Scarlet Begonias | 1974-05-21 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	84k	10.6k
7d	217.7k	27.4k
30d	1.2M	157.5k

2,080 shows

18,085 tapes

Phish

392.6k

Playback	Listens	Hours
48h	44.9k	6.4k
7d	110.3k	17.4k
30d	392.6k	64.8k

Bands

Playback	Listens	Hours
48h	111	7
7d	399	26
30d	1.1k	72

Playback	Listens	Hours
48h	16	2
7d	47	7
30d	190	26

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	4	23m
7d	2	4m
30d	49	4

49 shows

49 tapes

Adam Deitch

Playback	Listens	Hours
48h	2	23m
7d	29	7
30d	94	21

84 shows

117 tapes

Akron/Family

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	10	1

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	3	9m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	14	1
7d	20	2
30d	163	13

Playback	Listens	Hours
48h	22	2
7d	155	13
30d	509	43

Playback	Listens	Hours
48h	40	4
7d	111	12
30d	310	39

123 shows

134 tapes

Animal Liberation Orchestra

957

Playback	Listens	Hours
48h	43	6
7d	123	19
30d	957	114

Playback	Listens	Hours
48h	0	0m
7d	13	3
30d	145	29

81 shows

92 tapes

Aquarium Rescue Unit

Playback	Listens	Hours
48h	64	7
7d	159	15
30d	1k	94

Playback	Listens	Hours
48h	52	11
7d	59	11
30d	189	37

Playback	Listens	Hours
48h	58	7
7d	95	12
30d	784	100

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	0	0m
7d	3	11m
30d	14	1

102 shows

107 tapes

Bela Fleck and the Flecktones

1.4k

Playback	Listens	Hours
48h	94	11
7d	248	29
30d	1.4k	174

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	2	6m
7d	1	3m
30d	36	3

Playback	Listens	Hours
48h	3	22m
7d	28	5
30d	111	16

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	56	9

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	38	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	2	23m
30d	32	5

Playback	Listens	Hours
48h	30	5
7d	47	7
30d	479	73

Playback	Listens	Hours
48h	76	12
7d	426	58
30d	2.2k	286

Playback	Listens	Hours
48h	8k	888
7d	22.7k	2.5k
30d	92.6k	9.6k

Playback	Listens	Hours
48h	165	11
7d	266	19
30d	1.3k	94

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	12	1
7d	0	0m
30d	92	10

Playback	Listens	Hours
48h	151	20
7d	519	62
30d	2.8k	324

Playback	Listens	Hours
48h	470	57
7d	916	119
30d	4.6k	583

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	3	23m
30d	4	1

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	15	2
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	68	10
7d	61	11
30d	529	85

450 shows

562 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	55	8

113 shows

119 tapes

Built To Spill

Playback	Listens	Hours
48h	66	6
7d	165	16
30d	1k	101

Playback	Listens	Hours
48h	54	6
7d	311	31
30d	1.6k	168

Playback	Listens	Hours
48h	3	6m
7d	34	2
30d	281	15

Playback	Listens	Hours
48h	4	32m
7d	37	5
30d	166	23

Playback	Listens	Hours
48h	0	0m
7d	38	2
30d	447	32

244 shows

274 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	2

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	7	1
7d	11	2
30d	13	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	4	42m
30d	38	4

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	92	20
7d	202	44
30d	1.5k	333

Playback	Listens	Hours
48h	7	3
7d	12	4
30d	159	33

Playback	Listens	Hours
48h	56	4
7d	155	12
30d	700	56

Playback	Listens	Hours
48h	51	8
7d	95	14
30d	523	80

Playback	Listens	Hours
48h	274	38
7d	621	83
30d	4.3k	593

Playback	Listens	Hours
48h	258	36
7d	764	104
30d	4.8k	651

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	3	31m
30d	33	6

Playback	Listens	Hours
48h	10	54m
7d	20	2
30d	191	20

Playback	Listens	Hours
48h	2.6k	416
7d	6k	959
30d	38.8k	6.1k

Playback	Listens	Hours
48h	39	5
7d	17	2
30d	296	33

Playback	Listens	Hours
48h	68	4
7d	71	4
30d	1.3k	77

Playback	Listens	Hours
48h	122	14
7d	243	28
30d	1.3k	152

Playback	Listens	Hours
48h	810	165
7d	2.4k	505
30d	12.6k	2.6k

Playback	Listens	Hours
48h	32	3
7d	70	7
30d	348	35

Playback	Listens	Hours
48h	180	28
7d	597	100
30d	2.8k	444

161 shows

221 tapes

Domocile

Playback	Listens	Hours
48h	5	52m
7d	12	3
30d	65	17

38 shows

38 tapes

Donna the Buffalo

Playback	Listens	Hours
48h	175	14
7d	418	43
30d	2k	209

Playback	Listens	Hours
48h	21	3
7d	106	16
30d	288	47

Playback	Listens	Hours
48h	175	14
7d	492	43
30d	2.5k	218

Playback	Listens	Hours
48h	67	13
7d	36	7
30d	389	66

375 shows

528 tapes

Eddie Roberts

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	95	14

Playback	Listens	Hours
48h	110	18
7d	388	64
30d	2.1k	345

153 shows

296 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	3

Playback	Listens	Hours
48h	67	8
7d	406	55
30d	1.9k	259

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	30m
30d	24	7

Playback	Listens	Hours
48h	72	4
7d	167	9
30d	1.2k	65

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	23	4
30d	67	10

125 shows

185 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	2

Playback	Listens	Hours
48h	1	5m
7d	72	7
30d	116	11

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	1	11m
7d	1	11m
30d	4	46m

Playback	Listens	Hours
48h	10	58m
7d	48	5
30d	271	23

Playback	Listens	Hours
48h	37	3
7d	17	1
30d	126	9

Playback	Listens	Hours
48h	14	56m
7d	36	3
30d	238	17

Playback	Listens	Hours
48h	11	37m
7d	34	2
30d	149	9

Playback	Listens	Hours
48h	566	87
7d	1.8k	276
30d	10.4k	1.6k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	27m

14 shows

15 tapes

G. Love and Special Sauce

591

Playback	Listens	Hours
48h	28	3
7d	55	5
30d	591	54

Playback	Listens	Hours
48h	51	6
7d	102	12
30d	1.2k	137

Playback	Listens	Hours
48h	2	11m
7d	9	1
30d	108	15

Playback	Listens	Hours
48h	0	0m
7d	32	7
30d	135	27

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	24	3

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	6	54m
7d	3	52m
30d	46	12

Playback	Listens	Hours
48h	43	5
7d	386	44
30d	2.4k	274

378 shows

514 tapes

Godspeed You Black Emperor!

481

Playback	Listens	Hours
48h	56	21
7d	155	42
30d	481	125

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	29	5
7d	20	3
30d	95	15

Playback	Listens	Hours
48h	2.1k	423
7d	5.7k	1.2k
30d	47.2k	10.2k

Playback	Listens	Hours
48h	0	0m
7d	82	8
30d	401	34

363 shows

589 tapes

Grahame Lesh and Friends

2.2k

Playback	Listens	Hours
48h	96	17
7d	466	71
30d	2.2k	323

41 shows

116 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	5	32m
30d	76	10

Playback	Listens	Hours
48h	322	39
7d	907	109
30d	5.3k	653

Playback	Listens	Hours
48h	13	1
7d	66	7
30d	670	75

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	26	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	1

Playback	Listens	Hours
48h	16	57m
7d	33	2
30d	349	25

756 shows

1,037 tapes

Hard Working Americans

Playback	Listens	Hours
48h	13	1
7d	4	25m
30d	58	6

Playback	Listens	Hours
48h	20	4
7d	36	8
30d	348	56

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	37	4

Playback	Listens	Hours
48h	41	4
7d	64	6
30d	277	27

675 shows

847 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	211	19
7d	335	29
30d	1.8k	158

