Hell In A Bucket | 1990-03-19 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 13

2:33:53

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] April 9, 2020

SHNID:

gd1990-03-19.149504.ultramatrix.sbd.pearson-healy.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 13

gd1990-03-19.mtx.hansokolow.97024.flac16

Source:

matrix of SBD: shnid=1526 and AUD: shnid=94400

Taper Notes:

View Noteshansokolow's notes:  Though this SBD source is not digital (I'm pretty sure) it is very solid and it behaved like a digital source, if that makes any sense.  Drums is very short compared to Space as it includes the Healy business (spacey drums) on the Space track, when usually I put it with the Drums section.  This is because there is a natural pause before it, and no good pause before the rest of the band comes out.  It just seemed more organic that way.

SOURCE 4 OF 13

Darrin Sacks and Bill Tetzeli

SHNID:

gd1990-03-19.sbd.sacks.tetzeli.fix-1526.34777.reflac.flac16

Source:

Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC

Taper Notes:

View NotesSlight Diginoise at:
  Deal 4.31
  China Doll 0.31 & 4.22
  Around 0.01

Bill Tetzeli made the CD2/CD3 transition seamless

SteveSw fixed the replaygain problem

SOURCE 5 OF 13

Kirby Bell, Bob Fishman & Darrin Sacks

SHNID:

gd90-03-19.prefm-sbd.sacks.1526.sbeok.shnf

Source:

Soundboard

Lineage:

Pre-FM Soundboard Master Reel (at 15 inches per second) > DAT > CDRs > WAV > SHN

Taper Notes:

View Notesupdated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes

SOURCE 6 OF 13

2:37:06

REMASTER

Taper:

Master Digital Audience Recording by Ted Mattes Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 25, 2020

SHNID:

gd1990-03-19.149333.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648

Source:

From the Teddy Ballgame Archive - a reMaster of shnid 141914 Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250) Location: Sec 2 Row p Seat 7

Lineage:

Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesNotes:
- Master DAT courtesy of Ted Mattes
- Thanks to Charlie Miller for the transfer
- Here's to the Downtown Marriott, the business casuals & Mike Hunt

reMaster Notes:
- The right channel was inverted, that has been corrected.
- The levels were improved with gentle EQ work & normalization.
- Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.

SOURCE 7 OF 13

Charlie Miller and Joe Noel

SHNID:

gd1990-03-19.141914.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Charlie Miller

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesNotes:
- Master DAT courtesy of Ted Mattes
- Harmonized by Charlie Miller
- Here's to the Downtown Marriott, the business casuals & Mike Hunt

SOURCE 8 OF 13

2:42:59

SHNID:

gd1990-03-19.165619.Hartford.CT.WHCN.fm.taperjon.flac1644

SOURCE 9 OF 13

gd1990-03-19.132673.cmc521.deal-petty.flac16

Source:

Recording info: 2nd row center OTS/ortf/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal;

Lineage:

Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty

SOURCE 10 OF 13

gd1990-03-19.Nak300sSenn441s.Fitzy.Keo.125629.Flac1644

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
Another excellent share from the Fitzy collection
of master audience recordings and the Grateful 
Dead's Spring 1990 Tour!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!

SOURCE 11 OF 13

gd1990-03-19.Nak300sSenn441s.Fitzy.Keo.125628.Flac2496

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
Another excellent share from the Fitzy collection
of master audience recordings and the Grateful 
Dead's Spring 1990 Tour!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!

SOURCE 12 OF 13

gd1990-03-19.sennME80.wklitz.94400.flac16

Source:

Sennheiser ME-80's > Technics SVM-D1

Lineage:

DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC

SOURCE 13 OF 13

gd1990-03-19.nak300.carpenter.andrewf.86825.sbeok.flac16

Source:

Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand 7-feet high, set up just behind the soundboard area: Sec 8, Row D. (Note: there was no taping section at this show.)

Lineage:

MAC > Nakamichi BX-125 > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View NotesNotes:
- Drop out in crowd track (set1) 1:09 > 1:14.
- PA volume increases gradually during Bucket.
- The mic attenuator was accidentally left on at the start of
the 2nd set. All of the crowd track and the first nine seconds
of Box of Rain are muffled. Soundforge was used to increase the
volume and smooth the tape noise.
- Soundforge used to make fades and adjust levels.
- TLH used for SBE-OK, FLAC compression, and checksums.
- Two-disc burning option: end disc one after Foolish Heart.
- This was the final GD concert at this venue.