6

gd1971-02-21.sbd.miller.116618.flac16

Source:

SBD -> Master Reel -> CD

Lineage:

CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC

Taper Notes:

View NotesNotes:
-- All disc changes are seamless
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 2 OF 6

gd1971-02-21.sbd.orf.98034.flac16

Source:

SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R;

Taper Notes:

View Notes03/19/09 : This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)

SOURCE 3 OF 6

Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.

Transferrer:

Transfer and mastering by C.Ladner.

SHNID:

gd1971-02-21.sbd.cantor-crouch-diebert-gmb.87134.sbeok.flac16

Source:

7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).

Lineage:

Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.

Taper Notes:

View NotesThere are two anomalous frequency peaks throughout both sets and on previous sources.  The first is centered between 7 and 8K with a second between 15.5 and 16.3K.  The exact frequencies varied between each song during the first set while there were only differences between reel flips in the second set.  This required mastering each section with a separate Waves Q10 paragraphic eq setting with supernotch set for the involved frequencies.   Also there is some degradation in tape quality around the margins of the tape flip during Wharf Rat.  The flip in Wharf Rat was crossfaded.  All editing and mastering was done on 24/96 file sets prior to cd-audio rendering with MBIT+.

SOURCE 4 OF 6

gd71-02-21.sbd.lunz.1980.sbeok.shnf

Source:

Soundboard

Lineage:

SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R

Taper Notes:

View NotesSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from <a href="http://db.etree.org/shninfo_detail.php?shnid=112" rel="nofollow">previously-circulating</a> Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different.

The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels.  See http://members.home.net/orf/notch.html for details.

SOURCE 5 OF 6

gd1971-02-21.123885.aud.cooper.berger.flac16

Taper Notes:

View NotesTHIS IS AN IMPROVED TRANSFER 
so you can delete my recent
upload of shn ID 123830

notes:	only aud in circulation for this one, 
	many thanks to taper Jim Cooper,	
	tape develops problems starting with
	King Bee and continues as the batteries
	run down.

SOURCE 6 OF 6

gd1971-02-21.123830.cooper-berger.flac16

Taper Notes:

View Notesnotes:	only aud in circulation for this one, 
	many thanks to taper Jim Cooper,	
	tape develops problems towards the end...