To Lay Me Down | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	94.8k	11.9k
7d	236.4k	29.8k
30d	1.3M	169.6k

2,080 shows

18,077 tapes

Phish

290k

Playback	Listens	Hours
48h	21.2k	3.3k
7d	49.1k	7.5k
30d	290k	45.1k

Bands

Playback	Listens	Hours
48h	63	4
7d	108	7
30d	916	58

Playback	Listens	Hours
48h	13	2
7d	47	8
30d	164	27

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	1

Playback	Listens	Hours
48h	13	3
7d	18	3
30d	298	39

82 shows

115 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	3

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	39	5

Playback	Listens	Hours
48h	4	18m
7d	51	4
30d	208	16

Playback	Listens	Hours
48h	47	4
7d	135	12
30d	321	28

Playback	Listens	Hours
48h	18	2
7d	79	9
30d	312	36

123 shows

134 tapes

Animal Liberation Orchestra

1.3k

Playback	Listens	Hours
48h	97	13
7d	100	13
30d	1.3k	169

430 shows

535 tapes

Antibalas

Playback	Listens	Hours
48h	34	7
7d	28	5
30d	99	17

Playback	Listens	Hours
48h	50	4
7d	119	13
30d	1.1k	116

Playback	Listens	Hours
48h	15	3
7d	38	8
30d	174	36

Playback	Listens	Hours
48h	77	9
7d	82	10
30d	682	87

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	7	54m
7d	19	2
30d	75	8

102 shows

107 tapes

Bela Fleck and the Flecktones

1.5k

Playback	Listens	Hours
48h	61	7
7d	265	36
30d	1.5k	183

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	7	37m
7d	12	1
30d	45	3

Playback	Listens	Hours
48h	26	4
7d	6	40m
30d	170	22

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	42	8

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	8	35m
7d	0	0m
30d	20	3

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	2	22m
30d	42	6

Playback	Listens	Hours
48h	57	9
7d	113	17
30d	490	68

Playback	Listens	Hours
48h	101	13
7d	229	32
30d	2.1k	275

Playback	Listens	Hours
48h	6.5k	646
7d	14.8k	1.4k
30d	89.1k	8.9k

Playback	Listens	Hours
48h	237	18
7d	433	28
30d	1.8k	126

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	37	3
7d	28	3
30d	49	5

Playback	Listens	Hours
48h	167	18
7d	436	50
30d	2.3k	255

Playback	Listens	Hours
48h	313	40
7d	837	100
30d	5.5k	723

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	3	48m

3 shows

8 tapes

Brothers Past

Playback	Listens	Hours
48h	88	14
7d	83	13
30d	1k	175

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	69	8

Playback	Listens	Hours
48h	70	6
7d	131	11
30d	1.2k	115

Playback	Listens	Hours
48h	167	17
7d	225	23
30d	1.1k	111

Playback	Listens	Hours
48h	13	33m
7d	54	2
30d	331	19

Playback	Listens	Hours
48h	30	4
7d	35	5
30d	243	33

Playback	Listens	Hours
48h	0	0m
7d	42	3
30d	265	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	9

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	117	23
7d	357	73
30d	1.6k	330

Playback	Listens	Hours
48h	24	4
7d	40	7
30d	279	55

Playback	Listens	Hours
48h	67	6
7d	200	16
30d	676	58

Playback	Listens	Hours
48h	46	7
7d	78	12
30d	562	83

Playback	Listens	Hours
48h	411	54
7d	889	118
30d	4.2k	576

Playback	Listens	Hours
48h	412	55
7d	1.2k	173
30d	6.4k	891

797 shows

1,057 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	22	6

Playback	Listens	Hours
48h	1	1m
7d	10	60m
30d	182	16

Playback	Listens	Hours
48h	2.9k	468
7d	6.9k	1.1k
30d	40.5k	6.5k

Playback	Listens	Hours
48h	25	3
7d	48	6
30d	265	30

Playback	Listens	Hours
48h	151	10
7d	158	10
30d	1.1k	72

Playback	Listens	Hours
48h	129	14
7d	262	31
30d	1.6k	190

Playback	Listens	Hours
48h	957	191
7d	2.3k	468
30d	13.3k	2.8k

Playback	Listens	Hours
48h	56	6
7d	51	6
30d	181	20

Playback	Listens	Hours
48h	237	37
7d	523	82
30d	3.2k	494

Playback	Listens	Hours
48h	2	15m
7d	7	1
30d	105	24

Playback	Listens	Hours
48h	85	9
7d	274	30
30d	1.7k	175

Playback	Listens	Hours
48h	12	2
7d	30	5
30d	286	46

Playback	Listens	Hours
48h	168	15
7d	484	44
30d	3.2k	287

Playback	Listens	Hours
48h	20	3
7d	43	6
30d	419	72

Playback	Listens	Hours
48h	22	4
7d	25	4
30d	156	21

Playback	Listens	Hours
48h	177	31
7d	365	68
30d	1.8k	298

151 shows

290 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	1	8m

47 shows

50 tapes

ekoostik hookah

Playback	Listens	Hours
48h	109	15
7d	375	51
30d	2k	279

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	7	2
7d	9	2
30d	14	5

Playback	Listens	Hours
48h	74	4
7d	167	9
30d	726	40

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	77	11

122 shows

181 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	41	10

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	101	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	3	52m
30d	8	2

