1970-06-04 | Grateful Dead | Relisten

Bands

Featured

Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

6/4/70

Monkey and the Engineer

Deep Elem Blues

Silver Threads and Golden Needles

Friend of the Devil

Cumberland Blues*

Wake Up Little Suzie*

Swing Low Sweet Chariot*

Uncle John's Band

Me and My Uncle

//China Cat Sunflower >

I Know You Rider

Attics of My Life

It's a Man's World

New, New Minglewood Blues

Not Fade Away >

It's All Over Now Baby Blue

FIN

View on archive.org

Sources

SOURCE 1 OF 5

9.33 / 6 ratings

Dan McDonald and dusborne

gd1970-06-04.123799.mtx.olsen.droncit.dusborne.flac16

Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape.

View Notes----------------------------------------------------------------------------------

***Audience source for both sets***
 
gd70-06-04.xxxxx.gdnrps.sonyTC124.olsen.droncit.flat.flac16

Audience Recording by Gerry Olsen.

Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW
(hand-held).  120 minute BASF normal bias tape.

Lineage via Dan McDonald ([email protected]):  
Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); 
DC8Forensics was used to apply the NAB curve for normal bias cassettes.  Converted to 16-bit, 44.1kHz
using 32-bit interpolation and a triangular high pass dither.

After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost 
harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.


Notes from Gerry:  "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night" 
home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...."
also, in regards to the question as to whether that was potato chips that you hear occasionally:  
"My then 14 year old brother was on one side and a friend, ..., was on the other.  Although my hands were otherwise 
occupied, I probably snacked some too, plus my brother had a cough to boot."

Notes from Dan:  This is a tape I can only call "charming."  Just a totally enjoyable experience.  Very nicely done, the 
band is in fine form, and the tapers are having a great time.  There are some cuts where the tape broke and where Gerry was 
unable to get the whole song.  There is also some distortion on certain songs - it's not in 
the tape or the wav file, it's from the stage.  There are comments from the audience and the band occasionally.  It's most 
noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals.  I tried to minimize it but
it was too difficult to work with, so I left it as it is.  I lowered coughing and potato chip bag noises when it distracted
from the music.  Otherwise, I left it in.  Sit back and relax, and spend an evening back in 1970.  Many thanks to Gerry for
trusting me with the tapes.   They were a pleasure to work with.  

----------------------------------------------------------------------------------
---Thank you Gerry Olsen for recording the show.
---Thank you miogi for your work with the acoustic sbd.
---Thank you Charlie Miller for your work on the electric sbd.
---Thank you Dan McDonald for your transfer and master of the audience.
---Thank you Germain for your advice, encouragement, guidance and seeding.

Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0

Final Master by Dan McDonald

02-08-2013
-----------------------------------------------------------------------------------

-----------------------------------------------------------------------------------
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

dusborne 02-08-2013
---------------------------------------------------------------------------------

SOURCE 2 OF 5

8.20 / 10 ratings

gd70-06-04.sbd.miller.12135.sbeok.shnf

SBD > RM > Cass > ? > DAT > CD > EAC > SHN

View NotesThis is all that currently circulates from the sbd.
I know this has been out since 1985, since I have had it that long.

SOURCE 3 OF 5

8.00 / 3 ratings

Dick Latvala and Jim Wise

gd1970-06-04.132790.sbd.bear-latvala-wise.reel.flac16

Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise

View NotesThis is a 16 bit 44.1KHz file set
some low frequency PA hum 

Band Line up:
Pigpen
Jerry Garcia
Bob Weir
Phil Lesh
Mickey Hart
Bill The Drummer

SOURCE 4 OF 5

8.00 / 4 ratings

gd1970-06-04.119921.sbd.acou.unk.miogi.flac16

sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16

View Notes* with David Nelson & John "Marmaduke" Dawson

# 1st time played. unk amount missing.possible
reel or tape flip

SOURCE 5 OF 5

8.67 / 9 ratings

Dan McDonald and dusborne

gd1970-06-04.123798.gdnrps.sonyTC124.olsen.droncit.flat.flac16

Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald ([email protected]): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.

View NotesNotes from Gerry:  "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night" 
home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...."
also, in regards to the question as to whether that was potato chips that you hear occasionally:  
"My then 14 year old brother was on one side and a friend, ..., was on the other.  Although my hands were otherwise 
occupied, I probably snacked some too, plus my brother had a cough to boot."

Notes from Dan:  This is a tape I can only call "charming."  Just a totally enjoyable experience.  Very nicely done, the 
band is in fine form, and the tapers are having a great time.  There are some cuts where the tape broke and where Gerry was 
unable to get the whole song.  There is also some distortion on certain songs - it's not in 
the tape or the wav file, it's from the stage.  There are comments from the audience and the band occasionally.  It's most 
noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals.  I tried to minimize it but
it was too difficult to work with, so I left it as it is.  I lowered coughing and potato chip bag noises when it distracted
from the music.  Otherwise, I left it in.  Sit back and relax, and spend an evening back in 1970.  Many thanks to Gerry for
trusting me with the tapes.   They were a pleasure to work with.  

-----------------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

dusborne 02-08-2013
----------------------------------------------------------------------------

1970

Unknown, Unknown

Early Show New York, NY, USA

Early Show New York, NY, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Springer's Inn Portland

Portland, OR, USA

Oregon State U.

Corvallis, OR, USA

Honolulu Civic Auditorium

Honolulu, HI, USA

Honolulu Civic Auditorium

Honolulu, HI, USA

New Orleans, LA, USA

New Orleans, LA, USA

New Orleans, LA, USA

St. Louis, MO, USA

Family Dog at The Great Highway

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Early Show New York, NY, USA

Ungano's Night Club

New York, NY, USA

Early Show New York, NY, USA

Early Show New York, NY, USA

Austin Municipal Auditorium

Austin, TX, USA

Family Dog at The Great Highway

San Francisco, CA, USA

Family Dog at The Great Highway

San Francisco, CA, USA

Family Dog at The Great Highway

San Francisco, CA, USA

Santa Monica Civic Auditorium

Santa Monica, CA, USA

Travelodge Theatre in the Round

Phoenix, AZ, USA

Capitol Theater

Late Show Port Chester, NY, USA

Capitol Theater

Late Show Port Chester, NY, USA

Field House, U. of Cincinnati

Cincinnati, OH, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Mammoth Gardens

Denver, CO, USA

Spring 1970

Alfred, NY, USA

Binghamton, NY, USA

Foss Hill, Wesleyan University

Middletown, CT, USA

Kresge Plaza, M.I.T.

Cambridge, MA, USA

Dupont Gymnasium M.I.T.

Cambridge, MA, USA

Farrell Hall, S.U.C.N.Y.

Worcester Polytechnic Institute

Worcester, MA, USA

Merramac Community College

Kirkwood, MO, USA

Early Show New York, NY, USA

Philadelphia, PA, USA

Newcastle-Under-Lyme

Newcastle, England

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Honolulu Civic Auditorium

Honolulu, HI, USA

Pauley Ballroom, U. of California

Berkeley, CA, USA

Capitol Theater

Late Show Port Chester, NY, USA

Festival Express Train

Winnipeg Fairgrounds

Winnipeg, Manatoba, Canada

Early Show New York, NY, USA

Early Show New York, NY, USA

Early Show New York, NY, USA

Euphoria Ballroom

San Rafael, CA, USA

Euphoria Ballroom

San Rafael, CA, USA

San Anselmo, CA, USA

Golden Hall, Community Concorse

San Diego, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Early Show New York, NY, USA

Early Show New York, NY, USA

Early Show New York, NY, USA

Early Show New York, NY, USA

Winterland Arena

San Francisco, CA, USA

Colden Auditorium

Queens, NY, USA

Marion Shea Auditorium

Cleveland Music Hall

Cleveland, OH, USA

McDonough Arena, Georgetown U.

Washington, DC, USA

Kiel Opera House

St. Louis, MO, USA

Pritchard Gym, S.U.N.Y.

Stony Brook, NY, USA

Pritchard Gym, S.U.N.Y.

Stony Brook, NY, USA

Capitol Theater

Late Show Port Chester, NY, USA

Capitol Theater

Late Show Port Chester, NY, USA

Capitol Theater

Late Show Port Chester, NY, USA

Capitol Theater

Late Show Port Chester, NY, USA

Island Park, NY, USA

Island Park, NY, USA

46th Street Rock Palace

Brooklyn, NY, USA

46th Street Rock Palace

Brooklyn, NY, USA

Early Show New York, NY, USA

The Palestra, U. of Rochester

Rochester, NY, USA

Sargent Gym, Boston U.

Boston, MA, USA

Anderson Theater

New York, NY, USA

Columbus, OH, USA

Radio Apology Ad

Santa Rosa Fairgrounds

Santa Rosa, CA, USA

San Francisco, CA

Winterland Arena

San Francisco, CA, USA

El Monte, CA, USA

El Monte, CA, USA

El Monte, CA, USA

Winterland Arena

San Francisco, CA, USA