Touch of Grey | 1990-10-13 | Grateful Dead

View NotesNotes:
-- Thanks to Joe B. Jones for the pitch correction settings
-- Thanks to Alf Houck, Robert Wright and Bill Koucky for the patch source
-- Two sets of master were used to make the soundboard portion complete
-- This file set is 16 bit

SOURCE 2 OF 8

2:24:08

SBD

Transferrer:

Charlie Miller

SHNID:

gd1990-10-13.141086.sbd.miller.flac2496

Source:

Ultra Matrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Joe B. Jones for the pitch correction settings
-- Thanks to Alf Houck, Robert Wright and Bill Koucky for the patch source
-- Two sets of master were used to make the soundboard portion complete

SOURCE 3 OF 8

gd90-10-13.dsbd.hinko.21971.sbeok.shnf

Source:

Soundboard

Lineage:

DSBD > CD > EAC > SHN

Taper Notes:

View NotesDSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko

SOURCE 4 OF 8

2:21:38

SBD

SHNID:

gd1990-10-13.sbd.wiley.11627.sbeok.shnf

Source:

SBD>MC>C>DAT>CDR

Lineage:

EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)

Taper Notes:

View NotesThe noteable hiss is tolerable. D1t01 (Cold Rain & Snow)
fades in and first couple of notes are clipped. D1t08 (The Promised
Land) cuts in with a drop out in the beginning removed. D2t08 (Space)
A cass. flip/ drop out @ 1:23 removed.

SOURCE 5 OF 8

Rob Berger and Doug Lamarre

SHNID:

gd1990-10-13.138953.aud.liff.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger

Taper Notes:

View Notesnotes: w/o Bruce Hornsby

SOURCE 6 OF 8

gd1990-10-13.128225.PER-ERIK.jontebus.flac16

Source:

Recording Info :SONY WM-D6C > MARANTZ EM-8 > Cassette Tape; Transfer Info: Cassette Tape > Nakamichi Dragon Cassette Deck > SONY PCM-M10 (24bit/44,1kHz) > iZotope RX (for hissreduction and sometimes minor eq) > Audacity for Mac (for track splitting) WAV>TLH>FLAC

Taper Notes:

View NotesPer Eriks notes: I've never been a fan of this band, but took the chance to see them live. It was a pretty weird happening.
Isstadion was only half full, and probably half of the crowd were U.S. fans that followed them around on the European tour. 
It was recorded on the far side.

After the show I went down to the 'tapers section' where a few fans with pro-equipment had recorded the show on DAT,
which was completely new back then. I talked to a guy from Oregon who had 3 or 4 SONY TCD5's and made 3-4 master tapes
at the same time. I asked if I could have a copy of his recordings - which I could, but I never heard from him again.

We hope you enjoy this recording!

SOURCE 7 OF 8

gd1990-10-13.aud.holtz.GEMS.92841.flac16

Lineage:

MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)

Taper Notes:

View Notes- Huge thanks to Greg for another fine source!! . There is some sporadic over saturation in the vocals, they were very hot on the raws. I did my best to attenuate without being too invasive/destructive and it came out OK, but there are still some moments that it's pretty obvious. Greg lent his d5 out to friends to tape these runs in exchange for the masters when they came back. From my conversations with Greg about these, all he had were the notes on the actual tapes which lend no hint as to what type of rigs they were patched out of. All tape flips cross faded, eq to taste,  plugins to flavor. Enjoy the show.

SOURCE 8 OF 8

Alf Houck and Robert Wright

Transferrer:

Bill Koucky

SHNID:

gd1990-10-13.nak300.houck-wright.gmb.90031.sbeok.flac16

Source:

Audience Master Cassette Nakamichi 300�s > Marantz PMD-430

Lineage:

Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]

Taper Notes:

View NotesNotes: Tape flips after Queen Jane and during Space, crossfades applied.
       Discs 2 and 3 are seamless