Spanish Jam > | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	81.5k	10.6k
7d	202.1k	25.9k
30d	1.3M	167.5k

2,080 shows

18,062 tapes

Phish

285.9k

Playback	Listens	Hours
48h	17.1k	2.7k
7d	43.3k	6.7k
30d	285.9k	44.9k

Bands

Playback	Listens	Hours
48h	30	2
7d	169	11
30d	904	56

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	201	31

67 shows

104 tapes

Ace Bandage

Playback	Listens	Hours
48h	0	0m
7d	3	31m
30d	28	2

Playback	Listens	Hours
48h	29	5
7d	41	6
30d	368	47

81 shows

114 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	3

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	7	27m
30d	28	3

Playback	Listens	Hours
48h	5	21m
7d	15	1
30d	247	20

Playback	Listens	Hours
48h	5	22m
7d	29	3
30d	360	30

Playback	Listens	Hours
48h	8	1
7d	44	6
30d	291	31

123 shows

134 tapes

Animal Liberation Orchestra

1.8k

Playback	Listens	Hours
48h	79	9
7d	196	23
30d	1.8k	221

Playback	Listens	Hours
48h	2	30m
7d	20	3
30d	139	25

Playback	Listens	Hours
48h	57	5
7d	123	12
30d	1.2k	129

Playback	Listens	Hours
48h	20	5
7d	17	3
30d	151	35

Playback	Listens	Hours
48h	48	6
7d	78	10
30d	591	77

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	2	22m
7d	13	1
30d	32	4

102 shows

107 tapes

Bela Fleck and the Flecktones

1.4k

Playback	Listens	Hours
48h	80	10
7d	235	28
30d	1.4k	174

488 shows

610 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	30	2

Playback	Listens	Hours
48h	19	3
7d	25	3
30d	223	31

277 shows

380 tapes

Bernie Worrell

Playback	Listens	Hours
48h	7	2
7d	0	0m
30d	36	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	76	11

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	8	53m
7d	1	11m
30d	17	2

Playback	Listens	Hours
48h	61	8
7d	40	6
30d	305	41

Playback	Listens	Hours
48h	153	22
7d	312	39
30d	2.3k	291

Playback	Listens	Hours
48h	5.1k	537
7d	13.5k	1.4k
30d	87.1k	8.7k

Playback	Listens	Hours
48h	71	5
7d	188	15
30d	1.7k	118

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	2	12m
7d	3	8m
30d	54	6

Playback	Listens	Hours
48h	243	26
7d	342	38
30d	2.2k	244

Playback	Listens	Hours
48h	276	34
7d	833	116
30d	5.7k	752

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	2	35m
30d	8	2

Playback	Listens	Hours
48h	40	7
7d	192	32
30d	978	166

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	5	42m
30d	41	5

Playback	Listens	Hours
48h	33	3
7d	259	26
30d	1.3k	126

Playback	Listens	Hours
48h	74	8
7d	190	20
30d	910	94

Playback	Listens	Hours
48h	21	1
7d	17	1
30d	446	27

Playback	Listens	Hours
48h	20	3
7d	27	4
30d	208	29

Playback	Listens	Hours
48h	1	3m
7d	53	4
30d	280	19

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	17	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	97	9

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	84	17
7d	149	29
30d	1.5k	301

Playback	Listens	Hours
48h	3	30m
7d	12	3
30d	337	66

Playback	Listens	Hours
48h	57	5
7d	71	6
30d	383	33

Playback	Listens	Hours
48h	53	7
7d	45	7
30d	489	72

Playback	Listens	Hours
48h	241	35
7d	676	93
30d	4.2k	568

Playback	Listens	Hours
48h	349	48
7d	839	115
30d	5.4k	759

796 shows

1,056 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	1
7d	1	20m
30d	18	5

Playback	Listens	Hours
48h	10	48m
7d	78	6
30d	200	19

Playback	Listens	Hours
48h	2.6k	414
7d	6.1k	971
30d	38.8k	6.2k

Playback	Listens	Hours
48h	31	4
7d	31	3
30d	128	13

Playback	Listens	Hours
48h	154	10
7d	237	13
30d	1.4k	87

Playback	Listens	Hours
48h	90	10
7d	245	29
30d	1.8k	215

Playback	Listens	Hours
48h	799	169
7d	1.7k	358
30d	13.1k	2.8k

Playback	Listens	Hours
48h	23	2
7d	20	2
30d	211	22

Playback	Listens	Hours
48h	158	23
7d	614	93
30d	3.4k	512

155 shows

209 tapes

Domocile

Playback	Listens	Hours
48h	12	3
7d	5	1
30d	86	21

Playback	Listens	Hours
48h	107	11
7d	218	24
30d	1.7k	166

Playback	Listens	Hours
48h	0	0m
7d	50	8
30d	277	45

358 shows

739 tapes

Drive-By Truckers

Playback	Listens	Hours
48h	200	18
7d	495	44
30d	3k	269

Playback	Listens	Hours
48h	34	6
7d	42	9
30d	516	92

Playback	Listens	Hours
48h	13	2
7d	12	2
30d	140	18

Playback	Listens	Hours
48h	99	17
7d	241	39
30d	1.8k	285

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	47	7
7d	257	33
30d	2.3k	321

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	1	54m
30d	31	11

Playback	Listens	Hours
48h	84	5
7d	51	3
30d	611	34

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	4	48m
7d	8	1
30d	79	11

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	4	51m
30d	65	14

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	5m
7d	2	4m
30d	66	9

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	15	2
7d	23	3
30d	245	28

Playback	Listens	Hours
48h	0	0m
7d	9	36m
30d	186	12

Playback	Listens	Hours
48h	5	27m
7d	3	15m
30d	155	12

Playback	Listens	Hours
48h	17	1
7d	22	1
30d	174	11

Playback	Listens	Hours
48h	707	109
7d	1k	159
30d	9.4k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

591

Playback	Listens	Hours
48h	11	47m
7d	87	8
30d	591	52

Playback	Listens	Hours
48h	43	5
7d	145	17
30d	965	112

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	96	13

Playback	Listens	Hours
48h	9	2
7d	23	5
30d	316	67

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	0	0m
7d	11	4
30d	111	23

Playback	Listens	Hours
48h	95	12
7d	113	13
30d	817	95

370 shows

499 tapes

Godspeed You Black Emperor!

364

Playback	Listens	Hours
48h	24	7
7d	77	21
30d	364	95

Playback	Listens	Hours
48h	0	0m
7d	10	32m
30d	214	28

Playback	Listens	Hours
48h	2.1k	426
7d	5k	1k
30d	34.7k	7.1k

Playback	Listens	Hours
48h	29	3
7d	14	1
30d	239	22

363 shows

589 tapes

Grahame Lesh and Friends

2.6k

Playback	Listens	Hours
48h	77	12
7d	280	40
30d	2.6k	370

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	12	2
7d	12	2
30d	19	3

Playback	Listens	Hours
48h	349	41
7d	899	104
30d	5.8k	655

Playback	Listens	Hours
48h	112	11
7d	105	12
30d	851	93

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	21	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	2	6m
7d	8	30m
30d	31	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	22	3

Playback	Listens	Hours
48h	22	2
7d	53	4
30d	366	26

749 shows

1,030 tapes

Hard Working Americans

190

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	190	20

Playback	Listens	Hours
48h	25	4
7d	40	7
30d	406	66

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	22	2
7d	0	0m
30d	10	48m

Playback	Listens	Hours
48h	13	58m
7d	43	5
30d	210	23

674 shows

846 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	85	7
7d	227	20
30d	1.8k	169

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	13

Playback	Listens	Hours
48h	402	26
7d	654	43
30d	5.3k	342

Playback	Listens	Hours
48h	26	3
7d	42	4
30d	279	27

364 shows

491 tapes

Jazz Mandolin Project

112

Playback	Listens	Hours
48h	3	1
7d	4	35m
30d	112	18

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	23	2
7d	25	2
30d	86	8

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	54	6
7d	2	11m
30d	76	7

Playback	Listens	Hours
48h	57	8
7d	241	30
30d	960	116

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.8k

Playback	Listens	Hours
48h	116	21
7d	477	79
30d	2.8k	460

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.6k

Playback	Listens	Hours
48h	210	29
7d	532	70
30d	4.6k	658

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	3

2 shows

5 tapes

Joe Russo's Almost Dead

41.3k

Playback	Listens	Hours
48h	3.4k	661
7d	6.8k	1.3k
30d	41.3k	7.8k

Playback	Listens	Hours
48h	60	7
7d	60	6
30d	473	55

Playback	Listens	Hours
48h	139	13
7d	412	38
30d	2.2k	203

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	6	26m
7d	1	5m
30d	36	4

Playback	Listens	Hours
48h	35	3
7d	51	4
30d	158	12

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	194	19

73 shows

108 tapes

Karl Denson's Tiny Universe

169

Playback	Listens	Hours
48h	0	0m
7d	30	4
30d	169	23

Playback	Listens	Hours
48h	339	31
7d	665	61
30d	4.4k	432

Playback	Listens	Hours
48h	6	60m
7d	3	23m
30d	111	15

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.1k

Playback	Listens	Hours
48h	790	105
7d	2.6k	340
30d	15.1k	2k

Playback	Listens	Hours
48h	116	18
7d	318	42
30d	1.6k	223

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	104	15

Playback	Listens	Hours
48h	16	3
7d	98	21
30d	838	161

Playback	Listens	Hours
48h	51	6
7d	53	6
30d	918	110

Playback	Listens	Hours
48h	229	20
7d	559	46
30d	3.7k	336

Playback	Listens	Hours
48h	167	34
7d	378	62
30d	3.1k	550

Playback	Listens	Hours
48h	280	23
7d	825	79
30d	5.8k	545

Playback	Listens	Hours
48h	52	4
7d	244	18
30d	1.4k	108

Playback	Listens	Hours
48h	87	12
7d	155	26
30d	980	177

436 shows

618 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	6	38m
30d	74	8

Playback	Listens	Hours
48h	207	19
7d	329	35
30d	2.1k	199

Playback	Listens	Hours
48h	0	0m
7d	55	6
30d	204	23

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	211	32
7d	806	112
30d	4.8k	766

Playback	Listens	Hours
48h	9	42m
7d	73	4
30d	399	22

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	150	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	4	6m
7d	9	11m
30d	40	1

Playback	Listens	Hours
48h	8	30m
7d	216	15
30d	1.4k	93

Playback	Listens	Hours
48h	576	93
7d	1.1k	181
30d	10k	1.6k

1,978 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	81	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	4	15m
7d	29	2
30d	74	6

Playback	Listens	Hours
48h	336	35
7d	747	76
30d	4.8k	487

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	9	1
7d	2	10m
30d	77	7

Playback	Listens	Hours
48h	16	3
7d	118	17
30d	745	101

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	8	2

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	93	8
7d	262	23
30d	1.9k	158

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	26	3
7d	263	27
30d	1.4k	134

Playback	Listens	Hours
48h	19	3
7d	83	10
30d	762	81

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	16	3
7d	15	3
30d	107	19

Playback	Listens	Hours
48h	4	30m
7d	22	3
30d	133	19

Playback	Listens	Hours
48h	48	10
7d	261	49
30d	1.6k	299

689 shows

920 tapes

Phil Lesh and Friends

16.1k

Playback	Listens	Hours
48h	951	169
7d	2.5k	436
30d	16.1k	2.8k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	176	27
7d	277	40
30d	1.7k	275

Playback	Listens	Hours
48h	325	44
7d	712	97
30d	3.9k	505

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	227	28
7d	528	66
30d	3.7k	478

