My Brother Esau | 1983-04-17 | Grateful Dead

View NotesNotes:
- Thanks to Rob Eaton for the source Dat
- Thanks to Charlie Miller for the transfer
- Speed corrected
- Thanks to the folks responsible for the shnid127256 Recoton source which supplies the crowd and first few seconds of "Touch Of Grey" (0:13 total), a 20:12 patch in "Drums > Space", a 0:08 patch in "Throwing Stones", as well as a 0:13 patch as Weir thanks Stephen Stills before the encore
- Between song transitions smoothed
- Stephen Stills sits in for "Love The One You're With" thru the end of the show

Mastered by Scott Clugston
12/24/2017

SOURCE 2 OF 22

1:52:11

SBD

Taper:

From Gastwirt Collection

Transferrer:

Rick Gastwirt;Charlie Miller;Joe Noel

SHNID:

gd1983-04-17.138602.sbd.set2.Gastwirt.Miller.Noel.t-flac16

Source:

SBD > Cassette Master* > Dat; Charlie Miller

Lineage:

Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

Taper Notes:

View Notes* "Could be a dolby thing, but I think its a 1st gen cassette." - C. Miller

Checksum & tags created in xACT. 

Patch info: 

Drums is spliced three times, shnid: 7317, was used to fill in the missing 7 minutes. 

shnid: 14941 (SBD : MC > C > DAT > CDR)
- tuning - 0:00 - 0:36
- Drums - 8:02 - end
- Space - 0:00 - 10:25

shnid: 7317 - Steve Rolfe; Nak 700's recording 
- Throwing Stones - 2:10 - 2:20
- encore break - 11:43 - end

Notes:
- operating heavy machinery while listening this second set is highly encouraged :D
- Space; can you pass the acid test?? 
- Happy Fortieth, LSD

SOURCE 3 OF 22

gd1983-04-17.137399.sbd.msc.happyjack.flac16

Source:

Partial Show Source: sbd;

Lineage:

mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE

Taper Notes:

View NotesSource Notes
* - Tape Flip [No Music was lost]
^ - cuts out of tape about 3 minutes into Franklin'
By the sounds of my ears I think this may be the clone of the master. We dubbed every recording as a backup in the old days
This is all I had left of this show. The rest stolen. I did not fade out the end of the 2nd set in case anyone wants to use it for patching.

SOURCE 4 OF 22

gd1983-04-17.137398.sbd.msc.happyjack.flac24

Source:

Partial Show Source: sbd;

Lineage:

Taper Notes:

View NotesSource Notes
* - Tape Flip [No Music was lost]
^ - cuts out of tape about 3 minutes into Franklin'
By the sounds of my ears I think this may be the clone of the master. We dubbed every recording as a backup in the old days
This is all I had left of this show. The rest stolen. I did not fade out the end of the 2nd set in case anyone wants to use it for patching.

SOURCE 5 OF 22

gd83-04-17.sbd.fink.14941.sbeok.shnf

Source:

SBD : MC > C > DAT > CDRExtraction and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. Proper sector boundaries verified via shntool.Seeded to Etree by Alan J Fink 02/02/2003.Thanks to Jeff Williams for the disks!

Taper Notes:

View NotesSBD : MC > C > DAT > CDR
Extraction and .shn encoding by Alan J Fink ([email protected]) via EAC and MKW. 
Proper sector boundaries verified via shntool.
Seeded to Etree by Alan J Fink 02/02/2003.

Thanks to Jeff Williams for the disks!

SOURCE 6 OF 22

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-17.162894.senn421.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (15th row, center) > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to d5scott for the Sennheiser 421 source which supplies a 5:22 patch in "Drums", as well as a 0:14 patch in the "Throwing Stones > Not Fade Away" transition
- "Love The One You're With" and "Not Fade Away" with Stephen Stills
- Pitch corrected

Mastered by Scott Clugston
September 2022

SOURCE 7 OF 22

gd1983-04-17.154393.fob.3-beyer.m160.cm.miller.t.flac16

Source:

(FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Really bad PA problems for the first 2 songs
-- Set 2 comes from a 1st gen copy off my master that I made for a friend back in 1990
-- Love The One You're With and Not Fade Away with Stephen Stills
-- Recorded 5 feet in front of the sbd 10 feet to the left patched out of a bunch of D5's
-- Patch source recorded by Jim Vita, transferred by me and mastered by Scott Clugston
-- Thanks to Joe B. Jones for the pitch correction settings
-- This is 153580 2496 > 1644

SOURCE 8 OF 22

gd1983-04-17.137378.set1.m160.miller.flac16

Source:

(FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

SOURCE 9 OF 22

gd1983-04-17.137377.set1.m160.miller.flac24

Source:

(FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

SOURCE 10 OF 22

3:04:22

SHNID:

gd1983-04-17.167344.senn441.lamarre.miller.clugston.flac2496_202404

SOURCE 11 OF 22

3:04:22

SHNID:

gd1983-04-17.167343.senn441.lamarre.miller.clugston.flac1648

SOURCE 12 OF 22

3:06:29

SHNID:

gd1983-04-17.162893.senn421.vita.miller.clugston.flac1648

SOURCE 13 OF 22

3:00:53

SHNID:

gd1983-04-17.153580.m160.miller.flac2496

SOURCE 14 OF 22

gd1983-04-17.141683.beyerm201-pinney-holbrook.flac2448

Source:

flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby

Lineage:

Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesShow notes:
* With Stephen Stills; only "Love The One You're With"

Recording Information
#  Lots of level and tonal changes- probably both PA and deck adjustments
   recording evens out near end of Touch of Grey
&  Slight tape glitches
+  levels turned up end of Franklins > Womens = bass distortion
/  paused between songs
// Tape Flip
//^ cut-Tape swap at very end

***For tour story see text file***

SOURCE 15 OF 22

gd1983-04-17.141682.beyerm201-pinney-holbrook.flac1644

Source:

flac16/44.1khz First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby

Lineage:

Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesShow notes:
* With Stephen Stills; only "Love The One You're With"

Recording Information
#  Lots of level and tonal changes- probably both PA and deck adjustments
   recording evens out near end of Touch of Grey
&  Slight tape glitches
+  levels turned up end of Franklins > Womens = bass distortion
/  paused between songs
// Tape Flip
//^ cut-Tape swap at very end

***For tour story see text file***

SOURCE 16 OF 22

Matrix by Dave Usborne

SHNID:

gd1983-04-17.138277.mtx.dusborne.flac16

Source:

2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes,

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

SOURCE 17 OF 22

gd1983-04-17.127256.recoton.gagen.ford.flac16

Source:

(FOB) Recoton mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue) FOB; center floor, approx. 35 ft. from stage

Lineage:

MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)>Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)>.wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags)

Taper Notes:

View Notes- * w/ Stephen Stills

Notes:

- 1st Generation cassettes supplied by Mark McCue.

- Shnid 7317 supplies patches in Drums, Space, Throwing Stones and NFA.

- Much thanks to Tom Gagen, Johnny Kelly, Andrew Kolodjeski and especially Mark McCue

SOURCE 18 OF 22

gd1983-04-17.120026.chasingwilma.flac24

Source:

Updated

Lineage:

(2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures

SOURCE 19 OF 22

gd1983-04-17.120026.aud.chasingwilma.flac24

Source:

source: (2) beyers m88 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper; encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate

SOURCE 20 OF 22

gd1983-04-17.117500.Sennheiser421.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View NotesNotes:  
** with Stephen Stills
---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 21 OF 22

gd83-04-17.aud-miller.set1.23852.sbeok.shnf

Source:

Set 1 (FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II)Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->Sony V505 ->

Taper Notes:

View Notes(FOB/3 mic Mix) Three Beyer M160's -> 
Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II)

Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) ->  Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface ->
Sony V505 -> Samplitude v7.02 Professional ->
SHN. Recorded and Transfered By Charlie Miller

SOURCE 22 OF 22

gd83-04-17.rolfe.weiner.7317.sbeok.shnf

Source:

AudMC > DAT > CDWAV > SHN

Taper Notes:

View NotesAudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check