19 Black Peter | 1990-10-30 | Grateful Dead

View NotesPatch Info:
Nakamichi CM300/CP4 > DAT Master (shnid=143864) supplies:
Scarlet Begonias (0:00 - 0:18)
Drums (5:48 - 6:39)
Werewolves Of London (0:00 - 0:18)

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Tim Dalton and SIRMick for the patch source
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 12

2:39:24

SBD

Transferrer:

Charlie Miller

SHNID:

gd1990-10-30.140898.UltraMatrix.sbd.cm.miller.flac1644

Source:

Ultra Matrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete
-- Drums contains audio of two English women speaking on a telephone
-- This file set is 16 bit

SOURCE 3 OF 12

gd1990-10-30.140864.sbd.miller.flac2496

Source:

Ultra Matrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete
-- Drums contains audio of two English women speaking on a telephone

SOURCE 4 OF 12

2:39:24

SBD

Taper:

PO and Stucco TINA Holmes

Transferrer:

Jamie Waddell

SHNID:

gd1990-10-30.136847.sbd.GEMS.flac16

Source:

SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm

SOURCE 5 OF 12

Matrix by Dave Usborne

SHNID:

gd1990-10-30.mtx.dusborne.126879.flac16

Source:

2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007

Taper Notes:

View NotesMatrix by dusborne

01-29-2014
--------------------------------------------------------------------------------                         
Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 01-29-2014

SOURCE 6 OF 12

gd1990-10-30.sbd.barbella.tetzeli.fix-6678.34645.reflac.flac16

Source:

Fix of shnid 6678

Taper Notes:

View NotesI made the transition between CDs 2 and 3 seamless, fixed the resulting SBEs with shntool and converted the nonseekable shns to flac.  The unSHNed WAV files had noncanonical headers - since FLAC conversion strips unnecessary header information, I didn't need to use shntool's strip mode to render them canonical.

Many thanks to whomever did the DAT>CD transfer and provided the overlap that made this fix possible.

Bill Tetzeli ([email protected])
8:52 PM 4/8/2006

SOURCE 7 OF 12

gd1990-10-30.sbd.dieter.7449.sbeok.shnf

Source:

SBD>DAT>CDR

Taper Notes:

View Notes(1) Drums contains audio of two English women speaking on a telephone.


EAC'ed / SHN'ed
dieter ;-)
..from the other side of the sea..
gretting from austria -vienna-

feb/2002

SOURCE 8 OF 12

gd90-10-30.dsbd.barbella.6678.sbeok.shnf

Source:

dsbd> dat> cd> shn

Taper Notes:

View Notesdsbd> dat> cd> shn; via Steve Barbella

SOURCE 9 OF 12

Charlie Miller and Sirmick

SHNID:

gd1990-10-30.143863.nak300-cp4.dalton.miller.sirmick.flac1648

Source:

Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesComments

Drums contains audio of two English women speaking on a telephone.

Thanks to Tim Dalton for lending his masters.

Thanks to Charlie Miller for another great transfer.

edited and mastered
SIRMick
November 2018

SOURCE 10 OF 12

Rob Berger and Doug Lamarre

SHNID:

gd1990-10-30.139120.aud.liff.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger

Taper Notes:

View Notesnotes: most of Jack Straw opener missing

SOURCE 11 OF 12

1:31:53

Taper:

Alf Houck and Robert Wright

Transferrer:

Bill Koucky

SHNID:

gd1990-10-30.nak300-set2.houck-wright.gmb.90836.sbeok.flac16

Source:

Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B

Lineage:

Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]

Taper Notes:

View NotesMastering Notes:
- No 1st set available for this source.
- Discs 1 and 2 are seamless. 
- No patch source used for tape flip during Space.

SOURCE 12 OF 12

gd1990-10-30.nak300.andrewf.81706.flac16

Source:

Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks.

Lineage:

MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC

Taper Notes:

View NotesNotes: 
- Drums features the "Doreen and Pat" phone call. 
- The tape-flip occurs at 02:54.628 in Space, which I've mended together. 
- The break between Disc Two and Disc Three is seamless. 
- To fit onto two CDRs, put the break between Foolish Heart and LLRain. 
- Soundforge was used to make fades and clean up around the tape flips.