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	33	4
7d	51	6
30d	410	53

Playback	Listens	Hours
48h	488	70
7d	888	118
30d	6.7k	885

Playback	Listens	Hours
48h	72	5
7d	341	26
30d	1.2k	95

Playback	Listens	Hours
48h	145	10
7d	340	30
30d	1.4k	126

Playback	Listens	Hours
48h	83	7
7d	225	22
30d	2.3k	199

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	2

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	440	40
7d	545	50
30d	3.6k	340

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	87	10

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	37	4
30d	54	7

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	10	1
7d	4	21m
30d	48	6

Playback	Listens	Hours
48h	40	3
7d	232	17
30d	1.6k	136

Playback	Listens	Hours
48h	140	22
7d	405	65
30d	2.6k	419

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	111	25
7d	201	46
30d	1k	254

Playback	Listens	Hours
48h	35	2
7d	30	2
30d	257	15

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	19	5
7d	60	12
30d	742	114

Playback	Listens	Hours
48h	88	22
7d	247	51
30d	1.7k	370

Playback	Listens	Hours
48h	68	9
7d	134	19
30d	2.1k	287

667 shows

1,139 tapes

String Cheese Incident

18k

Playback	Listens	Hours
48h	1.3k	210
7d	3.2k	519
30d	18k	2.9k

1,281 shows

2,074 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	47	5

Playback	Listens	Hours
48h	10	2
7d	23	4
30d	206	36

Playback	Listens	Hours
48h	0	0m
7d	54	7
30d	170	22

Playback	Listens	Hours
48h	71	8
7d	150	17
30d	804	85

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	844	102
7d	1.9k	230
30d	13k	1.6k

Playback	Listens	Hours
48h	13	38m
7d	15	51m
30d	188	9

52 shows

58 tapes

The Big Wu

Playback	Listens	Hours
48h	72	9
7d	260	31
30d	2k	245

Playback	Listens	Hours
48h	8	1
7d	97	14
30d	394	62

473 shows

627 tapes

The California Honeydrops

630

Playback	Listens	Hours
48h	9	1
7d	51	7
30d	630	78

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	166	24
7d	367	52
30d	2.6k	376

Playback	Listens	Hours
48h	0	0m
7d	25	2
30d	388	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	11	57m
30d	21	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	15m
7d	4	5m
30d	22	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	52	8
7d	83	15
30d	368	63

Playback	Listens	Hours
48h	3	16m
7d	36	4
30d	130	15

273 shows

358 tapes

The Mountain Goats

Playback	Listens	Hours
48h	125	8
7d	327	19
30d	1k	56

Playback	Listens	Hours
48h	51	4
7d	89	6
30d	1.3k	95

Playback	Listens	Hours
48h	22	3
7d	29	7
30d	337	68

Playback	Listens	Hours
48h	59	6
7d	128	12
30d	941	96

Playback	Listens	Hours
48h	71	11
7d	283	39
30d	1.7k	258

Playback	Listens	Hours
48h	370	38
7d	947	91
30d	6.3k	629

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	66	6

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	44	5
7d	116	12
30d	1k	105

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	9m
7d	1	13m
30d	9	2

Playback	Listens	Hours
48h	107	12
7d	162	23
30d	1.2k	129

Playback	Listens	Hours
48h	66	5
7d	111	7
30d	884	60

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	4

Playback	Listens	Hours
48h	473	66
7d	949	143
30d	7.3k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	2	12m
7d	16	2
30d	66	6

Playback	Listens	Hours
48h	83	13
7d	229	41
30d	1.7k	280

Playback	Listens	Hours
48h	288	41
7d	594	89
30d	4.9k	735

Playback	Listens	Hours
48h	7	34m
7d	33	3
30d	355	29

Playback	Listens	Hours
48h	173	12
7d	176	13
30d	1.6k	119

Playback	Listens	Hours
48h	701	68
7d	1.9k	149
30d	13.7k	1.1k

623 shows

1,138 tapes

White Denim

Playback	Listens	Hours
48h	12	55m
7d	2	8m
30d	63	5

Playback	Listens	Hours
48h	8.3k	973
7d	20.4k	2.4k
30d	134.5k	15.9k

Playback	Listens	Hours
48h	104	12
7d	107	14
30d	842	117

1,416 shows

2,242 tapes

Yonder Mountain String Band

11k

Playback	Listens	Hours
48h	410	40
7d	1.6k	146
30d	11k	1k

1,402 shows

2,177 tapes

Young & Dead

Playback	Listens	Hours
48h	53	8
7d	361	52
30d	1k	152

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	84	15
7d	399	71
30d	1.6k	297

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.3k	165
7d	1.1k	147
30d	29.8k	4.1k

Playback	Listens	Hours
48h	1.6k	254
7d	3.2k	469
30d	11.4k	1.6k

Playback	Listens	Hours
48h	1.7k	231
7d	6.1k	807
30d	37.2k	4.9k

Playback	Listens	Hours
48h	2.6k	353
7d	6.7k	894
30d	43.7k	5.8k

Playback	Listens	Hours
48h	2.7k	354
7d	9.1k	1.2k
30d	41.1k	5.5k

Playback	Listens	Hours
48h	4.9k	694
7d	11.1k	1.4k
30d	47.2k	6.1k

Playback	Listens	Hours
48h	2.1k	270
7d	6.1k	752
30d	47.5k	5.9k

Playback	Listens	Hours
48h	1.2k	138
7d	2.7k	313
30d	19.6k	2.3k

Playback	Listens	Hours
48h	4.5k	557
7d	10.4k	1.2k
30d	39.4k	4.4k

Playback	Listens	Hours
48h	863	99
7d	2.1k	240
30d	12.1k	1.4k

Playback	Listens	Hours
48h	6.2k	709
7d	3.8k	444
30d	22.6k	2.7k

Playback	Listens	Hours
48h	2.4k	299
7d	10.2k	1.2k
30d	25.1k	3.1k

Playback	Listens	Hours
48h	938	119
7d	2.9k	375
30d	20.5k	2.7k

Playback	Listens	Hours
48h	1.3k	163
7d	2.9k	357
30d	41.7k	5.2k

Playback	Listens	Hours
48h	1.9k	238
7d	4.3k	544
30d	30.2k	3.8k

Playback	Listens	Hours
48h	4.1k	469
7d	12.3k	1.5k
30d	68.1k	7.9k

Playback	Listens	Hours
48h	1.1k	152
7d	3.5k	485
30d	21k	2.9k

Playback	Listens	Hours
48h	1.6k	212
7d	4.1k	561
30d	38k	5.1k

Playback	Listens	Hours
48h	7.7k	1.1k
7d	21.8k	3k
30d	263k	36.4k

Playback	Listens	Hours
48h	15.1k	2.1k
7d	35k	4.6k
30d	85k	11.5k

Playback	Listens	Hours
48h	431	45
7d	611	64
30d	6.1k	619

Playback	Listens	Hours
48h	3.1k	401
7d	8.1k	1k
30d	88.2k	11.2k

Playback	Listens	Hours
48h	3.9k	519
7d	16.4k	2.3k
30d	88.1k	11.3k

Playback	Listens	Hours
48h	2.5k	313
7d	5.1k	654
30d	61.4k	7.5k

Playback	Listens	Hours
48h	1.5k	161
7d	3.7k	417
30d	33.1k	3.8k

Playback	Listens	Hours
48h	1.2k	149
7d	3.5k	413
30d	38.5k	4.1k

Playback	Listens	Hours
48h	1.5k	238
7d	2.8k	384
30d	27.3k	4.1k

Playback	Listens	Hours
48h	781	95
7d	1.1k	143
30d	7.5k	947

Playback	Listens	Hours
48h	123	17
7d	229	33
30d	1.6k	222

Playback	Listens	Hours
48h	429	26
7d	791	54
30d	7.9k	530

Playback	Listens	Hours
48h	32	2
7d	93	7
30d	623	37

1974

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	18	2

San Francisco, CA, USA

915

Playback	Listens	Hours
48h	124	16
7d	180	21
30d	915	114

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	66	9
7d	187	24
30d	1.4k	169

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	95	12
7d	203	31
30d	1.4k	217

San Francisco, CA, USA

Playback	Listens	Hours
48h	98	11
7d	141	15
30d	1k	111

San Francisco, CA, USA

523

Playback	Listens	Hours
48h	2	26m
7d	60	10
30d	523	90

Playback	Listens	Hours
48h	18	2
7d	7	1
30d	218	31

Playback	Listens	Hours
48h	6	57m
7d	57	8
30d	452	61

Playback	Listens	Hours
48h	15	2
7d	68	9
30d	664	91

Playback	Listens	Hours
48h	2	29m
7d	11	2
30d	223	31

Playback	Listens	Hours
48h	62	14
7d	162	32
30d	1.2k	215

Playback	Listens	Hours
48h	32	6
7d	47	8
30d	242	43

Playback	Listens	Hours
48h	4	20m
7d	29	3
30d	141	17

Playback	Listens	Hours
48h	45	6
7d	167	23
30d	1.1k	152

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

542

Playback	Listens	Hours
48h	34	4
7d	136	17
30d	542	68

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

495

Playback	Listens	Hours
48h	25	3
7d	122	18
30d	495	72

Playback	Listens	Hours
48h	19	3
7d	138	18
30d	1.1k	136

Playback	Listens	Hours
48h	9	1
7d	77	10
30d	458	59

Playback	Listens	Hours
48h	42	5
7d	115	14
30d	729	91

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

659

Playback	Listens	Hours
48h	77	9
7d	173	21
30d	659	75

Playback	Listens	Hours
48h	7	51m
7d	58	7
30d	318	40

Playback	Listens	Hours
48h	30	5
7d	45	6
30d	694	100

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

687

Playback	Listens	Hours
48h	31	5
7d	239	35
30d	687	101

Playback	Listens	Hours
48h	78	12
7d	254	35
30d	1.3k	212

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.3k

Playback	Listens	Hours
48h	119	16
7d	173	26
30d	1.3k	191

Playback	Listens	Hours
48h	96	12
7d	265	29
30d	1.8k	202

Playback	Listens	Hours
48h	78	12
7d	193	20
30d	926	108

Playback	Listens	Hours
48h	121	14
7d	65	8
30d	377	45

Playback	Listens	Hours
48h	150	20
7d	413	64
30d	1.9k	283

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

931

Playback	Listens	Hours
48h	187	28
7d	170	26
30d	931	139

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

6.1k

Playback	Listens	Hours
48h	87	11
7d	555	79
30d	6.1k	822

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

7.4k

Playback	Listens	Hours
48h	31	3
7d	231	24
30d	7.4k	759

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

10.7k

Playback	Listens	Hours
48h	126	17
7d	309	45
30d	10.7k	1.7k

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

25k

Playback	Listens	Hours
48h	658	72
7d	1.2k	135
30d	25k	2.8k

Vancouver, British Columbia, Canada

2.9k

Playback	Listens	Hours
48h	13	1
7d	280	32
30d	2.9k	341

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

4.5k

Playback	Listens	Hours
48h	84	11
7d	310	42
30d	4.5k	588

Playback	Listens	Hours
48h	31	4
7d	115	13
30d	1.1k	127

Playback	Listens	Hours
48h	195	21
7d	186	20
30d	1.4k	157

Playback	Listens	Hours
48h	4	19m
7d	5	21m
30d	125	10

San Francisco, CA, USA

2.1k

Playback	Listens	Hours
48h	59	9
7d	289	40
30d	2.1k	286

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	73	8
7d	310	39
30d	1.6k	186

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	99	11
7d	295	34
30d	1.6k	175

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)