SHNID:
gsw1993-10-09.scheops-at-patch.flac16
Lineage:
Original master recording: Scheops CMC54 -> Sonosax -> Teac DA-P20 -> Denon DTR-80P (digital patch, master @ 16/48); S1T3 and 4 and S2T18 and 19 were spliced in on the original DAT from Bob Mischka's source: Audio Technica 4051 -> ? -> Denon DTR-80P (digital copy from master). Both sources were set up in the same location in the venue. The Scheops source that I was originally patched out of had a Sonosax battery death in each set and I spliced the fixes into my recording with tracks from Bob's source soon after the show. DAT playback: Sony R-500 -> Sound Devices 722 digital input (@24/48) Scheops source was recorded with Emphasis ON, as I was digitally patched from Geoff Tischman's Teac DAP20, so I mastered those tracks this way: Soundforge Pro 10.0c - *All file manipulation in Soundforge done at 24 bits*. Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter. 24 bit file then processed with SOX 14.3.2 (as recommended, keeping the file at 24 bits during the processing) to remove pre-emphasis which was applied by the Teac A>D converter. Then back to Soundforge for volume normalization and clap removal and dithering to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings. Tracked in CDWav. Audio Technica source was recorded with Emphasis OFF, so I mastered those tracks in isolation this way: Soundforge Pro 10.0c - *All file manipulation in Soundforge done at 24 bits*. Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, volume normalization and clap removal and dithering to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings. Tracked in CDWav.