Jack Straw | 1977-05-07 | Grateful Dead

View Notes------------------------------------------------------------------------------------
Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
dusborne 05-21-2013

SOURCE 2 OF 9

3:08:32

SBD

gd1977-05-07.sbd.miller.88525.flac16

Source:

SBD -> Master Reel -> PCM -> Dat (44.1k) D

Lineage:

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC

Taper Notes:

View NotesPatch Info:
Sony ECM 33P -> Cassette Master -> Sound Forge -> SHN (shnid=6021) supplies:
Around And Around (1:48 - 2:09)
Alternate SBD source supplies:
U.S. Blues (complete track) 

Notes:
-- All disc changes are seamless
-- Adjusted pitch of AUD patch to match Master Reel SBD

SOURCE 3 OF 9

3:11:29

SBD

Taper:

Source & Transfer by Anonymous

Transferrer:

Edited & Mastered using Adobe Audition by Joe Noel

SHNID:

gd1977-05-07.148755.SBD.Betty.Anon.Noel.fix.t-flac2448

Source:

Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate

Taper Notes:

View Notespatch info:
- shnid (6021) supplies:
- s2t12; 01:48 - 02:09
- shnid (124619) supplies:
- s2t13; all
- s2t14; all

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to Steve Rolfe for recording the show
- Thanks to dusborne for his work on the matrix
- The bands equipment was working fine at soundcheck, come showtime, not so much.
- Billy's 31st Birthday or his 18th, either way worldly.
fix:
- d/o's were repaired in the first set (no music was effected)

SOURCE 4 OF 9

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

SHNID:

gd1977-05-07.148736.SBD.Betty.Anon.Noel.t-flac2448

Source:

Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate

Taper Notes:

View Notespatch info:
- shnid (6021) supplies:
- s2t12; 01:48 - 02:09
- shnid (124619) supplies:
- s2t13; all
- s2t14; all

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to Steve Rolfe for recording the show
- Thanks to dusborne for his work on the matrix
- The bands equipment was working fine at soundcheck, come showtime, not so much.
- Billy's 31st Birthday or his 18th, either way worldly.

SOURCE 5 OF 9

gd77-05-07.sbd.bertha-ashley.26361.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN

Taper Notes:

View NotesBertha Remaster of the Rob Eaton/The Wizard <a href="shn/26085" rel="nofollow">soundboard source</a>: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes

SOURCE 6 OF 9

gd77-05-07.sbd.eaton.wizard.26085.sbeok.shnf

Source:

Soundboard

Lineage:

SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding b

Taper Notes:

View NotesSBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.

SOURCE 7 OF 9

SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN

Taper Notes:

View NotesSBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around); note tracking in info file here is 9-6-4, tracking in md5s is 8-6-4?

SOURCE 8 OF 9

2:54:36

SHNID:

gd1977-05-07.167736.ShureSM57.Sublette.noel.goldey.t-flac2496

SOURCE 9 OF 9

gd77-05-07.rolfe.weiner.6021.sbeok.shnf

Source:

Audience Recording: Sony ECM 33P mic > TC-152 deck

Lineage:

AudMC > DAT > Soundforge > CDWAV > SHN

Taper Notes:

View NotesSony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing