He's Gone> | 2015-10-29 | Dead and Company

View NotesI was not able to get on the floor and access the official taper section, so I set up in section 128 DFC.  A little more audience noise because of location, but  it puts the listener in an ideal "seat" for a wonderful recording.  Thanks to my partner with the Sure mic built for the iPhone, pretty cool stuff.  I had a great time and was very impressed with the lineup.  I Can't wait for MSG and Worcester!!  Maybe more....

Enjoy!

SOURCE 3 OF 15

3:04:15

Rating:

dead2015-10-29.neumannKM150.flac16

Source:

Neumann KM150's>Sonosax SX-M2>SD744t

Lineage:

sd702>SF11>CDWAV>FLAC

Taper Notes:

View NotesDead & Company
Times Union Center (Knickerbocker Arena)
Albany, NY
October 29, 2015

Neumann KM150's(immediately behind soundboard DFC)>Sonosax SX-M2>Sound Devices 744t
SD744t>Sound Forge Pro 11 (Fades,iZotope 64 Bit SRC/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)

SOURCE 4 OF 15

deadco2015-10-29.m21.burke.flac16

Source:

16 bit: (FOB) Microtech Gefell M21 > NBob active cables > Naiant PFA > Sound Devices 722

Taper Notes:

View NotesDead & Company
October 29, 2015 (Thursday)
Times Union Center
51 South Pearl Street
Albany, NY

Taper: Tim Burke
Source: Microtech Gefell M21 > NBob active cables > Naiant PFA > Sound Devices 722 @ 24/48 wav  (mic in, +17.0 dB)
Location: Floor, GA Pit, centered, ~30' (s1) and ~40' (s2) from the stage lip, ~6' high on stand
Mic Config: ~17 cm, ~90º (DINa Schoeps Kwon bar)
Transfer: 722 > CF to SD adapter > SD card > Lenovo ThinkPad T500 > WaveLab * > 16/44.1 wav > CD Wave v1.93.3 > TLH v2.7.0 (build 172), sector boundaries aligned using "fix" setting > FLAC v1.3.0, level 8 > Live Show Tagger via Foobar2000 v1.3.4

* Steinberg WaveLab v6.10 (build 340): minimize crowd noise with the volume envelope tool, dB increase to both channels (resulting in -.50 peaks) via the "change level" command, resample with Crystal ReSampler at ultra quality, dither with MegaBitMax, iZotope Ozone 4, medium noise shaping, normal dither amount
All DSP performed by Tim Burke ([email protected]). Released into widespread circulation on October 31, 2015.
A Team Dirty South Recording.

84m 06s
s1t01. Playing in the Band >
s1t02. Cold Rain and Snow
s1t03. Tennessee Jed
s1t04. Feel Like A Stranger
s1t05. He’s Gone >
s1t06. Bird Song >
s1t07. The Music Never Stopped

100m 48s
s2t01. Lost Sailor >
s2t02. Saint of Circumstance
s2t03. Help on the Way > Slipknot! >
s2t04. Franklin’s Tower >
s2t05. Drums >
s2t06. Space >
s2t07. The Other One >
s2t08. Stella Blue >
s2t09. Not Fade Away
s2t10. encore break
s2t11. Touch of Grey

Notes:
The first public performance of Dead & Company.
DPA UA0896 windscreens were used on the microphones.
Kyle Holbrook and Mike Deary's AKG CK61-ULS > Naiant actives > Naiant PFA > Oade Concert mod Marantz PMD661 were also on the stand.

The Times Union Center opened as Knickerbocker Arena on January 30, 1990 with a performance by Frank Sinatra and was named Pepsi Arena from January, 1997 - May, 2006.

Personnel:
Bob Weir - electric guitar, vocals
Bill Kreutzmann - drums 
Mickey Hart - drums, percussion
Jeff Chimenti - keyboards, backing vocals
John Mayer - electric guitar, vocals
Oteil Burbridge - electric bass guitar, backing vocals

SOURCE 5 OF 15

deadandcompany2015-10-29.neumann.skm140.sunboy.flac16

Source:

Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz

Lineage:

Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH

Taper Notes:

View NotesLocation: front row of taper section behind Mixer enclosure, dead center

Mic config: DINA Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 11 ft, small screens

Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz

Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH

Notes: ~ S.F. 11.0(fades, iZotope mastering limiter set1 +3.5db/set2 +2.75db, resample(iZotope 64-bit SRC-highest quality w/ anti-alias filter) & dither(iZotope MBit+ advanced ultra dither to 44.1/16) ~
~ Apogee - soft limit on ~
~ Editing performed in 24bit/48kHz realm ~
~ files numbered for CD burning ~
~ discs 1-3 are seamless ~
~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~
~ Many Thanks to Dead & Co. & crew & the venue staff & crew for allowing us to record and share the music ~

SOURCE 6 OF 15

AKG568Cebs>LunatecV3(30db gain)>MarantzPMD671>CF>WAVE 16bit/44.1khz>CDeditor>FLAC(8)>TLH

Taper Notes:

View NotesRecorded in the front row of the official tapers section in the center on a stand 10ft. high.

Special Thanks to The Dead and Company and the Times Union center for Allowing us to record and share the music, and it was great taping next to my upstate NY fellow tapers, Steve W., Chris Laporte, Brain Goldstein, John and Sharon it was great time

SOURCE 7 OF 15

deadandcompany2015-10-29.skm140.sunboy.flac16

Source:

Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz

Lineage:

SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH

Taper Notes:

View NotesLocation: front row of taper section behind Mixer enclosure, dead center

Mic config: DINA Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 11 ft, small screens

Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz

Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH

Notes: ~ S.F. 11.0(fades, iZotope mastering limiter set1 +3.5db/set2 +2.75db, resample(iZotope 64-bit SRC-highest quality w/ anti-alias filter) & dither(iZotope MBit+ advanced ultra dither to 44.1/16) ~
~ Apogee - soft limit on ~
~ Editing performed in 24bit/48kHz realm ~
~ files numbered for CD burning ~
~ discs 1-3 are seamless ~
~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~
~ Many Thanks to Dead & Co. & crew & the venue staff & crew for allowing us to record and share the music ~

SOURCE 8 OF 15

deadandcompany2015-10-29.skm140.sunboy.flac24

Source:

Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz

Lineage:

SD722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH

Taper Notes:

View NotesLocation: front row of taper section behind Mixer enclosure, dead center

Mic config: DINA Kwonbar, Schoeps A20S shock, Large Manfrotto air-cushioned stand @ 11 ft, small screens

Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz

Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner5.1, ffp & md5-TLH

Notes: ~ S.F. 11.0(fades, iZotope mastering limiter set1 +3.5db/set2 +2.75db) ~
~ Apogee - soft limit on ~
~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~
~ Many Thanks to Dead & Co. & crew & the venue staff & crew for allowing us to record and share the music ~

SOURCE 9 OF 15

dc2015-10-29.schoepsMK41v.flac16

Source:

Schoeps MK4V's>VST62iu>V2>M10

Lineage:

pcm-m10>sf11>CDWAV>FLAC

Taper Notes:

View NotesDead & Company
Times Union Center (Knickerbocker Arena)
Albany, NY
October 29, 2015

Schoeps MK41v's(immediately behind soundboard DFC)>KCY250/05i>VST62iu>Grace Design Lunatec V2>Soy PCM-M10
PCM-M10>Sound Forge Pro 11 (Fades,iZotope 64 Bit SRC/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)

Recorded By Keith Litzenberger

SOURCE 10 OF 15

dead2015-10-29.neumann.flac16

Source:

(OTS/Center) Neumann U89i (XY 90degrees)> AETA PSP-3 + Neumann AK40/LC3/KM100 (DIN)> Apogee Minime> (Oade Concert Modified) Edirol R-44 (24/48 on a SDHC Card).

Lineage:

SDHC Card> Mac Mini> Fission> Audacity> Xact (Flac 16/44.1).

SOURCE 11 OF 15

deadco2015-10-29.m21.burke.flac24

Source:

24 bit: (FOB) Microtech Gefell M21 > NBob active cables > Naiant PFA > Sound Devices 722

Taper Notes:

View NotesDead & Company
October 29, 2015 (Thursday)
Times Union Center
51 South Pearl Street
Albany, NY

Taper: Tim Burke
Source: Microtech Gefell M21 > NBob active cables > Naiant PFA > Sound Devices 722 @ 24/48 wav  (mic in, +17.0 dB)
Location: Floor, GA Pit, centered, ~30' (s1) and ~40' (s2) from the stage lip, ~6' high on stand
Mic Config: ~17 cm, ~90º (DINa Schoeps Kwon bar)
Transfer: 722 > CF to SD adapter > SD card > Lenovo ThinkPad T500 > WaveLab * > 24/48 wav > CD Wave v1.93.3 > TLH v2.7.0 (build 172) > FLAC v1.3.0, level 8 > Live Show Tagger via Foobar2000 v1.3.4

* Steinberg WaveLab v6.10 (build 340): minimize crowd noise with the volume envelope tool, dB increase to both channels (resulting in -.50 peaks) via the "change level" command,
A 16 bit, 44.1 kHz copy of this source already exists. Please do not resample and dither this copy and circulate.
All DSP performed by Tim Burke ([email protected]). Released into widespread circulation on October 31, 2015.
A Team Dirty South Recording.

84m 06s
s1t01. Playing in the Band >
s1t02. Cold Rain and Snow
s1t03. Tennessee Jed
s1t04. Feel Like A Stranger
s1t05. He’s Gone >
s1t06. Bird Song >
s1t07. The Music Never Stopped

100m 48s
s2t01. Lost Sailor >
s2t02. Saint of Circumstance
s2t03. Help on the Way > Slipknot! >
s2t04. Franklin’s Tower >
s2t05. Drums >
s2t06. Space >
s2t07. The Other One >
s2t08. Stella Blue >
s2t09. Not Fade Away
s2t10. encore break
s2t11. Touch of Grey

Notes:
The first public performance of Dead & Company.
DPA UA0896 windscreens were used on the microphones.
Kyle Holbrook and Mike Deary's AKG CK61-ULS > Naiant actives > Naiant PFA > Oade Concert mod Marantz PMD-661 were also on the stand.

The Times Union Center opened as Knickerbocker Arena on January 30, 1990 with a performance by Frank Sinatra and was named Pepsi Arena from January, 1997 - May, 2006.

Personnel:
Bob Weir - electric guitar, vocals
Bill Kreutzmann - drums 
Mickey Hart - drums, percussion
Jeff Chimenti - keyboards, backing vocals
John Mayer - electric guitar, vocals
Oteil Burbridge - electric bass guitar, backing vocals

SOURCE 12 OF 15

deadco2015-10-29.TimesUnionAlbanyNY

Source:

Aud > Nakamichi CM700's W CP701's > Tascam HDP2

Lineage:

CF 24/48 > Soundforge Pro - Editing > Traders Little Helper - Convert to Flac

SOURCE 13 OF 15

DeadandCompany2015-10-29.AKG483

Source:

AKG483 (DINa) > Sound Device USBPRE2 > Sony M-10 @24bit/48Khz 11 FT, DFC, OTS

Lineage:

Audacity (resample and dither to 16bit/44.1Khz) > CD Wave (tracking) > Traders Little Helper (md5, ffp, Flac8)

Taper Notes:

View NotesThanks for the clamp space Bill!

SOURCE 14 OF 15

3:01:48

SHNID:

DeadCo2015.10.29.audmtx

SOURCE 15 OF 15

AKG460 ck8->Darktrain Silver Cables->Edirol R-44->24/48 wav

Lineage:

SD Card-> Soundforge 8-> Traders Little Helper Dither 16/44.1