The Other Shore -> | 2012-08-17 | God Street Wine

2:59:57

SBD

Taper:

Scott Bernstein and Victor Cornette

Transferrer:

Scott Bernstein

SHNID:

gsw2012-08-17.tlm170.sbd.matrix.flac16

Source:

SBD + split mic matrix

Lineage:

Matrix: Neumann TLM-170s (hypercards, center on a stand, just behind the soundboard area) -> Sound Devices 722 (@24/96) + Soundboard recording (also @ 24/96); Processing in SoundForge Pro 10.0d (4 channel time sync; slight "elastique" time stretch applied to SBD which was a few hundredths of a second behind my audience recording; mixdown at 64 bit float/96 khz; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav.

Taper Notes:

View Notes* = just Lo & Aaron on acoustic guitars
+ = w/multiple "Two Tickets To Paradise" (Eddie Money) jams

The entirety of Track 1 is patched into my 24/96 master from Scott Brown's 24/96 master (and then processed along my processing path):
DPA 4023 > Grace Design Lunatec V3 > Mytek Stereo 192 @ 24 bit, 96khz > Sound Devices 744; 744T > Apple MacBook Pro > Wave Editor 1.5.7 > xACT 2.20 (5494) > flac.  Then FLAC File processing in SoundForge Pro 10.0d (volume normalization / level matching and splicing into my recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav.

Also note that the SBD recording is missing the first 1:30 of Frank Messina's poetry, so you will hear the SBD appear in the matrix (cleanly) then.  I have matched the volume of the two parts, so it's seamless.

Lineup:
Lo Faber - guitar, vocals
Aaron Maxwell Lieberman - guitar, vocals
John "Bevo" Liebowitz - keys, organ
Dan Pfier - bass, harmony vocals
Tom "Tomo" Osander - drums, harmony vocals
Jason Crosby - keys, organ, violin/fiddle
John Wood - percussion
Lizzie "Loves" Friel - background vocals

Unfortunately I couldn't run my same split-mic setup on this night because I only had 1 mic stand and nobody had any they could lend me...and the venue security would not let me clamp anywhere.

Audience recording by Scott Bernstein.  SBD recording by Victor Cornette.

Mixed, mastered, tracked, and posted by Scott Bernstein (11/13-16/2012)


There is a higher quality 24 bit version of this recording available at <a href="http://archive.org/details/gsw2012-08-17.tlm170.sbd.matrix.flac24" rel="nofollow">http://archive.org/details/gsw2012-08-17.tlm170.sbd.matrix.flac24</a>

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