Eyes Of The World -> | 1974-06-30 | Grateful Dead

View NotesPatch Info:
AKG D-1000E -> Cassette Master -> Dat -> CD (shnid=15537) supplies:
Cumberland Blues (5:10 - 5:32)
Eyes Of The World (10:30 - 10:55)

Notes:
-- All disc changes are seamless
-- The show flows better if you put Seastones on disc 4
-- All other circulating sources have a cassette gen in them
-- Thanks to Joe B. Jones for his help pitch correcting the patch source

SOURCE 2 OF 13

3:27:01

SBD

SHNID:

gd1974-06-30.dts.mtx.haugh.97225.flac16

SOURCE 3 OF 13

gd1974-06-30.mtx.haugh.97185.flac16

Source:

SBD AUD Matrix Mix (65%/SBD 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN

SOURCE 4 OF 13

gd1974-06-30.mtx-set2.sirmick.89998.sbeok.flac16

Source:

sbd: SHNID 17814 aud: SHNID 15537

Lineage:

matrix: see notes

Taper Notes:

View Notes- I boosted the volume by 2 decibels for the first 1:06 of Big River as the sbd was a little quieter. I also did the same to El Paso, for the first 33 seconds, for the same reason.

- the sbd was missing most of the crowd/tuning so I have copied this in from the aud and adjusted the volume accordingly.

- several large clicks in d2t04 have been removed since I originally seeded this.

- these two recordings compliment each other very well.  The vocals on the sbd are a little low at times and the aud gives them a nice boost.  The aud also helps to accentuate the sound of Phil's bass, which is never a bad thing.

SOURCE 5 OF 13

gd1974-06-30.sbd.set2-matrix.sirmick.82179.flac16

Source:

Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)

Taper Notes:

View Notes- I boosted the volume by 2 decibels for the first 1:06 of Big River as the sbd was a little
  quieter. I also did the same to El Paso, for the first 33 seconds, for the same reason.
- the sbd was missing most of the crowd/tuning so I have copied this in from the aud and
  adjusted the volume accordingly.


comments:

these two recordings compliment each other very well.  The vocals on the sbd are a little low at times and the aud gives them a nice boost.  The aud also helps to accentuate the sound of Phil's bass, which is never a bad thing.

edited and mastered
SIRMick
January 2007

SOURCE 6 OF 13

gd74-06-30.sbd.weiner.17814.sbeok.shnf

Source:

Soundboard

Lineage:

SBDMR > DATx2 > CD > SHN > WAV > SHN

Taper Notes:

View NotesSBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner

SOURCE 7 OF 13

gd1974-06-30.sbd.tiedrich-skank-andy-stern.216.shnf

Source:

SBD>MR>DATx3>Cassette>DATx2>ZA2>CDRx1>EAC>SHN

Taper Notes:

View NotesDeadlist states that it only circulates in an AUD, Now this circulates as a SBD...

My lineage is SBD>MR>DATx3>Cassette>DATx2>ZA2>CDRx1>EAC>SHN.  My DAT came from Tiedrich, so the
lineage here is gospel.  Show is complete except no Seastones.  Thanks to Andy for getting this
into our hot little hands.  The cassette gen is consistent with a 'vault leak' by the late
Mr. Latvala.

Humbly Mastered by yours truly

Skank

SOURCE 8 OF 13

1:16:56

SHNID:

gd1974-06-30.155034.s1.aud.flac1644

SOURCE 9 OF 13

gd1974-06-30.145133.fob.sony.ecm99.warburton.smith.sirmick.flac1644

Source:

Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission.

Lineage:

Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24

Taper Notes:

View NotesComments:

- "Truckin'" includes a "Nobody's Fault But Mine Jam"

Notes:

- Pitch correction
- This was early in Jimmy's career as a taper, only his second show. See the tapebox pic enclosed with Jimmy's "self portrait." He was friends with Barry Glassberg and they later decided that their masters would be better preserved if they transferred them from cassettes to reels. On this occasion when he transfered it from the cassette masters to reel he put in fades at the start and end of each song, a number of them because the songs were clipped. I have restored the fades by patching in from shnid 106027  which needed to be pitch adjusted.  I also made azimuth and phase adjustments. - Thank you Jerry Moore and Rob Berger.

- Some of the patches are for continuity purposes, some are to replace some other small problems* .  Apart from the clipping mentioned there are also some patches to cover where larger sections of music are missing as follows:-

Don't Ease Me
Greatest Story Ever Told - first 7.5 seconds,
I Know You Rider
Truckin'
Stella Blue

- Jimmy says that most of the problems were caused by Sonny Heard as he had cut the mic cable a couple of days before. He fixed the cable as well as he could but it gave intermittent problems.*

Despite the problems that this source started out with it does sound very good.

Thanks to Jimmy Warburton for lending us his reels.

Thanks to Matt Smith for the transfer.

Thanks to Joe B. Jones for his help with pitch correction.

edited and mastered
SIRMick
October 2018

SOURCE 10 OF 13

gd1974-06-30.145132.aud.akg.1000e.moore.berger.flac1644

Source:

new fresh 24 bit transfer This file set is 16 bit @ 44.1 source: aud cassette master taped by Jerry Moore

Lineage:

lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/12/10

SOURCE 11 OF 13

Matt Smith and Sirmick

SHNID:

gd1974-06-30.143331.sony-ecm99.warburton.smith.sirmick.flac2496

Source:

Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission.

Lineage:

Taper Notes:

View NotesComments:

- "Truckin'" includes a "Nobody's Fault But Mine Jam"

Notes:

- Pitch correction
- This was early in Jimmy's career as a taper, only his second show. See the tapebox pic enclosed with Jimmy's "self portrait." He was friends with Barry Glassberg and they later decided that their masters would be better preserved if they transferred them from cassettes to reels. On this occasion when he transfered it from the cassette masters to reel he put in fades at the start and end of each song, a number of them because the songs were clipped. I have restored the fades by patching in from shnid 106027  which needed to be pitch adjusted.  I also made azimuth and phase adjustments. - Thank you Jerry Moore and Rob Berger.

- Some of the patches are for continuity purposes, some are to replace some other small problems* .  Apart from the clipping mentioned there are also some patches to cover where larger sections of music are missing as follows:-

Don't Ease Me
Greatest Story Ever Told - first 7.5 seconds,
I Know You Rider
Truckin'
Stella Blue

- Jimmy says that most of the problems were caused by Sonny Heard as he had cut the mic cable a couple of days before. He fixed the cable as well as he could but it gave intermittent problems.*

Despite the problems that this source started out with it does sound very good.

Thanks to Jimmy Warburton for lending us his reels.

Thanks to Matt Smith for the transfer.

Thanks to Joe B. Jones for his help with pitch correction.

edited and mastered
SIRMick
October 2018

SOURCE 12 OF 13

gd1974-06-30.akgd1000e.moore.berger.106027.flac24

Source:

aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b

Lineage:

master cassette > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger

SOURCE 13 OF 13

gd74-06-30.moore.weiner.gdADT16.15537.sbeok.shnf

Source:

Audience Recording: AKG D-1000E mics

Lineage:

AudMC > DAT > WAV > SHN Recorded 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON

Taper Notes:

View NotesAudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, 
roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16