Feel Like A Stranger > | 1987-09-23 | Grateful Dead

View NotesNotes:
-- This source has a fixed Walkin' Blues
-- Two sets of masters were used to make show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

**This fileset is 16bits @ 44.1**
137412 fixed 24bit > 16bit with r8brain

SOURCE 2 OF 13

1:05:56

SBD

Transferrer:

Charlie Miller

SHNID:

gd1987-09-23.137412.fixed.sbd.miller.flac24

Source:

SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- This source has a fixed Walkin' Blues
-- Two sets of masters were used to make show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 13

gd1987-09-23.137231.5-1.tobin.flac1648

Source:

<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.

Lineage:

MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 11-NOV-2016 - Trader Little Helper
- Tagged 11-NOV-2016 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 4 OF 13

gd1987-09-23.137230.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.

Lineage:

MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 11-NOV-2016 - Trader Little Helper
- Tagged 11-NOV-2016 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 5 OF 13

gd1987-09-23.137228.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid = 30887)Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.

Lineage:

MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 11-NOV-2016 - Trader Little Helper
- Tagged 11-NOV-2016 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 6 OF 13

gd1987-09-23.137226.upg-sbd.tobin.flac16

Source:

(original shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.

Lineage:

MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesPatched and pitch corrected soundboard
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 11-NOV-2016 - Trader Little Helper
- Tagged 11-NOV-2016 - Tag&Rename
---------------------------------------------------------
Only minor patching needed except 54 seconds during drums. 
Speedwise the audience was very fast when compared to other recordings - 1.500 seconds per minute.

Brokedown House Production

SOURCE 7 OF 13

gd87-09-23.sbd.ladner.30887.sbeok.flacf

Source:

Soundboard

Lineage:

Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV > Nakamichi DR2 (MSC) > Audiophile 2496 > Wavelab 5 (24/48) > Waves L3 Multimaximizer (resample/dither) > CD Wave > FLAC16

Taper Notes:

View NotesSource:       Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Transfer:   MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5.
Mastering:  Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC.
No noise reduction or selective frequency augmentation/attenuation was performed.

Last performances of "Tons of Steel" and "La Bamba".
Thanks to the provider of the MSCs who for various reasons  wishes to remain anonymous.
Overall this recording has a lot more high end  than the source listed on the archive as being a MSC >DAT transfer.  This is likely the MSC that was used on that DAT transfer as the "Healy Weirdness" described during Desolation Row corresponds to a poorly patched tape flip.  There are no dropouts in La Bamba on this recording.

Flaws-
This recording has the nasty digital static at the beginning of the show (Stranger) coming through with what sounds like Bob's vocal mic as his voice is all distorted while you can hear Jerry and Brent's ok.  

Tape flip during the first verse of Desolation Row patched from a similar sounding performance (no drums, just guitars/voices) on 5/10/87 using Wavelab.

Tape flip durin Space was very short and crossfaded into near-imperceptiblity.

SOURCE 8 OF 13

gd87-09-23.sbd.willy.15207.sbeok.shnf

View NotesSBD>MC>DAT>CD; Terrible static first 1:12 Stranger; See info file for details; EAC/SHN by Willy

SOURCE 9 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-23.154372.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joe D'Amico for the Nakamichi 304 source which supplies a 0:44 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2020

SOURCE 10 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-23.154371.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joe D'Amico for the Nakamichi 304 source which supplies a 0:44 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2020

SOURCE 11 OF 13

gd1987-09-23.137225.upg-aud.tobin.flac16

Source:

(original shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 11-NOV-2016 - Trader Little Helper
- Tagged 11-NOV-2016 - Tag&Rename
---------------------------------------------------------
Only minor patching needed except 38 seconds during drums. 
Speedwise the audience was fast when compared to other recordings - 1.000 seconds per minute.

Brokedown House Production

SOURCE 12 OF 13

gd1987-09-23.133606.NakCM100-Spectrum.pasternak.flac16

Source:

Source / Lineage : Taper section nakamichi CM 100 / CP-4s > Marantz PMD 420, Master Cassette > CD, Transfered on a Nakamichi DR-2 > Tascom CDRW 2000 > me >EAC > TLH level 8 > flac 16 > you > enjoyTape and Transfer By Jon Pasternak

SOURCE 13 OF 13

2:21:29