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	256	17
7d	766	54
30d	4.7k	323

Playback	Listens	Hours
48h	47	4
7d	90	8
30d	337	30

366 shows

493 tapes

Jazz Mandolin Project

116

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	116	20

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	33m

12 shows

14 tapes

Jeff Austin And Friends

108

Playback	Listens	Hours
48h	36	4
7d	46	5
30d	108	11

Playback	Listens	Hours
48h	1	2m
7d	149	21
30d	697	87

112 shows

162 tapes

Jerry Joseph and the Jackmormons

1.9k

Playback	Listens	Hours
48h	124	22
7d	330	57
30d	1.9k	338

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.9k

Playback	Listens	Hours
48h	194	29
7d	581	80
30d	3.9k	528

262 shows

315 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	1m
7d	0	0m
30d	19	3

2 shows

5 tapes

Joe Russo's Almost Dead

30.5k

Playback	Listens	Hours
48h	2.1k	378
7d	6.4k	1.1k
30d	30.5k	5.6k

Playback	Listens	Hours
48h	53	6
7d	213	23
30d	782	86

Playback	Listens	Hours
48h	182	17
7d	709	62
30d	2.9k	255

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	3

Playback	Listens	Hours
48h	21	1
7d	56	4
30d	239	19

Playback	Listens	Hours
48h	4	15m
7d	21	2
30d	104	10

73 shows

109 tapes

Karl Denson's Tiny Universe

Playback	Listens	Hours
48h	9	47m
7d	6	41m
30d	55	13

Playback	Listens	Hours
48h	214	18
7d	434	39
30d	3.3k	315

Playback	Listens	Hours
48h	5	28m
7d	24	4
30d	160	25

43 shows

54 tapes

King Gizzard & the Lizard Wizard

14.3k

Playback	Listens	Hours
48h	706	98
7d	2.5k	345
30d	14.3k	1.9k

Playback	Listens	Hours
48h	108	13
7d	346	45
30d	2.1k	270

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	13	2
7d	8	1
30d	20	3

Playback	Listens	Hours
48h	13	3
7d	98	19
30d	484	96

Playback	Listens	Hours
48h	98	12
7d	183	22
30d	611	74

Playback	Listens	Hours
48h	320	32
7d	843	77
30d	3.9k	353

Playback	Listens	Hours
48h	240	35
7d	468	76
30d	2.9k	466

Playback	Listens	Hours
48h	280	25
7d	857	78
30d	4.4k	404

Playback	Listens	Hours
48h	131	10
7d	206	15
30d	1.3k	91

Playback	Listens	Hours
48h	54	10
7d	216	39
30d	1.4k	272

437 shows

624 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	13	1
30d	60	5

Playback	Listens	Hours
48h	182	15
7d	314	29
30d	2.1k	195

Playback	Listens	Hours
48h	7	41m
7d	26	3
30d	189	20

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	1	1m
30d	3	11m

Playback	Listens	Hours
48h	210	34
7d	618	97
30d	3.4k	557

Playback	Listens	Hours
48h	13	1
7d	39	3
30d	225	13

Playback	Listens	Hours
48h	16	2
7d	1	15m
30d	128	13

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	17	30m
7d	21	30m
30d	62	2

Playback	Listens	Hours
48h	45	3
7d	90	6
30d	708	50

21 shows

25 tapes

moe.

Playback	Listens	Hours
48h	512	79
7d	1.5k	246
30d	9k	1.5k

1,994 shows

4,511 tapes

Mogwai

Playback	Listens	Hours
48h	11	2
7d	0	0m
30d	45	5

381 shows

482 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	63	5

Playback	Listens	Hours
48h	399	43
7d	718	74
30d	3.5k	362

413 shows

602 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	64	6

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	8	38m
7d	16	2
30d	39	3

Playback	Listens	Hours
48h	49	7
7d	225	28
30d	840	105

141 shows

255 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	52	9

62 shows

73 tapes

New Riders of the Purple Sage

1.5k

Playback	Listens	Hours
48h	65	5
7d	236	21
30d	1.5k	133

411 shows

599 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	64	6
7d	119	11
30d	1.1k	98

Playback	Listens	Hours
48h	152	16
7d	497	54
30d	1.6k	172

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	12m

Playback	Listens	Hours
48h	0	0m
7d	18	4
30d	140	25

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	10	1
7d	8	1
30d	68	10

Playback	Listens	Hours
48h	101	18
7d	199	38
30d	1.1k	208

689 shows

920 tapes

Phil Lesh and Friends

15.6k

Playback	Listens	Hours
48h	952	158
7d	2.9k	487
30d	15.6k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

1.6k

Playback	Listens	Hours
48h	146	22
7d	285	45
30d	1.6k	252

Playback	Listens	Hours
48h	124	15
7d	389	46
30d	3.6k	432

295 shows

438 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	209	27
7d	739	94
30d	3.9k	517

1,237 shows

2,200 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	65	5

Playback	Listens	Hours
48h	4	38m
7d	112	17
30d	473	71

Playback	Listens	Hours
48h	611	77
7d	1.5k	187
30d	7.2k	931

Playback	Listens	Hours
48h	178	14
7d	276	20
30d	1.3k	105

Playback	Listens	Hours
48h	60	6
7d	452	37
30d	1.3k	108

Playback	Listens	Hours
48h	88	8
7d	141	13
30d	1.6k	137

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	45m

Playback	Listens	Hours
48h	134	13
7d	220	23
30d	2.6k	250

133 shows

199 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	5	36m
30d	91	11

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	9m

Playback	Listens	Hours
48h	1	8m
7d	24	3
30d	110	11

Playback	Listens	Hours
48h	39	3
7d	150	12
30d	837	70

Playback	Listens	Hours
48h	194	28
7d	359	54
30d	2.9k	452

Playback	Listens	Hours
48h	75	18
7d	277	55
30d	1.1k	255

Playback	Listens	Hours
48h	1	5m
7d	41	3
30d	208	13

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	1	8m
7d	14	2
30d	44	6

Playback	Listens	Hours
48h	82	15
7d	114	21
30d	576	99

Playback	Listens	Hours
48h	87	20
7d	315	70
30d	1.9k	433

Playback	Listens	Hours
48h	147	14
7d	125	15
30d	911	114

667 shows

1,139 tapes

String Cheese Incident

17.9k

Playback	Listens	Hours
48h	1.2k	197
7d	3.1k	503
30d	17.9k	2.9k

1,285 shows

2,082 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	37	4

Playback	Listens	Hours
48h	11	2
7d	15	3
30d	125	21

Playback	Listens	Hours
48h	1	10m
7d	12	1
30d	117	15

Playback	Listens	Hours
48h	20	2
7d	146	16
30d	974	110

730 shows

1,117 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	1	4m
7d	1	4m
30d	4	13m

Playback	Listens	Hours
48h	1.1k	132
7d	2.2k	255
30d	11.8k	1.3k

Playback	Listens	Hours
48h	20	1
7d	30	2
30d	232	13

Playback	Listens	Hours
48h	74	10
7d	224	28
30d	1.6k	197

Playback	Listens	Hours
48h	9	1
7d	46	7
30d	282	42

473 shows

627 tapes

The California Honeydrops

575

Playback	Listens	Hours
48h	31	4
7d	93	11
30d	575	70

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	246	36
7d	582	79
30d	3.4k	474

Playback	Listens	Hours
48h	3	12m
7d	8	43m
30d	173	14

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	27	4

160 shows

219 tapes

The Higgs

Playback	Listens	Hours
48h	1	6m
7d	6	10m
30d	12	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	1

Playback	Listens	Hours
48h	29	5
7d	0	0m
30d	218	37

Playback	Listens	Hours
48h	13	2
7d	18	3
30d	146	20

Playback	Listens	Hours
48h	54	3
7d	320	16
30d	3.6k	188

Playback	Listens	Hours
48h	31	2
7d	117	9
30d	623	47

Playback	Listens	Hours
48h	6	26m
7d	17	3
30d	160	37

Playback	Listens	Hours
48h	40	4
7d	104	11
30d	904	93

Playback	Listens	Hours
48h	170	25
7d	517	78
30d	2.5k	374

Playback	Listens	Hours
48h	539	52
7d	1.4k	134
30d	7.2k	689

Playback	Listens	Hours
48h	5	17m
7d	7	27m
30d	184	14

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	93	9
7d	169	16
30d	1k	108

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	2	21m
7d	2	21m
30d	27	5

Playback	Listens	Hours
48h	81	8
7d	268	24
30d	1.2k	103

Playback	Listens	Hours
48h	124	8
7d	166	10
30d	981	66

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	14m

Playback	Listens	Hours
48h	179	26
7d	576	83
30d	4.1k	620

Playback	Listens	Hours
48h	19	2
7d	11	57m
30d	126	12

133 shows

209 tapes

Twiddle

Playback	Listens	Hours
48h	202	36
7d	679	130
30d	2k	355

Playback	Listens	Hours
48h	360	52
7d	1.1k	155
30d	5.9k	875

Playback	Listens	Hours
48h	2	10m
7d	25	2
30d	196	15

Playback	Listens	Hours
48h	76	6
7d	267	19
30d	1.4k	100

Playback	Listens	Hours
48h	682	68
7d	2.5k	214
30d	14.8k	1.2k

Playback	Listens	Hours
48h	18	2
7d	30	2
30d	189	12

Playback	Listens	Hours
48h	12.1k	1.5k
7d	34.1k	4.2k
30d	205.7k	24.6k

Playback	Listens	Hours
48h	80	8
7d	125	15
30d	937	131

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.2k

Playback	Listens	Hours
48h	517	45
7d	1.7k	161
30d	10.2k	968

Playback	Listens	Hours
48h	65	11
7d	179	28
30d	1.1k	185

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	6m

Playback	Listens	Hours
48h	75	15
7d	160	31
30d	1.2k	217

464 shows

675 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	6m
7d	2	7m
30d	4	19m

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	547	77
7d	1.4k	187
30d	23.7k	3.2k

Playback	Listens	Hours
48h	1.7k	244
7d	7.7k	1.1k
30d	28.2k	3.8k

Playback	Listens	Hours
48h	710	96
7d	1.6k	221
30d	11k	1.5k

Playback	Listens	Hours
48h	570	75
7d	1.1k	144
30d	13.2k	1.7k

Playback	Listens	Hours
48h	2.3k	299
7d	6.2k	797
30d	21.3k	2.8k

Playback	Listens	Hours
48h	3.6k	472
7d	25.3k	3.3k
30d	101.6k	13.2k

Playback	Listens	Hours
48h	4.8k	598
7d	13k	1.6k
30d	120.5k	15.3k

Playback	Listens	Hours
48h	1.8k	208
7d	4.8k	567
30d	47.5k	5.7k

Playback	Listens	Hours
48h	7.7k	872
7d	12.1k	1.3k
30d	64.5k	7.2k

Playback	Listens	Hours
48h	397	45
7d	1.3k	149
30d	18.2k	2k

Playback	Listens	Hours
48h	3k	352
7d	11k	1.3k
30d	65.7k	7.8k

Playback	Listens	Hours
48h	1.5k	195
7d	15.2k	2k
30d	61.8k	7.8k

Playback	Listens	Hours
48h	1.1k	149
7d	3.4k	438
30d	20.5k	2.6k

Playback	Listens	Hours
48h	6.7k	891
7d	7.5k	993
30d	25k	3.2k

Playback	Listens	Hours
48h	1.5k	192
7d	4k	512
30d	55.8k	7k

Playback	Listens	Hours
48h	1.9k	211
7d	4.5k	502
30d	28k	3.3k

Playback	Listens	Hours
48h	1.1k	150
7d	3.7k	523
30d	24.6k	3.4k

Playback	Listens	Hours
48h	1.8k	248
7d	5.5k	761
30d	53.5k	7.1k

Playback	Listens	Hours
48h	6.6k	916
7d	16.2k	2.3k
30d	89.8k	12.6k

Playback	Listens	Hours
48h	2.9k	371
7d	8.7k	1.1k
30d	87.1k	11.5k

Playback	Listens	Hours
48h	271	29
7d	1k	107
30d	4.1k	429

Playback	Listens	Hours
48h	11.1k	1.3k
7d	21.2k	2.6k
30d	78.8k	10.2k

Playback	Listens	Hours
48h	3.3k	414
7d	8.6k	1.1k
30d	59.8k	7.7k

Playback	Listens	Hours
48h	12.7k	1.6k
7d	19.8k	2.4k
30d	54.5k	6.7k

Playback	Listens	Hours
48h	1.7k	187
7d	4.4k	503
30d	27.5k	3.1k

Playback	Listens	Hours
48h	1.4k	160
7d	3.9k	439
30d	25.2k	2.7k

Playback	Listens	Hours
48h	920	128
7d	2.1k	300
30d	19.1k	2.7k

Playback	Listens	Hours
48h	221	28
7d	1.1k	141
30d	5.3k	693

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	65	9
7d	340	46
30d	2k	265

Playback	Listens	Hours
48h	146	11
7d	580	39
30d	7.6k	550

Playback	Listens	Hours
48h	19	1
7d	58	3
30d	433	25

1974

Playback	Listens	Hours
48h	0	0m
7d	3	19m
30d	32	3

San Francisco, CA, USA

645

Playback	Listens	Hours
48h	36	5
7d	97	11
30d	645	78

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	77	10
7d	185	24
30d	1.1k	132

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	94	15
7d	183	31
30d	1.2k	181

San Francisco, CA, USA

562

Playback	Listens	Hours
48h	14	2
7d	57	6
30d	562	61

San Francisco, CA, USA

466

Playback	Listens	Hours
48h	38	6
7d	49	10
30d	466	83

Playback	Listens	Hours
48h	15	2
7d	39	5
30d	139	20

Playback	Listens	Hours
48h	23	4
7d	83	11
30d	273	36

Playback	Listens	Hours
48h	78	10
7d	123	18
30d	534	75

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	131	18

Playback	Listens	Hours
48h	136	23
7d	221	38
30d	988	174

Playback	Listens	Hours
48h	36	5
7d	71	13
30d	328	58

Playback	Listens	Hours
48h	5	40m
7d	8	1
30d	134	18

Playback	Listens	Hours
48h	144	17
7d	325	42
30d	1.6k	204

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

457

Playback	Listens	Hours
48h	15	2
7d	98	12
30d	457	59

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

467

Playback	Listens	Hours
48h	36	5
7d	78	11
30d	467	66

Playback	Listens	Hours
48h	74	8
7d	324	39
30d	1.4k	174

Playback	Listens	Hours
48h	48	7
7d	124	16
30d	526	66

Playback	Listens	Hours
48h	166	21
7d	361	45
30d	2.7k	337

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

7.4k

Playback	Listens	Hours
48h	7.6k	831
7d	6.7k	733
30d	7.4k	818

Playback	Listens	Hours
48h	77	9
7d	4.6k	576
30d	5k	634

Playback	Listens	Hours
48h	190	27
7d	1.5k	217
30d	7.5k	1.1k

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

6.4k

Playback	Listens	Hours
48h	58	8
7d	240	36
30d	6.4k	907

Playback	Listens	Hours
48h	106	14
7d	323	48
30d	7.9k	1.1k

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

4.2k

Playback	Listens	Hours
48h	268	37
7d	691	94
30d	4.2k	597

Playback	Listens	Hours
48h	184	22
7d	515	58
30d	3k	343

Playback	Listens	Hours
48h	98	10
7d	184	20
30d	1k	120

Playback	Listens	Hours
48h	35	5
7d	135	17
30d	653	76

Playback	Listens	Hours
48h	225	34
7d	522	73
30d	3.1k	454

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

1.4k

Playback	Listens	Hours
48h	70	11
7d	228	35
30d	1.4k	205

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

733

Playback	Listens	Hours
48h	28	4
7d	145	19
30d	733	100

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

813

Playback	Listens	Hours
48h	26	2
7d	210	21
30d	813	82

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

Playback	Listens	Hours
48h	76	10
7d	171	25
30d	1k	142

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

6.3k

Playback	Listens	Hours
48h	515	59
7d	1k	114
30d	6.3k	693

Vancouver, British Columbia, Canada

642

Playback	Listens	Hours
48h	64	7
7d	135	15
30d	642	70

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

1.7k

Playback	Listens	Hours
48h	59	7
7d	198	29
30d	1.7k	226

Playback	Listens	Hours
48h	91	11
7d	115	13
30d	550	67

Playback	Listens	Hours
48h	218	24
7d	459	51
30d	2k	216

Playback	Listens	Hours
48h	3	17m
7d	12	1
30d	99	9

San Francisco, CA, USA

1.7k

Playback	Listens	Hours
48h	37	5
7d	363	54
30d	1.7k	245

San Francisco, CA, USA

973

Playback	Listens	Hours
48h	54	7
7d	188	23
30d	973	116

San Francisco, CA, USA

964

Playback	Listens	Hours
48h	56	6
7d	110	11
30d	964	102

4:11:15

10 tapes

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

SHNID:

gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches ([email protected]) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner ([email protected]) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -2

SET TWO

Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.
 
2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.

Brokedown House Production

Transferrer: Charles Wier

gd74-05-21.sbd-patched.wier.22801.sbeok.shnf

Source:

Soundboard

Taper Notes:

View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a>  via Charles Wier

Source 3 of 13

gd74-05-21.sbd.belkin.2597.sbefail.shnf

Source:

Soundboard

Lineage:

MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN

Taper Notes:

View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="ugc nofollow">previous</a> shn set, courtesy Josh Belkin

Transferrer: Seth Kaplan

gd1974-05-21.sbd.kaplan.1347.shnf

Source:

S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.

Taper Notes:

View NotesD1t01 (Me And My Uncle): Sound system problems in beginning
D1t12 (Ship Of Fools): Fades in
D2t05 (Playing): 1-2 seconds are clipped from the beginning. 
      Master Reel splice due to a reel flip is covered by an 
      excellent quality AUD patch.
D3t06 (Johnny B. Goode): beginning cut.

  
Stella Blue and Around And Around are missing.

Taper: Pat Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Patt Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98901.flac24

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Donn Amick

George M. Prescott Jr.

SHNID:

gd1974-05-21.amick.prescott.sbeok.114321.flac16

Taper Notes:

View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test.

Technical Notes:

The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes.  Unfortunately, the recording levels are less than optimal:  the left channel averages at -5 dB, while the right channel averages at 0 dB.  This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments.  Still, the amplitude differential is slight, and creates no phase problems.  The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz.  Careful comparative listening revealed no phase-shift or artifacts due to EQ.
  
The binaural source has real presence; both the Wall and the hall ring true.  This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent).  This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here.  (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.)  Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely.  Still, at times, the sound here verges on distortion.  

Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage.  There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots.  None of these anomalies lasts very long.  

Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps.  These gaps were removed (and the remaining ends were spliced); they have not been patched.  

Two songs were pretermitted:  “Playin’ in the Band” and “Johnny B. Goode.”  (This was not due to tape run-out on the dubs; there is blank tape after these songs.)  The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822.  The encore cuts during the final note and was not patched. 

No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription.

