Franklin's Tower | 2011-07-16 | Furthur

View NotesMic stand 12 ft high in Official Tapers Section, located front center lawn.
Recorded the mid-side mic outputs directly. This version of the original MS recording is matrix'd 
with the side level 1.9 dB lower than the mid. Tracked out to fit on three audio CD's as indicated. 
Discs will join smoothly.

*Furthur*
Phil Lesh - bass & vocals
Bob Weir - guitar & vocals
Jeff Chimenti - keyboards
John Kadlecik - guitar & vocals
Joe Russo - drums
Sunshine Becker - vocals
Jeff Pehrson - vocals

SHN ID: 117503

SOURCE 4 OF 20

2:56:07

Rating:

furthur2011-07-16.dpa4061.pasternak.115404.flac16

Source:

DPA 4061's>Core Sound battery box>Edirol R-09

Lineage:

R-09>Tascam CDRW2000>CD

SOURCE 5 OF 20

furthur2011-07-16.neumann-skm140.sunboy.114716.flac24

Source:

Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me>AES/EBU>Sound Devices 722 @96kHz/24bit

Lineage:

Sound Devices 722 master file @96kHz/24bit>firewire>CoolEditPro2.1>Sound Forge 9.0e>CD Wave v1.96.1>FLAC24

Taper Notes:

View Notespersonnel: Phil Lesh - bass & vocals
Bob Weir - rhythm guitar & vocals
Jeff Chimenti - keyboards
John Kadlecik - lead guitar & vocals
Joe Russo - drums
Sunshine Becker - vocals
Jeff Pehrson - vocals

*******24bit/96kHz version not for CD burning*******
*******Please Do Not Convert to Other Formats*******
******16 bit version previously seeded & on LMA*****

Location: taping section on lawn, dead center, 25' behind shell.

Mic config:  DINa Kwonbar, Schoeps A20S shock, Manfrotto stand @ 10 ft, DPA UA0896 screens 

Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@96/24>AES/EBU>Sound Devices 722 @96kHz/24bit

Transfer,editing & conversion: Sound Devices 722 master file @96kHz/24bit>firewire>CoolEditPro2.1>Sound Forge 9.0e>CD Wave v1.96.1(tracking)>FLAC24 via FLAC frontend 1.7.1(level 7), tag w/Tag Scanner5.0, ffp 1.7.1

Notes: ~ CoolEditPro 2.1(clip restoration/hard limit by 0db to -0.1db a few spots) ~
~ S.F. 9.0e (fades) ~
~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~
~ Many Thanks to Furthur & crew for allowing us to record and share the music ~

SOURCE 6 OF 20

furthur2011-07-16.mc930.muletaper.114657.flac16

Source:

2x Beyerdynamic MC930(Matched Stereo Pair)>Canare Cables>Edirol Digi-Mod-UA5@48khz(Optical Out)>Optical In>Nomad Jukebox 3 Transfer: Nomad JB3>Nomad Explorer>.48khz.Wav

Lineage:

48khz.Wav>WavLab 5.0(Waves and VST plug-in's)>.Wav@48khz>R8-Brain(Dither to 44.1khz)>CDWav>Traders Little Helper (level 8) >Flac

Taper Notes:

View Notes*A Team Dirty South Recording*
*A Team Handicapped Recording*

A special thanks to Otto,Coyotte,Zeke,Rik,Todd,Steve(and crew) and the rest of the crew who carried the gear,set it up for me while disabled,and making this recording happen. Without these folks,I could have NEVER pulled off this recording! enjoy!

SOURCE 7 OF 20

furthur2011-07-16.skm140.sunboy.114630.flac16

Source:

Neumann SKM 140>Lunatec V2>Apogee Mini-Me>AES/EBU>Sound Devices 722 @96kHz/24bit

Lineage:

Sound Devices 722>Sound Forge 9.0e>44.1/16>CD Wave>Flac frontend>Tag Scanner>FLAC16

Taper Notes:

View NotesLocation: taping section on lawn, dead center, 25' behind shell.
Mic config:  DINa Kwonbar, Schoeps A20S shock, Manfrotto stand @ 10 ft, DPA UA0896 screens 

~ CoolEditPro 2.1( clip restoration/hard limt by 0db to -0.1db a few spots)
~ S.F. 9.0e (set1:mastering limiter by 1.5db to -0.1 db,fades, resample(high setting 4) w/anti alias filter & dither-high pass triangular/noise shaping-high pass contour to 44.1/16) ~
~ Editing performed in 96k/24bit realm ~
~ discs are seamless ~
~ Recording, transfer, editing, mastering & conversion by Steven Weld [email protected] ~
~ Many Thanks to Furthur & crew for allowing us to record and share the music ~

SOURCE 8 OF 20

furthur2011-07-16.k3u_me40.brettS.114625.flac16

Source:

Sennheiser K3U/ME40 > DPA UA0896 Windscreens > Canare XLR's > BM2P+ UA5 > S/PDIF > Microtrack 2 ( 24bit/48khz ) > SanDisk Ultra II 8gb CF > USB > PC

Lineage:

Soundforge 8.0 ( Fades, Resample 48khz to 44.1 w/Anti Alias Filter, Accuracy 4. Dither 24 to 16bit Highpass Triangular, Highpass Contour. ) > CDWav ( Tracking ) > Flacfrontend ( Level 8, Tags )

Taper Notes:

View NotesLocation:
OTS Lawn, Center, 8' High, PAS

Thanks:
Very special thanks to John Tremblay for the clamp space 
and all his help. Cheers!

For Matt

SOURCE 9 OF 20

furthur2011-07-16.nak701.suraci.114624.flac16

Source:

Nakamichi CM701's>Naiant Tiny Box>Sony M10

Lineage:

Sony M10>Adobe Audition 3.0>Cdwav>flac16

Taper Notes:

View NotesSource: Nakamichi CM701's>Naiant Tiny Box>Sony M10@24/48
Location: OTS Lawn, Stand at 9 feet
Transfer: M10>Adobe Audtion 3.0>Cdwav>flac16
Taped, transfered and uploaded by Tony Suraci

SOURCE 10 OF 20

furthur2011-07-16.akg481.laporte.114604.flac16

Source:

AKG 481 > TS2 preamp > Oade OCM PMD661 @ 24bit/44.1Khz

Lineage:

SD card > Adobe Audition > CD Wave > Traders's Littler Helper

Taper Notes:

View NotesTapers Section, Lawn
AKG481 >Five Fish Studios TS-2 Preamp > Oade OCM Marantz PMD661 @24bit/44.1Khz
9ft high, DIN(a), DFC


SDcard>adobe Audition > CDwave > Trader's little Helper.

Adobe: fade ins/out, resampled to 16bit.
CDwave: tracking.
TLH: md5, flac, ffp.

SOURCE 11 OF 20

furthur2011-07-16.akg.suraci.114603.flac16

Source:

AKG CK1x (card caps)>Naiant Tiny Box>Sony M10

Lineage:

M10>Adobe Audition>cdwav>flac

Taper Notes:

View NotesSource: AKG CK1x>Naiant Tiny Box>Sony M10@24/48
Location: FOB, Left of Center, Stand at 7 feet
Transfer: M10>Adobe Audtion 3.0>Cdwav>flac16
Taped, transfered and uploaded by Tony Suraci


The Band:
Phil Lesh
Bob Weir
Jeff Chimenti
John Kadlecik
Joe Russo
Jeff Pehrson
Sunshine Becker

SOURCE 12 OF 20

Furthur2011-07-16.ARM.AKG568EBGraceV3SD744T192-24.BSBCenAudFlac16-44

Source:

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

Lineage:

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14

Taper Notes:

View Notes7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

This is an analog remaster (in the name ARM = analog remaster).
Remastering effects chane;
Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.

Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14

7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Set I: Feel Like a Stranger, Crazy Fingers > Cumberland Blues, Bird Song > Cassidy, Built to Last, Big Bad Blues > Playin in the Band

Set II: The Music Never Stopped > Golden Road to Unlimited Devotion > Eyes of the World > Help on the Way > Slipknot! > The Eleven > Franklin's Tower, Comes a Time, St. Stephen > One More Saturday Night
E: U.S. Blues

SOURCE 13 OF 20

Furthur2011-07-16.AKG568EBGraceV3SD744T192-24.BehnSBCentAudFlac24-96

Source:

Lineage:

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14.

Taper Notes:

View Notes7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

This is a copy of the master.

Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14.

7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Set I: Feel Like a Stranger, Crazy Fingers > Cumberland Blues, Bird Song > Cassidy, Built to Last, Big Bad Blues > Playin in the Band

Set II: The Music Never Stopped > Golden Road to Unlimited Devotion > Eyes of the World > Help on the Way > Slipknot! > The Eleven > Franklin's Tower, Comes a Time, St. Stephen > One More Saturday Night
E: U.S. Blues

SOURCE 14 OF 20

Furthur2011-07-16.ARM.AKG568EBGraceV3SD744T192-24.BSBCenAudFlac24-96

Source:

Lineage:

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14.

Taper Notes:

View Notes7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

This is an analog remaster (in the name ARM = analog remaster).
Remastering effects chane;
Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.

Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14.

