It Must Have Been the Roses | 1987-09-20 | Grateful Dead

View NotesNotes:
-- Two sets of masters were used to make show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

**This fileset is 16bits @ 44.1**
137407 24bits > 16bits with r8brain

SOURCE 2 OF 21

2:33:46

SBD

Transferrer:

Charlie Miller

SHNID:

gd1987-09-20.137407.sbd.miller.flac24

Source:

SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 21

gd1987-09-20.134352.upd-sbd.tobin.flac16

Source:

(original shnid = 16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesPatched and pitch corrected Soundboard

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 17-SEP-2015 - Trader Little Helper
- Tagged 17-SEP-2015 - Tag&Rename
---------------------------------------------------------
Only minor patching - 1st set started with 12 seconds missing from about 1 minute into Jack Straw and then some additional dead air before My Brother Esau and Far From Me to match video tracks. 2nd set had 20 seconds overlapping towards the end of Drums that needed to be deleted.  Speedwise the soundboard was very close compared to other recordings.

Brokedown House Production

SOURCE 4 OF 21

gd1987-09-20.134351.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD + AUD (shn id 90492) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend - DTS mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 17-SEP-2015 - Trader Little Helper
- Tagged 17-SEP-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db SBD

Surround
Left Channel -1db AUD
Right Channel -1db AUD

Sub/LFE
Mixed to mono -1db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 5 OF 21

gd1987-09-20.134350.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid=16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD + AUD (shn id 90492) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix(50%-SBD/50%-AUD)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 17-SEP-2015 - Trader Little Helper
- Tagged 17-SEP-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD 0
AUD -1

SET TWO

Stereo Matrix
SBD 0
AUD -1
---------------------------------------------------------

Brokedown House Production

SOURCE 6 OF 21

the transition between disks 2 and 3 was made seamless by Bill Tetzeli

SHNID:

gd1987-09-20.sbd.eD.tetzeli.33820.sbeok.shnf

Source:

Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN

SOURCE 7 OF 21

gd87-09-20.sbd.eD.16128.sbeok.shnf

Source:

Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN

Taper Notes:

View NotesMaster PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD

SOURCE 8 OF 21

gd1987-09-20.sbd.eD.16091.sbeok.shnf

Source:

Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN

Taper Notes:

View Notes=====

If you get these discs, please make a donation to KPFA -- that's what this event is all about! 

KPFA
1929 Martin Luther King, Jr. Way, 
Berkeley CA 94704 

-- OR you can pledge online at www.kpfa.org 

************************
************************

Thanks to eD for the 'actual' tracking on this shn set...

SOURCE 9 OF 21

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-20.154316.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CM4 MK41 source which supplies a 0:28 patch in the "Desolation Row > Might As Well" transition, a 0:13 patch in "Space", as well as the final 0:38 of "Brokedown Palace"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
November 2020

SOURCE 10 OF 21

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-20.154315.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CM4 MK41 source which supplies a 0:28 patch in the "Desolation Row > Might As Well" transition, a 0:13 patch in "Space", as well as the final 0:38 of "Brokedown Palace"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
November 2020

SOURCE 11 OF 21

Scott Clugston and Charlie Miller and Blake Jacobs

SHNID:

gd1987-09-20.142212.schoeps.cmc4.mk41.oade.jacobs.miller.clugston.flac1644

Source:

Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk
- Thanks to Blake Jacobs for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- Other One space included in "The Other One"
- Another fine Oade capture

Mastered by Scott Clugston
June 10, 2018

SOURCE 12 OF 21

gd1987-09-20.136704.Aud.Seremetcc.Keo.Flac1644

SOURCE 13 OF 21

gd1987-09-20.136703.Aud.Seremetcc.Keo.Flac2496

SOURCE 14 OF 21

gd1987-09-20.Nak300.Hill.Keo.131628.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP1's Or CP4's ? > Sony TC-D5M; Tapes:Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Nak 300, Alex; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!Some tape pauses in
between songs for the first set and couple of cuts from 
tape flips, still all and all another excellent share from
the Hill collection of masters and the Grateful Dead's
1987 Fall Tour!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!

SOURCE 15 OF 21

gd1987-09-20.Nak300.Hill.Keo.131627.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP1's Or CP4's ? > Sony TC-D5M; Tapes:Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Nak 300, Alex; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!Some tape pauses in
between songs for the first set and couple of cuts from 
tape flips, still all and all another excellent share from
the Hill collection of masters and the Grateful Dead's
1987 Fall Tour!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!

SOURCE 16 OF 21

gd1987-09-20.125746.AT835.flac16

Source:

Taper: M. Laurentus; Taper Section: Section 57A, Row E, Seat 7; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac

SOURCE 17 OF 21

gd1987-09-20.nak300.gidley.116089.flac2448

Source:

OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011

Taper Notes:

View NotesNotes: Desolation Row cuts in. ID-82460 provides fifteen 
second patch, 10:34 Desolation Row to 0:08 Might as Well. 
Patch from next in line MAC covers tape flip in Space.

file set 24bit/48kHz

SOURCE 18 OF 21

SOURCE 19 OF 21

gd1987-09-20.nak300.damico.90492.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

SOURCE 20 OF 21

gd1987-09-20.nakcm304.suraci.82460.sbeok.flac16

Source:

Nak CM304's>Sony D5M

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA

SOURCE 21 OF 21

gd87-09-20.schoeps.willy.15410.sbeok.shnf

Source:

AUD (Schoeps CMC 34's)>MC*>DAT>CD

Taper Notes:

View NotesAUD (Schoeps CMC 34's)>MC*>DAT>CD; via Paul B; Seeded to etree by Willy