10.00 / 2 ratings

furthur2010-11-21.sbd.official.113088.flac16

Official Soundboard

8.96 / 23 ratings

Z-Man

Z-Man

furthur2010-11-21.schoeps-ccm4v.z-man.110817.flac16

Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)

Dave

Dave

Furthur2010-11-21.AKG480BCK69SD744T192-24.TapeSecAudFlac16-44

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.NeumanKM140SD744T192-24.TapeSecAudFlac16-44

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Neumann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recorded at 192/24 with 744T's AD converters.

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14.

Bill Goldberg

Bill Goldberg

furthur2010-11-21.akg568ebs.goldberg.115535.flac16

Audience

AKG568ebs>LunatecV3>DAT>MarantzPMD671>WAVE>FLAC

Dave

Dave

Furthur2010-11-21.NeumanKM140SD744T192-24.TapeSecAudFlac24-96

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Neumann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recorded at 192/24 with 744T's AD converters.

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.ARM.AKG480BCK69GraceV3SD744T192-24.TapSecFlac16-44

This was recoreded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.ARM.NeumanKM140SD744T192-24.TapSecFlac24-192

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Nuemann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recorded at 192/24 with 744T's AD converters.

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 192Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.ARM.NeumanKM140SD744T192-24.TapSecFlac24-96

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Nuemann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recored at 192/24 with 744T's AD converters.

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.NeumanKM140SD744T192-24.TapeSecAudFlac24-192

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Neumann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recorded at 192/24 with 744T's AD converters.

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 192Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.AKG480BCK69GraceV3SD744T192-24.TapeSecAudFlac24-96

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.ARM.AKG480BCK69SD744T192-24.TapSecFlac24-192

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 192Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.ARM.NeumanKM140GraceV3SD744T192-24.TapSecFlac24-48

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Nuemann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recored at 192/24 with 744T's AD converters.

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.AKG480BCK69SD744T192-24.TapeSecAudFlac24-192

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 192Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.AKG480BCK69GraceV3SD744T192-24.TapeSecAudFlac24-48

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.ARM.NeumanKM140GraceV3SD744T192-24.TapSecFlac16-44

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Nuemann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a freinds Sound devices 722 and analoged output to my Sound devices 744T and recored at 192/24 with 744T's AD converters.

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.NeumanKM140SD744T192-24.TapeSecAudFlac24-48

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Neumann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recorded at 192/24 with 744T's AD converters.

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.ARM.AKG480BCK69GraceV3SD744T192-24.TapSecFlac24-48

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14.

Dave

Dave

Furthur2010-11-21.ARM.AKG480BCK69GraceV3SD744T192-24.TapSecFlac24-96

This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14.