7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Set I: Feel Like a Stranger, Crazy Fingers > Cumberland Blues, Bird Song > Cassidy, Built to Last, Big Bad Blues > Playin in the Band

Set II: The Music Never Stopped > Golden Road to Unlimited Devotion > Eyes of the World > Help on the Way > Slipknot! > The Eleven > Franklin's Tower, Comes a Time, St. Stephen > One More Saturday Night
E: U.S. Blues

SOURCE 15 OF 20

AKG568ebs>LunatecV3>MarantzPMD671>CF>WAVE>FLAC>TLH

Taper Notes:

View NotesRecorded on the lawn mics at 10ft. spaced 3ft. apart

Had Battery issues duringthe first set thats why its not posted, but the 2nd set came out great so here it is

SOURCE 16 OF 20

Furthur2011-07-16.ARM.AKG568EBGracV3SD744T192-24.BSBCenAudFlac24-192

Source:

Lineage:

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.

Taper Notes:

View Notes7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

This is an analog remaster (in the name ARM = analog remaster).
Remastering effects chane;
Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.

Edited, tracked and all fades processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.

7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Set I: Feel Like a Stranger, Crazy Fingers > Cumberland Blues, Bird Song > Cassidy, Built to Last, Big Bad Blues > Playin in the Band

Set II: The Music Never Stopped > Golden Road to Unlimited Devotion > Eyes of the World > Help on the Way > Slipknot! > The Eleven > Franklin's Tower, Comes a Time, St. Stephen > One More Saturday Night
E: U.S. Blues

SOURCE 17 OF 20

Furthur2010-07-16.AKG568EBGraceV3SD744T192-24.BehnSBCentAudFlac16-44

Source:

Lineage:

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14.

Taper Notes:

View Notes7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

This is a copy of the master.

Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14.

7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Set I: Feel Like a Stranger, Crazy Fingers > Cumberland Blues, Bird Song > Cassidy, Built to Last, Big Bad Blues > Playin in the Band

Set II: The Music Never Stopped > Golden Road to Unlimited Devotion > Eyes of the World > Help on the Way > Slipknot! > The Eleven > Franklin's Tower, Comes a Time, St. Stephen > One More Saturday Night
E: U.S. Blues

SOURCE 18 OF 20

Furthur2011-07-16.ARM.AKG568EBGraceV3SD744T192-24.BSBCenAudFlac24-48

Source:

Lineage:

This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14

Taper Notes:

View Notes7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

This is an analog remaster (in the name ARM = analog remaster).
Remastering effects chane;
Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL 9526 stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.

Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14

7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Set I: Feel Like a Stranger, Crazy Fingers > Cumberland Blues, Bird Song > Cassidy, Built to Last, Big Bad Blues > Playin in the Band

Set II: The Music Never Stopped > Golden Road to Unlimited Devotion > Eyes of the World > Help on the Way > Slipknot! > The Eleven > Franklin's Tower, Comes a Time, St. Stephen > One More Saturday Night
E: U.S. Blues

SOURCE 19 OF 20

Furthur2011-07-16.AKG568EBGracV3SD744T192-24.BehnSBCentAudFlac24-192

Source:

Lineage:

This is a copy of the master. Edited, tracked and all fades processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.

Taper Notes:

View Notes7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

This is a copy of the master.

Edited, tracked and all fades processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.

7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Set I: Feel Like a Stranger, Crazy Fingers > Cumberland Blues, Bird Song > Cassidy, Built to Last, Big Bad Blues > Playin in the Band

Set II: The Music Never Stopped > Golden Road to Unlimited Devotion > Eyes of the World > Help on the Way > Slipknot! > The Eleven > Franklin's Tower, Comes a Time, St. Stephen > One More Saturday Night
E: U.S. Blues

SOURCE 20 OF 20

Furthur2011-07-16.AKG568EBGraceV3SD744T192-24.BehnSBCentAudFlac24-48

Source:

Lineage:

This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14.

Taper Notes:

View Notes7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Further Live 7/16/2011 at Bethal woods ampitheater. Recorded with AKG 568s with 3 inches of wind tec foam. On Grace design lunatec V3 mic preamps only no digital. Recorded on Sound devices 744T at 192/24 with 744T's AD converters. Sec 12 row A seat 28 non taper ticket. Mics 8 feet hi. The front row just left of center, last section just in front of the roof opening.

This is a copy of the master.

Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14.

7/16/2011 Sat Bethel Woods Center for the Arts, Bethel, NY 

Set I: Feel Like a Stranger, Crazy Fingers > Cumberland Blues, Bird Song > Cassidy, Built to Last, Big Bad Blues > Playin in the Band

Set II: The Music Never Stopped > Golden Road to Unlimited Devotion > Eyes of the World > Help on the Way > Slipknot! > The Eleven > Franklin's Tower, Comes a Time, St. Stephen > One More Saturday Night
E: U.S. Blues