Drums -> | 1976-10-02 | Grateful Dead | Relisten

Bands

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Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

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Yonder Mountain String Band

Shows

10/2/76

Sources

SOURCE 1 OF 3

6.00 / 4 ratings

Remaster by droncit

gd1976-10-02.134416.aud.moore.weiner.droncit.flac16

restored version of <a href="http://db.etree.org/shn/14560">source ID 14560</a>: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details

View NotesThis is a restored version of shnid: 14560
Droncit notes for SHNID 134416 (this version):
This restoration was requested because there is no soundboard and the audience recording is apparently the best-sounding version available.  It was still bassey and hard to hear individual instruments.
I used a multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization.  After the expansion was achieved, the hand-held mic noise was very evident, so I used a final channel blender to blend to mono below 125Hz, and that took care of 90% of the mic noise. 
The first two songs (from a different source), I left alone. 
I don't hear the problems in Stella blue evident in the earlier version; the restoration may have mitigated them.

SOURCE 2 OF 3

7.50 / 4 ratings

gd76-10-02.moore.weiner.14560.sbeok.shnf

Audience Recording: Sony ECM-33Ps

AudMC > DAT > WAV > SHN; 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON

View NotesAudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck,  Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.

SOURCE 3 OF 3

8.00 / 2 ratings

gd1976-10-02.aud.vernon.10152.sbeok.shnf

CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable)

View NotesThis is a rare audience tape and apparently is the only circulating source for this date.  The recording was made on a hand held cassette deck with internal microphone.  The recording levels were set too high so there is some overload distortion. There are also many instances where the mic is hit or brushed against.  Nevertheless, this is a listenable tape and the playing is very good, although primarily of interest to collectors.  El Paso and Let It Grow have one location where the sound is briefly garbled. The main flaw is the heart of the set 2 jam, TOO, is apparently missing.