Tomorrow Is A Long Time | 1987-07-12 | Grateful Dead

View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 05-NOV-2016 - Trader Little Helper
- Tagged 05-NOV-2016 - Tag&Rename
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Brokedown House Production

SOURCE 2 OF 18

3:38:30

SBD

gd1987-07-12.137180.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - DTS mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 05-NOV-2016 - Trader Little Helper
- Tagged 05-NOV-2016 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 3 OF 18

gd1987-07-12.137179.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid=84266) Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 3 Source Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 05-NOV-2016 - Trader Little Helper
- Tagged 05-NOV-2016 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 4 OF 18

gd1987-07-12.sbd-aud.miller.84266.sbeok.flac16

Source:

Sets 1 & 2: SBD -> PCM -> Dat -> CD ; Set 3: (FOB) Schoeps -> PCM -> Dat -> CD

Lineage:

CD -> Samplitude Professional v9.02 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 3 with Bob Dylan
-- Encores on end of Set 2 to keep each set on one disc
-- I did the Dat -> CD transfers back in 2000
-- The SBD is an UltraMatrix with a lot of AUD

SOURCE 5 OF 18

gd1987-07-12.144319.set3.mtx.tobin.flac1644

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 28-DEC-2018 - Trader Little Helper
- Tagged 28-DEC-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 6 OF 18

gd1987-07-12.144301.set3.sbd.tobin.flac1644

Source:

SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 25-DEC-2018 - Trader Little Helper
- Tagged 25-DEC-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 7 OF 18

Soundboard (except AUD PCM>DAT 1st 3 tracks)

SOURCE 8 OF 18

3:27:52

SBD

Transferrer:

Mike Lai and Bill Tetzeli

SHNID:

gd1987-07-12.sbd-aud.lai.tetzeli.fix-3860.84935.sbeok.flac16

Source:

SHNID 3860

Lineage:

SHNs > WAV > time/pitch stretching in CE Pro (see below) > FLAC

Taper Notes:

View NotesThe entire Dead set and the last three tracks, including the encores, appear to have come from the same source.  These were definitely high in pitch, and were pitch/time stretched in CE Pro to 102.36%.  The Dylan set, including the first 3 audience sourced tracks, do not have significant pitch problems and were not pitch adjusted.  The end of d2t12 was cross-faded into the beginning of d2t13 to take care of some overlap.  Shntool was used to fix all existing SBEs and all tracks converted to FLAC.

SOURCE 9 OF 18

gd87-07-12.sbd.agan.3860.sbefail.shnf

Source:

AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz

Taper Notes:

View NotesAUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); via Charlie Connor, Paino Man to abgd; d2 tracked for 80 min

SOURCE 10 OF 18

Scott Clugston and Charlie Miller

SHNID:

gd1987-07-12.142137.fob.schoeps.dalton.miller.clugston.flac1644

Source:

Source Info: 1st & 2nd Set: (FOB) Schoeps > PCM > PCM; 3rd Set: (FOB) Schoeps > PCM > Dat > CD (shnid 84266); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Tim Dalton for the source PCM of the 1st and 2nd sets
- Thanks to Charlie Miller for the shnid84266 (FOB)Schoeps source which supplies the 3rd set in its entirety
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Other One space included in "The Other One"
- 3rd set with Bob Dylan

Mastered by Scott Clugston
May 2, 2018

SOURCE 11 OF 18

3:32:06

SHNID:

gd1987-07-12.149438.fob.senn421.hessberg.miller.clugston.flac2496

SOURCE 12 OF 18

3:32:06

SHNID:

gd1987-07-12.149437.fob.senn421.hessberg.miller.clugston.flac1648

SOURCE 13 OF 18

1:29:51

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1987-07-12.144321.set3.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 28-DEC-2018 - Trader Little Helper
- Tagged 28-DEC-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 14 OF 18

gd1987-07-12.137381.akg460.flac1644

Taper Notes:

View Notes- diginoise in Memphis Blues; patched with #106804
- drop out in drums; patched with #84935
- diginoise in TOO; patched with #84935
- missing the last ~50 seconds of NFA; patched with #84935

SOURCE 15 OF 18

1:34:19

Taper:

PO and Stucco TINA Holmes

Transferrer:

Jason Chastain

SHNID:

gd1987-07-12.137298.set3.aud.GEMS.flac16

Source:

Set 3 Audience Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer 16 bit 44.1kHz

Taper Notes:

View NotesBeta appears to be same source as 106804, but with more content after the encore
certainly a different source than 3422

SOURCE 16 OF 18

gd1987-07-12.nakcm100-cp4.pasternak.106819.flac16

Source:

Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD

Lineage:

CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

Taper Notes:

View Noteswith Jerry Garcia on pedal steel

Note: First song (Slow Train) was not recorded.

SOURCE 17 OF 18

48k dat > midiman delta dio 2496 > cooledit > wav > flac

Taper Notes:

View NotesIn contrast, 2 other fob pcm>dat transfers have circulated being the jbraverman LB-2774 and the miller LB-4714 shnid=84266; both those seem to come from the same original recording with very close wav and spectral views and levels and edits and sound; this one is similar to those in same clapping and sort of similar clapping wavs and same nearby audience talking at end of d1t9 indicating it may be the same recording with different transfer and mastering, or tapers patched off the same mics or very close to each other; in side by side comparison, the tone on this is very different with a warmer sound making those sound harsh and whiney as if they were remastered; this has the complete wait for the encore while those have most of the wait edited out; Editing and patching: a small blip at 8:01 was patched with the miller source; a small drop in crowd at 17:00 was snipped; it could not be patched because both the jbraverman and miller versions were missing this section along with an additional half second which included a clap at this spot as if they had already been snipped;; excellent sound [A]

SOURCE 18 OF 18

2:18:36

Taper:

Aud source supplied by PainoMan

Transferrer:

Charlie Connor

Source:

AUD FOB CM>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT)

Taper Notes:

View NotesAud source supplied by PainoMan.  All other work (including everything above  in this text file) fantastically done by Charlie Conner.

This was my first show and my first tape! - PainoMan