Cold Rain and Snow | 1990-06-08 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 19

2:45:40

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] April 19, 2020

SHNID:

gd1990-06-08.149619.ultramatrix.sbd.pearson-healy.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 19

2:41:12

SBD

Transferrer:

Chris Ladner and Peter Braverman

SHNID:

gd1990-06-08.147925.sbd.ladner-braverman.flac16

Source:

Matrix SBD > DAT > CDR > WAV > SHN > FLAC

Taper Notes:

View NotesThis source has significant audience component, but it appears to be a soundboard based on stereo separation and bass and drum reproduction.

This is a re-cutting of Chris Ladner's original seed 6935. I have converted to FLAC, normalized, and fixed trackings. The source is not pristine, but it is more than acceptable until a new mastering comes along.

Known issues:
Level fluctuations in the first minute of Cold Rain & Snow.
Chris's seed identified a "high-pitched whistle" before some songs in Set 1, perhaps an audience member.
Momentary dropout removed at 3:58 of Sugar Magnolia.
End of Sugar Magnolia and US Blues spliced from Kutick/Adelman master Schoeps CMC 441's > PCM > SL2000 > DAT > Cass.

Original seeds to Chris from Charlie Miller.

SOURCE 4 OF 19

Matrix by Dave Usborne

SHNID:

gd1990-06-08.130389.mtx.dusborne.flac16

Source:

3 Source Matrix by Dusborne Soundboard (shnid:034397) Source: FOB Matrix SBD > DAT > CDR > WAV > SHN, Audience (shnid:095184) FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob and Audience (shnid:111329) Recorded by The Weasel with 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes

Taper Notes:

View NotesMatrix by dusborne

05-30-2014
-------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 05-30-2014

SOURCE 5 OF 19

gd1990-06-08.sbd.miller.tetzeli.fix-6935.34397.sbeok.shnf

Source:

Fix of shnid 6935

Taper Notes:

View NotesThe following fix was made to this source: the transition between disks 2 and 3 was made seamless.  Shntool was used to correct resulting sector boundary errors.

Bill Tetzeli, [email protected]
2/17/2006

SOURCE 6 OF 19

gd90-06-08.sbd-matrix.ladner.6935.sbeok.shnf

Source:

FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman)

Taper Notes:

View NotesFOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore:  Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman); Thanks to C. Miller for the SBD seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact) via neo_levo; see flaw notes in info file

SOURCE 7 OF 19

1:37:59

Taper:

Recorded by Charlie Miller [email protected] September 23, 2021

Transferrer:

Charlie Miller

SHNID:

gd1990-06-08.154441.s2.4mic.mix.cm.miller.t.flac16

Source:

2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Set 1 is currently missing along with the next 2 nights
-- This is 153498 2496 > 1644

SOURCE 8 OF 19

1:38:00

Taper:

Recorded by Charlie Miller

Transferrer:

Charlie Miller

SHNID:

gd1990-06-08.153498.s2.nak104.akg1000s.miller.flac2496

Source:

2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Set 1 is currently missing along with the next 2 nights

SOURCE 9 OF 19

Charlie Miller and Joe Noel

SHNID:

gd1990-06-08.143343.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648

Source:

Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k)

Lineage:

DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- DAT master courtesy of Dave Brotman.
- Thanks to Charlie for the transfer & coordinating.

SOURCE 10 OF 19

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 10, 2020

SHNID:

gd1990-06-08.150618.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac1644

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info:
- shnid 143343 (Schoeps CMC4/MK2S, Spaced) supplies
- s1t05; start - 00:06
- s2t06; 05:55 - end
- s2t07; start - 04:13

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for the transfer
- Thanks to Dave Brotman for the patch source
- pitch corrected
- tape pauses & flips were cross faded where applicable, otherwise they were patched
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020

SOURCE 11 OF 19

2:35:31

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 10, 2020

SHNID:

gd1990-06-08.150583.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info:
- shnid 143343 (Schoeps CMC4/MK2S, Spaced) supplies
- s1t05; start - 00:06
- s2t06; 05:55 - end
- s2t07; start - 04:13

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for the transfer
- Thanks to Dave Brotman for the patch source
- pitch corrected
- tape pauses & flips were cross faded where applicable, otherwise they were patched

SOURCE 12 OF 19

2:43:41

Transferrer:

Transfer: DAT clone > HHb CDR-830 > EAC > Audacity > WAV > FLAC DAT clone from the collection of Bill Shaw

SHNID:

gd1990-06-08.150333.bk4011-fob.flac16

Source:

B+K 4011 "up front"

Lineage:

- note: exact lineage not documented, but probably same rig as SHNID 23532: B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT

SOURCE 13 OF 19

gd1990-06-08.Nak300CP4.Fitzy.Keo.130419.Flac1644

Source:

Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
There wasn't a 24 Bit source in circulation yet, 
so I decided to leave this source as is with out 
patching the missing pieces and songs in for now.
This is another excellent share from the Fitzy 
collection of masters!!!!
AS ALWAYS ENJOY!!!!!!!!

SOURCE 14 OF 19

gd1990-06-08.Nak300CP4.Fitzy.Keo.130418.Flac2496

Source:

Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
There wasn't a 24 Bit source in circulation yet, 
so I decided to leave this source as is with out 
patching the missing pieces and songs in for now.
This is another excellent share from the Fitzy 
collection of masters!!!!
AS ALWAYS ENJOY!!!!!!!!

SOURCE 15 OF 19

gd1990-06-08.111329.NeumannKMF4.daweez.d5scott.flac16

Source:

Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes--------------------------------------
R.I.P. Sandy - aka "Bigfoot"  
--------------------------------------

SOURCE 16 OF 19

gd1990-06-08.fob.alabamabob.andrewf.95184.flac16

Source:

FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC

Taper Notes:

View NotesNotes: 
- Promised Land false start after Birdsong. 
- Disc break is seamless. 
- Patches from ShnID-9630 as follows: 
- High Time (crowd noise) 7:15 > It's All Over Now 0:10. 
- Uncle John's Band 0:00 > 0:26. 
- Drums 1:03 > 6:09.

SOURCE 17 OF 19

Gerry Gordon and Keith Litzenberger

Transferrer:

Keith Litzenberger

SHNID:

gd1990-06-08.sennME80.wklitz.94233.flac16

Source:

Sennheiser ME-80's>Technics SV-MD1 (DAT) from front of OTS

Lineage:

DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC

SOURCE 18 OF 19

DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman <[email protected]>

SHNID:

gd1990-06-08.schoeps.kutick.adelman.29385.sbeok.shnf

Source:

Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN

Taper Notes:

View NotesTaping location was directly behind soundboard.

SOURCE 19 OF 19

gd90-06-08.schoeps-fob.georges.9630.sbeok.shnf

Source:

Audience

Lineage:

Schoeps omnis (split 6') > Oade pre (presumably m118) > SV250 > analog out > D10 > DA-20 MKII (DAT master) > CDRW700 stand alone > 3x CD gens > EAC (secure) > mkwACT > SHN

Taper Notes:

View Notesfob "at the impact zone" 6' stands
6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10
recording by Sean Weber and west coast "tapers fro hell" crew

"probably a 30 person effort! Big quiet zone around us"