Taper:
Scott Bernstein & Bill Mulvey
SHNID:
dbb2010-08-15.tlm170.sbd.matrix.flac16
Source:
Soundboard + lip of stage mic matrix
Lineage:
Source 1: Yamaha LS-9 32/64 SBD digital out -> microtrack 24/96 (@16/48) wav file Source 2: Neumann TLM170 (subcard about 5 feet from stage, center) -> Sound Devices 722 (@24/96) Matrix: File processing in SoundForge Pro 10.0b: Soundboard feed sampling rate reset to 47.998 to compensate for SBD & Aud which did not time sync. Then, upsampled SBD feed to 96khz with iZotope 64-Bit SRC set higher than "Highest Quality" setting; set bit depth of AUD recording to 64 bit float, time-synced all 4 channels, and matrixed the channels together down to 2). Then on the 2 channel mixed-down wave: applied volume normalization; resampled to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav