Eyes Of The World -> | 1989-10-08 | Grateful Dead

View NotesPatch Info:
(FOB) Schoeps CMC3/MK4 -> Dat -> CD supplies:
Space (0:52 - 1:16)

Notes:
-- Recorded by Don Pearson
-- Billed as 'Formally The Warlocks'
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 15

2:34:08

SBD

gd1989-10-08.147605.sbd.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
(FOB) Schoeps CMC3/MK4 -> Dat -> CD supplies:
Space (0:52 - 1:16)

Notes:
-- Recorded by Don Pearson
-- Billed as 'Formally The Warlocks'

SOURCE 3 OF 15

gd1989-10-08.sbd.walker-scotton.miller.81532.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
(FOB) Schoeps CMC3/MK4 -> Dat -> CD supplies:
Space (1:18 - 1:53)

Notes:
-- 2nd Set is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

SOURCE 4 OF 15

gd1989-10-08.mtx.hansokolow.96442.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources:

SBD: shnid=32902
Recording Info:
SBD -> Cassette Master (TDK MA-XG90)

Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
December 16, 2006

Patch Info:
(FOB) Schoeps CMC3/MK4 -> Dat -> CD supplies:
Space (1:18 - 1:53)

Notes:
-- 2nd Set is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

-----------------------------------

DAUD: shnid=439
(FOB) Schoeps CMC34's -> Panasonic SV-250
Transfer:
D8 -> Montego II -> CDWAV
by Doug Nawrocki

-----------------------------------

My Notes:  The SBD was stretched to match the digital AUD.

-Tano ([email protected])

SOURCE 5 OF 15

gd1989-10-08.sbd.hinko.32427.sbeok.flac16

Source:

SBD > MC > DAT > CD > EAC > FLAC

Taper Notes:

View NotesEAC/FLAC by Darryl Hinko (flyerfanatic)
Any questions contact me at: [email protected]
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
FLAC frontend for encoding to FLAC

Patch sources:
Source A
SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
http://db.etree.org/shninfo_detail.php?shnid=25261

Source B
F.O.B.  Schoeps CMC34's -> Panasonic SV-250
http://db.etree.org/shninfo_detail.php?shnid=439

Notes:

- d3t02 Space: 1000 ms crossfade with patch source B from 0:27 - 0:57
               1000 ms crossfade with patch source A from 0:57 - 1:35
               1000 ms crossfade with patch source A from 8:21 - 8:40

- d3t07 We Bid You Goodnight: 1000 ms crossfade with patch source A
                              from 2:27 - 3:24


Enjoy!

SOURCE 6 OF 15

gd89-10-08.sbd.bertha-ashley.25261.sbeok.shnf

Source:

SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN

Taper Notes:

View NotesSBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN

SOURCE 7 OF 15

gd1989-10-08.sbd.carr.17732.shnf

View NotesSounds like there's some analog generation(s) in the lineage, but the artifacts are minimal. Overall this show sounds great! Enjoy!

This show was EAC'd to SHN by Dan Carr on 12/10/01.

SOURCE 8 OF 15

SBD> Master Cass>DAT>CD

SOURCE 9 OF 15

Scott Clugston and Charlie Miller

SHNID:

gd1989-10-08.142509.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Miracle space included in "I Need A Miracle"

Mastered by Scott Clugston
July 2, 2018

SOURCE 10 OF 15

2:25:55

SHNID:

gd1989-10-08.167628.akg.c522.hessberg.miller.clugston.flac2496

SOURCE 11 OF 15

2:25:55

SHNID:

gd1989-10-08.167627.akg.c522.hessberg.miller.clugston.flac1648

SOURCE 12 OF 15

2:25:58

Taper:

Alabama Bob,Mr. Currier

Transferrer:

Keo

SHNID:

gd1989-10-08.120377.Nak300sSenn421.AlabamaBob.Currier.Keo.Flac1644

Source:

Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430>Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Huge Thanks out To Mr. Currier for
supplying these master tapes and to Alabama Bob for
running the sweet 3-Mic Mix!Mr. Currier stated that 
these tapes have not been played but maybe once or
twice since they were recorded back in 1989!Hats off 
to you Mr. Currier for the excellent preservation
of these excellent recordings!There was two cuts where
music was missing,the first at the start of the tape
and unfotunately missing a good chunk of "Foolish Heart".
The music was there but stretched like there was 
problems with the original recording deck,the tape had
no signs of being eaten.The second cut was in "We Bid 
You Goodnight" at the begining of the song.I chose
to leave these unedited due to the fact that the masters
from the Nak 550 may hopefully surface some day!Even
though some cuts exist the "Meat" of this transfer
shines and they were a True Honor to work on!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

SOURCE 13 OF 15

2:25:58

Taper:

Alabama Bob,Mr. Currier

Transferrer:

Keo

SHNID:

gd1989-10-08.120376.Nak300sSenn421.AlabamaBob.Currier.Keo.Flac2496

Source:

Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Huge Thanks out To Mr. Currier for
supplying these master tapes and to Alabama Bob for
running the sweet 3-Mic Mix!Mr. Currier stated that 
these tapes have not been played but maybe once or
twice since they were recorded back in 1989!Hats off 
to you Mr. Currier for the excellent preservation
of these excellent recordings!There was two cuts where
music was missing,the first at the start of the tape
and unfotunately missing a good chunk of "Foolish Heart".
The music was there but stretched like there was 
problems with the original recording deck,the tape had
no signs of being eaten.The second cut was in "We Bid 
You Goodnight" at the begining of the song.I chose
to leave these unedited due to the fact that the masters
from the Nak 550 may hopefully surface some day!Even
though some cuts exist the "Meat" of this transfer
shines and they were a True Honor to work on!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

SOURCE 14 OF 15

gd1989-10-08.nak304.carpenter.89508.flac16

Source:

Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View Notes- Promised Land was accidentally cut from the MAC. Ted dubbed a 1st-gen 
alternate Aud onto his tape; I crossfaded that onto the end of Birdsong. 
- Patch from ShnID-439 in Set Two, from 8:14 of Drums to 4:20 of Space. 
- Encore moved to Disc One to fit show on two CDRs. 
- Soundforge used to make fades, add patches, and adjust levels. 
- TLH used for SBE-OK, FLAC compression, and checksums.

SOURCE 15 OF 15

gd89-10-08.fob-schoeps.nawrocki.439.sbeok.shnf

Source:

Schoeps CMC34's -> Panasonic SV-250

Lineage:

D8 -> Montego

Taper Notes:

View NotesFOBÂ  Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego
II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado