Feel Like A Stranger | 1984-04-20 | Grateful Dead

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1984

Carrier Dome, Syracuse U

Marin County Veterans Auditorium

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Niagara Falls Convention Center

Niagara Falls, NY, USA

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Saratoga Springs, NY, USA

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Merriweather Post Pavilion

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Indianapolis, IN, USA

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Cedar Rapids, IA, USA

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Ventura County Fairgrounds

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Hartford Civic Center

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East Rutherford, NJ, USA

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San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

3:04:23

24 tapes

Sources

SOURCE 1 OF 24

gd1984-04-20.sbd.miller.103432.flac16

Source:

SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV

Lineage:

WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- This is a re-master of shnid=27775
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 2 OF 24

gd84-04-20.sbd.miller.27775.sbeok.flacf

Source:

SBD> Cassette Master> Reel> Dat (SV3800/48k)

Lineage:

Dat > Samplitude v7.02 Professional> FLAC

Taper Notes:

View Notes<b>flac16</b>; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller

SOURCE 3 OF 24

gd84-04-20.sbd.clugston.11873.sbefail.shnf

Source:

Master Soundboard Cassette > Cassette > CDR

Taper Notes:

View NotesMaster Soundboard Cassette > Cassette > CDR;
CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor

SOURCE 4 OF 24

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-20.154737.fob.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total)
- Fresh transfer
- Pitch Corrected

Mastered by Scott Clugston
December 2021

SOURCE 5 OF 24

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-20.154736.fob.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total)
- Fresh transfer
- Pitch Corrected

Mastered by Scott Clugston
December 2021

SOURCE 6 OF 24

Charlie Miller and Joe Noel

SHNID:

gd1984-04-20.141519.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.fix.t-flac2496

Source:

Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesPatch info
- shnid 139156 (Sennheiser 441) supplies;
- s2t05; 09:59 - 10:28Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch.
- 4/20 says; try this one on for size.
- these file are the correct project rate.
- If you dl'd this earlier, you'll need to replace it with this.
- my bad.

SOURCE 7 OF 24

Charlie Miller and Joe Noel

SHNID:

gd1984-04-20.141518.s2.Nak300.Senn421.Blend.Ackerman.Miller.Noel.t-flac1696

Source:

<b>flac16/96kHz</b>; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info; Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; <a href="http://db.etree.org/shn/141519">Fixed version</a> in circulation

Taper Notes:

View NotesPatch info 
- shnid 139156 (Sennheiser 441) supplies; 
- s2t05; 09:59 - 10:28

Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch.
- 4/20 says; try this one on for size.

SOURCE 8 OF 24

Charlie Miller, Scott Clugston

SHNID:

gd1984-04-20.139334.fob.schoeps.mk41.set1.oade.bryant.miller.clugston.flac2496

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

Taper Notes:

View Notes-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Increased left channel level for first 15:20 (Feel Like A stranger and most of Cold Rain & Snow)
-- Smoothed several between song transitions.

Transfer by Charlie Miller
Mastered by Scott Clugston
September 14, 2017

SOURCE 9 OF 24

Charlie Miller, Scott Clugston

SHNID:

gd1984-04-20.139333.fob.schoeps.mk41.set1.oade.bryant.miller.clugston.flac1644

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

Taper Notes:

View Notes-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Increased left channel level for first 15:20 (Feel Like A Stranger and most of Cold Rain & Snow)
-- Smoothed several between song transitions

Transfer by Charlie Miller
Mastered by Scott Clugston
September 14, 2017

SOURCE 10 OF 24

Charlie Miller, Rich Gastwirt, Joe Noel

SHNID:

gd1984-04-20.139156.FOB.Senn.Silberman.Gastwirt.Miller.Noel.t-flac16

Source:

Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller

Lineage:

Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44

Taper Notes:

View Notes- Lineage confirmed.
- The upgrade is in the transfer, make no bones about it.
- If ever there was a four twenty show…

SOURCE 11 OF 24

2:36:09

SHNID:

gd1984-04-20.166578.mtx.seamons.ht165.flac16

SOURCE 12 OF 24

2:40:17

Taper:

Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-20.149751.mke2002.holbrook.flac2448

Source:

Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM.

Lineage:

Taper Notes:

View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Recording Information:
+      Pop Goes the Weasel teased
//     Tape flip
/      tape stopped between songs to save tape

SOURCE 13 OF 24

2:40:18

Taper:

Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-20.149750.mke2002.holbrook.flac1644

Source:

Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM.

Lineage:

Taper Notes:

View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

Recording Information:
+      Pop Goes the Weasel teased
//     Tape flip
/      tape stopped between songs to save tape

SOURCE 14 OF 24

2:36:06

Taper:

Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-20.149499.beyerm201.holbrook.flac2448

Source:

Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.

Lineage:

SOURCE 15 OF 24

2:36:06

Taper:

Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-20.149498.beyerm201.holbrook.flac1644

Source:

Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH.

SOURCE 16 OF 24

gd1984-04-20.144957.s2.nak300-senn421.ackerman.miller.noel.t-flac1644

Source:

Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6

Lineage:

Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesEdited & Mastered by Joe Noel:
WAV > Audacity > FLAC 24/96
March 29, 2018

Patch info
- shnid 139156 (Sennheiser 441) supplies;
- s2t05; 09:59 - 10:28

Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Thanks to Rich Gastwirt for providing Jeff Silberman's source that supplies the patch.
- 4/20 says; try this one on for size.
- these file are the correct project rate.
- If you dl'd this earlier, you'll need to replace it with this.
- my bad.
- This file set is 16 bit @ 44.1

SOURCE 17 OF 24

gd1984-04-20.135800.aud.lamarre.berger.flac16

Source:

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transferred and seeded by Rob Berger

SOURCE 18 OF 24

gd1984-04-20.135799.aud.lamarre.berger.flac24

SOURCE 19 OF 24

gd1984-04-20.132942.Nak300CP4.Hill.Keo.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Some tape pauses between first set songs and a
short piece missing from the tape filp in "Drums".
All and all another excellent share from the
Hill collection of masters and the Grateful Dead's
Spring 1984 Tour!!!!!!!!
AS ALWAYS ENJOY!!!!!!!

SOURCE 20 OF 24

gd1984-04-20.132941.Nak300CP4.Hill.Keo.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Some tape pauses between first set songs and a
short piece missing from the tape filp in "Drums".
All and all another excellent share from the
Hill collection of masters and the Grateful Dead's
Spring 1984 Tour!!!!!!!!
AS ALWAYS ENJOY!!!!!!!

SOURCE 21 OF 24

gd1984-04-20.120265.akg.dyche.flac16

Source:

AKG 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche

SOURCE 22 OF 24

gd1984-04-20.109353.beyer-senn-daweez.D5scott.flac16

Source:

source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;

Lineage:

Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

SOURCE 23 OF 24

gd84-04-20.senn.fishman.7854.sbeok.shnf

Source:

Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) >CDR-WAV (wav splits) > SHN (via MKWACT)

Taper Notes:

View NotesSource Senn 441 > PCM Digital Audience (up-front) > 
DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) >
CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman

SOURCE 24 OF 24

gd1984-04-20.senn441.wise.ashley.4769.sbeok.shnf

Source:

DAUD(FOB/Senn 441s by Jim Wise)>PCM>DAT>CDA