gd1990-12-04s2t13.flac | 1990-12-04 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson
-- Two sets of masters were used to make this show complete
-- Turn On Your Lovelight with Huey Lewis on harmonica
-- 25th anniversary of the first Grateful Dead concert
-- This file set is 16/44.1

SOURCE 2 OF 10

2:58:27

SBD

gd1990-12-04.143376.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Two sets of masters were used to make this show complete
-- Turn On Your Lovelight with Huey Lewis on harmonica
-- 25th anniversary of the first Grateful Dead concert

SOURCE 3 OF 10

gd1990-12-04.143584.sbd.ebel.flac1644

Source:

Soundboard (Ultra-Matrix?) -> DAT

Lineage:

Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)

Taper Notes:

View NotesNotes:
* w/ Huey Lewis on harmonica

After listening to the other 3 soundboard (Ultra-Matrix) sources (9365) (143376) (143441) They all seem to be from the same feed.
(9365 & 143441) Mastered on DAT and Charlie's (143376) to Master Cassette. The first 2 DAT copies in Circulation
contain a audience source for Me & My Uncle and Big River. Charlie's Cassette's have the soundboard for these songs.
This source is Soundboard to DAT with Soundboard for the whole show including Me & My Uncle and Big River.

Set #2 is Seamless

SOURCE 4 OF 10

Joe Noel and Kris Wescott

SHNID:

gd1990-12-04.143441.DSBD.Reutelhuber.Westcott.Noel.t-flac1648

Source:

Digital Soundboard > DAT (clone)

Lineage:

DAT (clone) > Sony PCM-R500 > Marantz PMD661 (via SPDIF) > FLAC 16/48

Taper Notes:

View NotesNotes:
- upgrade to shnid 9365
- Thanks to Bill Reutelhuber for sharing his DAT.
- Thanks eternal to Kris Wescott for doing the transfer.
* w/ Huey Lewis on harmonica

In memory of 'Larry Sellers', our good friend Kris Wescott.

Edited & Mastered by Joe Noel
Flac > Audacity Flac 16/48
October 25, 2018

SOURCE 5 OF 10

gd90-12-04.sbd.ladner.9365.sbeok.shnf

Source:

SBD>DAT>CDR>WAV>SHN

Taper Notes:

View NotesSBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002

SOURCE 6 OF 10

Sirmick and Charlie Miller

SHNID:

gd1990-12-04.145225.nak300.cp4.dalton.miller.sirmick.flac1648

Source:

Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesComments:

The 25th Anniversary of them doing what only they could do.

* Huey Lewis - Harmonica

Thanks to Tim Dalton for the loan of his masters.

Thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
February 2019

SOURCE 7 OF 10

2:51:45

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 26, 2020

SHNID:

gd1990-12-04.150692.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac1644

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info:
- shnid  (B&K 4011) supplies
- s1t01; start - 04:17, 06:14 - end
- s1t02; start - 00:04
- s1t03; 05:50 - end
- s1t04; start - 00:06
- s1t07; 04:50 - end
- s1t08; start - 00:19
- s2t06; 03:05 - end
- s2t07; start - 03:27

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Charlie Miller for the transfer
- Thanks to Ted Mattes for putting the project together
- Thanks to Rob Darrouch & John Ammons for the patch source
- Multiple d/o's in the right channel, some lasting several minutes, have been fixed.
- pitch corrected
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson October 14, 2020
* Huey Lewis; harmonica

SOURCE 8 OF 10

2:51:45

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 26, 2020

SHNID:

gd1990-12-04.150654.FOB.NAK.700.DSD.Mow.Miller.Noel.t.flac2496

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesNotes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Charlie Miller for the transfer
- Thanks to Ted Mattes for putting the project together
- Thanks to Rob Darrouch & John Ammons for the patch source
- Multiple d/o's in the right channel, some lasting several minutes, have been fixed.
- pitch corrected
* Huey Lewis; harmonica

SOURCE 9 OF 10

John Ammons and Joel Noel

SHNID:

gd1990-12-04.138093.BK4011.Darroch.Ammons.fob.t-flac16

Source:

<b>flac16/48kHz</b>; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'3", 2nd set at 6'4"; John Ammons

Lineage:

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

SOURCE 10 OF 10

gd1990-12-04.beyer-m160.d5scott.105425.flac16

Source:

Two Beyer M160 Mics > Sony TC-D5M 25 feet from stage - center - mics @ 5.5 feet high on a stand > analog cassette master

Lineage:

Analog cassette master (original record deck-Dolby off) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp file

Taper Notes:

View NotesHuey Lewis plays harmonica on Lovelight -- good luck trying to find him in the mix

R.I.P. Sandy- aka "Bigfoot"   He was a friend of mine who had nothing to do with this recording, but we sure do miss him! I'm almost sure that he was at this show. Sandy used to work for the catering company that did the GD shows at the Coliseum Arena, so he had a pass that let him in early. When they would open the doors to let the Dead Heads in he would go down to the floor & at the sweet spot up front, he would place a blanket for a few of us. He would then place a blanket right in front of the board for himself. In all of the years that I knew Sandy, I don't think he ever recorded the Grateful Dead.