Known Flaws (flawless tracks not listed):

Disc One

01	“Me and My Uncle”:  		01:19 minor glitch; 01:39 volume drops, tone darkens

03	“Beat It On Down the Line”:  	00:37 minor glitch

04	“Deal”:  			00:42 minor glitch; 02:58-02:59 vocal hotspot

05	“Mexicali Blues”:  		Jerry flubs chord 00:51; 01:50 static

06	“It Must Have Been the Roses”:  01:30, 01:43, 04:22 vocal hotspots

07	“The Race Is On”:  		Jerry flubs chord 00:13

08	“Scarlet Begonias”:  		01:45, 03:29 minor glitches; 03:43 vocal hotspot

09	“El Paso”:  			01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static

10	“Row Jimmy”:  			Jerry flubs chord 06:34; 03:38 dropout; 
		      			05:30 vocal hotspot; 07:10 pause w/pitch-slippage;
		      			07:39 minor glitch ; 08:05-08:06 pause w/music missing;
		      			08:25-08:44 channel-chop at run-out

11	“Money Money”:  		00:20 volume drops; 01:12, 01:28 minor glitches;
                        		02:12, 03:07 hotspots; 03:13, 03:44 minor glitches

12	“Ship of Fools”:  		Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 
					04:42, 05:40 minor glitches

13	“Weather Report Suite”:  	07:10 minor glitch; 12:11 dropout; 12:55 tone darkens

14	“China Doll”:  			02:28 minor glitch

Disc Two

01	“Playin’ in the Band”:  	02:49 tone darkens 
					(possible pre-dubbing engagement of Dolby B or change in bias or EQ);
             				02:52 minor glitch; 10:09, 16:04 static;
	     				16:55 minor glitch; 19:53-19:55 pitch-slippage;
             				21:01 possible tape-flip gap w/music missing;
       	     				28:34-28:37 dropouts; 
       	     				30:54, 30:58 pauses w/pitch-slippage;
       	     				31:12, 31:16 pauses w/pitch-slippage;
       	     				34:26 equipment glitch;
       	    				37:26 pause w/pitch-slippage;
       	     				37:31-37:33 pause w/music missing;
       	     				42:38, 42:57 minor glitches;
       	     				46:11, 46:30 minor glitches;
       	     				46:47-47:01 patched w/ShnID-98822 (Lee/Miller)

02	“U.S. Blues”:  			00:54 minor glitch; 00:57 static; 05:24 minor glitch

04	“Stella Blue”:  		01:12 minor glitch; 02:13 pause w/pitch-slippage

Disc Three

01	“Eyes of the World”:  		Jerry flubs chord 01:16; 07:47 minor glitch;
			      		12:33-12:34 pitch-slippage; 13:52, 13:57 static

02	“Wharf Rat”:  			03:35 minor glitch; 03:57 equipment glitch;
                      			04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches;
                      			09:40 pitch-slippage

03	“Sugar Magnolia”:  		01:53 possible tape-flip gap w/music missing;
                           		02:25 minor glitch; 03:05-03:10 pitch-slippage;
                           		03:32, 05:42, 07:44-07:45 minor glitches;
                           		08:10 distortion (not from dubbing or transcription)

04	“Johnny B. Goode”:  		00:45-00:50 vocal hotspots; 01:00 static;
                            		01:20-01:33 vocal hotspots; 02:31 minor glitch;
                            		03:27, 03:32, 03:36 minor glitches;
			    		03:50 final note cuts out 

Post-Transcription Tools:

Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99.

Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168.

SBE-free .wav verification and .st5 .wav checksums courtesy of TLH.

Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1.

FLAC .ffp and .md5 post-encoding checksums courtesy of TLH.

File-integrity check and problem-free verification courtesy of shntool 3.0.4.
  
Enjoy!

Transferrer: Hunter Seamons

gd1974-05-21.mtx.seamons.109887.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Transferrer: Kevin Tobin

gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16

Source:

Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)

Taper Notes:

View NotesAudio Source Information
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches ([email protected]) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner ([email protected]) May, 2002

Patch with:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.

Brokedown House Production

Taper: See info file

gd1974-05-21.dts.tobin.87124.sbeok.flac16

Source:

DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix

Lineage:

See info file

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches ([email protected]) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner ([email protected]) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

Taper: Pat Lee

gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf

Source:

Audience Recording: Sony ECM18N

Lineage:

AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony

Taper Notes:

View NotesAudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner