Black Muddy River | 1990-06-09 | Grateful Dead

View Notes
Notes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 17

2:41:55

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] April 19, 2020

SHNID:

gd1990-06-09.149620.ultramatrix.sbd.pearson-healy.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 17

gd1990-06-09.josephson.miller.88197.sbeok.flac16

Source:

(AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C) Microphone configuration: Microphones split approx 30 feet (left and right side of the SBD), 7' up (on stands) Master format: Maxell MX 100 cassettes

Lineage:

Sony WMD-6C > Lunatec V3 (44.1 kHz, 16 bit, ANSR on) > m-Audio Delta 2496 (SPDIF) > WaveLab Digital editing: Steinberg CuBase (pre and post set fades, blend between d1t07 and d1t08) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller

SOURCE 4 OF 17

gd1990-06-09.sbd.miller.tetzeli.fix-6936.34398.sbeok.shnf

Source:

SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of <a href="http://db.etree.org/shn/6936">shn id 6936</a>

Taper Notes:

View Notes----------------------------------------------------------------------------------------
The following fix was made to this source: the transition between disks 2 and 3 was made seamless.  Fades at the end of disk 2 and the beginning of disk 3 were reverse faded, identical splice points identified and splice point volume matched using the statistics tool, all in Cool Edit 2000.  Shntool was used to correct resulting sector boundary errors.

Bill Tetzeli, [email protected]
2/16/2006
----------------------------------------------------------------------------------------

SOURCE 5 OF 17

gd90-06-09.sbd-matrix.miller-ladner.6936.sbeok.shnf

Source:

SBD (Matrix) > DAT > CDR > WAV > SHN

Taper Notes:

View NotesSBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller

SOURCE 6 OF 17

Charlie Miller and Joe Noel

SHNID:

gd1990-06-09.143344.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648

Source:

Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k)

Lineage:

DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- DAT master courtesy of Dave Brotman.
- Thanks to Charlie for the transfer & coordinating.

SOURCE 7 OF 17

Joe Noel and Ted Mattes and Charlie Miller

SHNID:

gd1990-06-09.142578.FOB.Schoeps.Weber-Small.Mattes.Miler.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250) mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller

Lineage:

DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- DAT master courtesy of Ted Mattes.
- Thanks to Sean Weber-Small for recording the show.
- Thanks to Charlie for making this all happen.
- Sean recording this show with Ted's rig.
- upgrade to shnid 134549

SOURCE 8 OF 17

2:33:30

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 11, 2020

SHNID:

gd1990-06-09.150619.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac1644

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info:
- shnid 143344 (Schoeps CMC4/MK2S, Spaced) supplies
- s1t08; 07:03 - end
- s1t09; start - 00:11
- s2t06; start - 03:46

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for the transfer
- Thanks to Dave Brotman for the patch source
- pitch corrected
- tape pauses & flips were cross faded where applicable, otherwise they were patched
- post space the levels drop significantly, adjusting the levels created a notable hiss
- an hr tool was applied, but the hiss remains, albeit less significant
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020

SOURCE 9 OF 17

2:33:30

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 11, 2020

SHNID:

gd1990-06-09.150584.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info:
- shnid 143344 (Schoeps CMC4/MK2S, Spaced) supplies
- s1t08; 07:03 - end
- s1t09; start - 00:11
- s2t06; start - 03:46

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for the transfer
- Thanks to Dave Brotman for the patch source
- pitch corrected
- tape pauses & flips were cross faded where applicable, otherwise they were patched
- post space the levels drop significantly, adjusting the levels created a notable hiss
- an hr tool was applied, but the hiss remains, albeit less significant

SOURCE 10 OF 17

2:41:07

SHNID:

gd1990-06-09.168389.3xcm300.ont.flac1644

SOURCE 11 OF 17

gd1990-06-09.134549.aud.fobaud.flac16

Source:

<b>flac16/48kHz</b>; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz

Taper Notes:

View Notescomments:
FOBAUD provided the files to me (droncit); I just cut them into tracks using DC10 forensics (beta).  There were a couple of instances of very loud sounds for fractions of a second.  I decreased the gain on those so that they didn't determine the overall loudness, then renormalized Set I to -.5dB.  Set II didn't have any spots like that, and was close enough to -.5dB that renormalization wasn't needed. No other processing done.

SOURCE 12 OF 17

gd1990-06-09.Nak300CP4.Fitzy.Keo.126538.Flac1644

Source:

Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 13 OF 17

gd1990-06-09.Nak300CP4.Fitzy.Keo.126537.Flac2496

Source:

Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 14 OF 17

gd1990-06-09.111342.NeumannKMF4.daweez.d5scott.flac16

Source:

Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes--------------------------------------
R.I.P. Sandy - aka "Bigfoot"  
--------------------------------------

SOURCE 15 OF 17

gd1990-06-09.fob.alabamabob.andrewf.95251.flac16

Source:

2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC

Taper Notes:

View NotesNotes: 
- Levels are a bit too hot during first part of Stranger. 
- Second Set disc break is seamless. 
- Patches from ShnID-23532 as follows: 
- Victim (tune-up) 0:00 > 1:21, and Space 0:22 > 0:54. 
- Two disc burn option: split between Touch and LLRain.

SOURCE 16 OF 17

DAT > cassette > SHN transfer, splicing & tracking:Ken Adelman

SHNID:

gd1990-06-09.schoeps.kutick.adelman.29386.sbeok.shnf

Source:

Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN

Taper Notes:

View NotesTaping location was directly behind soundboard.
Sony TC-K81 used for both recording and playback.
Cassette flip splices & tracking via Sound Studio.
A few other glitches - most notable of which is
slightly munched tape near beginning of d2t01.
But for a well-listened-to ten year old cassette,
it sounds mighty good.  Enjoy the music!

SOURCE 17 OF 17

gd90-06-09.bk4011.nickspicks.23532.sbeok.flac

Source:

B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st

Taper Notes:

View NotesB&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC