The Other One > | 1984-10-20 | Grateful Dead

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Grateful Dead

2,064 shows

17,321 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,083 shows

1,447 tapes

Jerry's Middle Finger

176 shows

211 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,244 shows

1,990 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1984

Carrier Dome, Syracuse U

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Community War Memorial Auditorium

Niagara Falls Convention Center

Niagara Falls, NY, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Veterans Memorial Coliseum

Veterans Memorial Coliseum

Providence Civic Center

Providence Civic Center

Silva Hall, Hult Center

Silva Hall, Hult Center

Silva Hall, Hult Center

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Kingswood Music Theater

Maple, Ontario, Canada

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Merriweather Post Pavilion

Merriweather Post Pavilion

Cuyahoga Falls, OH, USA

Indianapolis Sports and Music Center

Indianapolis, IN, USA

Pine Knob Music Theater

Cedar Rapids, IA, USA

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Ventura County Fairgrounds

Ventura County Fairgrounds

Hartford Civic Center

Hartford Civic Center

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Carrier Dome, Syracuse U.

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

3:04:23

24 tapes

Sources

SOURCE 1 OF 18

2:42:32

SBD

Transferrer:

Original Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller [email protected] November 28, 2020

SHNID:

gd1984-10-20.150967.sbd.eaton-latvala.miller.flac1644

Source:

SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800)

Lineage:

DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC

Taper Notes:

View NotesNotes:
-- Thanks to Rob Eaton and Dick Latvala for this source
-- The patches in West L.A. Fadeaway are mostly just half a second long

SOURCE 2 OF 18

gd1984-10-20.122859.mtx.dusborne.flac16

Source:

Matrix from: Soundboard (shnid:105445) SBD -> Cassette Master -> Dat -> CD; All Transfers and Mastering By Charlie Miller and Audience (shnid:110063)source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott

Taper Notes:

View NotesTagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

dusborne 11-14-2012

SOURCE 3 OF 18

gd1984-10-20.sbd.miller.105445.flac16

Source:

SBD -> Cassette Master -> Dat -> CD

Lineage:

CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Encore is from a different source
-- This is a re-master of shnid=15673
-- Some horrible processing was done to this before I got it
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 18

gd84-10-20.sbd.mattman.15673.sbeok.shnf

Source:

SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT

Taper Notes:

View NotesSBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs

SOURCE 5 OF 18

Scott Clugston and Charlie Miller

SHNID:

gd1984-10-20.140929.fob.senn441.ackerman.miller.clugston.flac2496

Source:

Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3 > TLH flac24/96

Taper Notes:

View NotesNotes:
- Thanks to Ray Ackerman for the master FOB cassette source and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the folks responsible for the shnid10834 Nakamichi CM300 source which supplies the first 0:18 of "Bertha", a 0:16 patch in the transition between "My Brother Esau" and "Bird Song", as well as a 1:31 patch in "Drums"
- Pitch corrected
- Transitions smoothed

Mastered by Scott Clugston
February 2, 2018

SOURCE 6 OF 18

Scott Clugston and Charlie Miller

SHNID:

gd1984-10-20.140928.fob.senn441.ackerman.miller.clugston.flac1644

Source:

Taper Notes:

View NotesNotes:
- Thanks to Ray Ackerman for the master FOB cassette source and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the folks responsible for the shnid10834 Nakamichi CM300 source which supplies the first 0:18 of "Bertha", a 0:16 patch in the transition between "My Brother Esau" and "Bird Song", as well as a 1:31 patch in "Drums"
- Pitch corrected
- Transitions smoothed

Mastered by Scott Clugston
February 2, 2018

SOURCE 7 OF 18

2:33:55

SHNID:

gd1984-10-20.168183.beyer.m160.vita.miller.clugston.flac2496

SOURCE 8 OF 18

2:33:55

SHNID:

gd1984-10-20.168182.beyer.m160.vita.miller.clugston.flac1648

SOURCE 9 OF 18

2:37:13

Taper:

Recorded, Transferred & Mastered by Anon

Transferrer:

Edited with add'l Mastering in Adobe Audition by Joe Noel February 16, 2021

SHNID:

gd1984-10-20.152672.FOBNak100-SGMasterCassetteAnonNoel.t-flac16

Source:

Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: Three rows directly in front of Healy (sorry Dan!); stand 6 to 7 feet high.

