James Bartoli

gm2009-05-27.matrix.flac16

4 track post-mix: {([2] AKG c452eb/ck22 (~ 10' high, ~ NOS, mounted to support beam 7-8' above/2-3' back from stage) -> 'vintage' mod. pres) + (SBD L/R (TRS matrix outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz

Busman V/T Mod. Edirol R-4 Pro -> MacBook Pro/Digital Performer 5.1 (import tracks; set 4 track mix; Bounce to Disc (w/ FX plug-ins: para EQ, light compression, limiter, peak normalize); split tracks; resample to 44.1KHz) -> .wav -> iZotope RX (MBIT+ dither to 16bit) -> .wav -> xACT v1.62 -> FLAC (level 8)

James Bartoli

gm2009-05-27.matrix.flac24

4 track post-mix: {([2] AKG c452eb/ck22 (~ 10' high, ~ NOS, mounted to support beam 7-8' above/2-3' back from stage) -> 'vintage' mod. pres) + (SBD L/R (TRS matrix outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz

Busman V/T Mod. Edirol R-4 Pro -> MacBook Pro/Digital Performer 5.1 (import tracks; set 4 track mix; Bounce to Disc (w/ FX plug-ins: para EQ, light compression, limiter, peak normalize); split tracks) -> .wav -> xACT v1.62 -> FLAC (level 8)

10.00 / 4 ratings

Kenny Shook

Kenny Shook

gm2009-05-27.onstage.flac16

Audio Technica ATR20's (onstage, split ~6ft)> RS 274>H2 (@24/48)

audacity (level flux & dithering to 16/48)>cd wave (tracking)>flac 16