Lineage:

Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.

Taper Notes:

View NotesNotes;
- Thanks to Anon for sharing his master cassette & transfer while hiding out away from the Bay Area
- Thanks to all involved with the patch source
- Tape pause cross faded
- This D5 was the lead deck.

SOURCE 10 OF 18

2:37:12

Taper:

Recorded, Transferred & Mastered by Anon

Transferrer:

Edited with add'l Mastering in Adobe Audition by Joe Noel February 16, 2021

SHNID:

gd1984-10-20.152671.FOBNak100-SGMasterCassette.Anon.Noel.t-flac2448

Source:

Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (TDK MA90s, Dolby B On) Location: Three rows directly in front of Healy (sorry Dan!); stand 6 to 7 feet high.

Lineage:

Taper Notes:

View NotesNotes;
- Thanks to Anon for sharing his master cassette & transfer while hiding out away from the Bay Area
- Thanks to all involved with the patch source
- Tape pause cross faded
- This D5 was the lead deck.

SOURCE 11 OF 18

gd1984-10-20.128437.set2.schoeps.oade.BCE.flac16

Source:

Set 2 Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper

Taper Notes:

View NotesPatches:
gd1984-10-20.nak300.carpenter.108304.flac2496
--First few notes of He's Gone
--Smokestack Lightning @ 33:35
--Drums @ 42:04, 47:50
--Lovelight @ 1:21:58, 1:23:52
--First few notes of Revolution

metadata added

Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

BCE Collaboration
[email protected]

SOURCE 12 OF 18

gd1984-10-20.124527.chasingwilma.flac24

Source:

lineage: sennheiser 441 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 13 OF 18

gd1984-10-20.110063.beyer-senn-daweez.D5scott.flac16

Source:

source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes----------------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
----------------------------------------------------------------------------------------------------------------------------------------------------------------------

SOURCE 14 OF 18

gd1984-10-20.aud.morris.108407.flac24

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris

SOURCE 15 OF 18

gd1984-10-20.nak300.carpenter.108304.flac2496

Source:

FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell UD-XLII 90's w/no Dolby. Taped by Ted Carpenter.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F.

SOURCE 16 OF 18

gd1984-10-20.nak300.morris.crazyfingers.106652.flac16

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded from Floor Section 3, Row L, Seat 9

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

SOURCE 17 OF 18

Jim Wise and Andrew F.

SHNID:

gd1984-10-20.nak300.carpenter.wise.andrewf.33341.sbeok.flac16

Source:

FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > MAC (UD-XLII, no Dolby)

Lineage:

MAC > CD, CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, checksums, and FLAC compression) > FLAC

Taper Notes:

View NotesI used Soundforge to make fades, small edits, and patch-in an alternate
source over cuts and tape-flips. The patches are in the following spots:
- He's Gone, 0:00 > 0:07
- Smokestack, 7:54 > 7:56
- Drums, 4:33 > 6:28
- Space, 0:00 > 0:13 

The first notes are slightly clipped on Bertha, West LA, and CC Rider.
(This was also present on the alternate AUD source, so they couldn't
be patched.) There's brief muffling of the left channel, 4:03 > 4:09
of Bro Easu, and 8:35 > 8:40 of Shakedown. 

This is a really hot show, and a seriously in your face recording.

SOURCE 18 OF 18

aud>>nak300>>cassette master>>cd wav

Lineage:

cd wav>>cool edit pro>>shn>>cdr