Playback	Listens	Hours
48h	10	1
7d	24	3
30d	295	33

103 shows

118 tapes

Fruit Bats

Playback	Listens	Hours
48h	45	3
7d	26	2
30d	71	5

Playback	Listens	Hours
48h	0	0m
7d	17	1
30d	218	17

Playback	Listens	Hours
48h	0	0m
7d	22	1
30d	161	10

Playback	Listens	Hours
48h	799	123
7d	1.5k	239
30d	10k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

684

Playback	Listens	Hours
48h	28	2
7d	172	16
30d	684	60

Playback	Listens	Hours
48h	35	4
7d	204	23
30d	1.2k	144

Playback	Listens	Hours
48h	9	2
7d	11	2
30d	134	18

Playback	Listens	Hours
48h	16	4
7d	18	4
30d	292	63

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	7	54m
7d	7	54m
30d	15	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	2	47m
7d	4	46m
30d	73	16

Playback	Listens	Hours
48h	143	16
7d	353	42
30d	1.1k	134

374 shows

508 tapes

Godspeed You Black Emperor!

397

Playback	Listens	Hours
48h	11	4
7d	72	20
30d	397	112

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	154	20

Playback	Listens	Hours
48h	5.1k	1.1k
7d	11.3k	2.4k
30d	42.5k	8.9k

Playback	Listens	Hours
48h	3	11m
7d	55	5
30d	260	24

363 shows

589 tapes

Grahame Lesh and Friends

Playback	Listens	Hours
48h	146	22
7d	262	40
30d	2k	280

37 shows

112 tapes

Grampas Grass

Playback	Listens	Hours
48h	33	4
7d	63	8
30d	95	12

Playback	Listens	Hours
48h	407	46
7d	985	116
30d	6.4k	744

Playback	Listens	Hours
48h	67	8
7d	181	21
30d	978	107

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	14	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	1	5m
7d	16	59m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	3

Playback	Listens	Hours
48h	25	2
7d	17	1
30d	423	29

755 shows

1,036 tapes

Hard Working Americans

137

Playback	Listens	Hours
48h	15	2
7d	15	2
30d	137	15

Playback	Listens	Hours
48h	40	7
7d	73	13
30d	415	68

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	26	2

Playback	Listens	Hours
48h	4	11m
7d	34	3
30d	232	23

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	80	7
7d	243	20
30d	1.6k	145

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	9	2
7d	5	1
30d	30	6

Playback	Listens	Hours
48h	227	14
7d	1.1k	73
30d	5.1k	338

Playback	Listens	Hours
48h	32	4
7d	61	6
30d	263	26

364 shows

491 tapes

Jazz Mandolin Project

102

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	102	17

222 shows

280 tapes

Jeff Austin and Chris Castino

136

Playback	Listens	Hours
48h	12	1
7d	24	2
30d	136	12

12 shows

14 tapes

Jeff Austin And Friends

137

Playback	Listens	Hours
48h	19	2
7d	7	30m
30d	137	14

Playback	Listens	Hours
48h	114	15
7d	222	29
30d	1.3k	172

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.7k

Playback	Listens	Hours
48h	182	31
7d	445	75
30d	2.7k	441

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.1k

Playback	Listens	Hours
48h	246	34
7d	605	81
30d	4.1k	578

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	5	47m
7d	5	41m
30d	12	2

2 shows

5 tapes

Joe Russo's Almost Dead

44.6k

Playback	Listens	Hours
48h	2.7k	494
7d	8k	1.5k
30d	44.6k	8.5k

Playback	Listens	Hours
48h	51	6
7d	168	20
30d	591	68

Playback	Listens	Hours
48h	95	8
7d	310	29
30d	2.5k	224

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	5	29m
7d	9	1
30d	39	4

Playback	Listens	Hours
48h	6	23m
7d	17	1
30d	152	11

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	37	4
7d	23	2
30d	96	9

73 shows

108 tapes

Karl Denson's Tiny Universe

203

Playback	Listens	Hours
48h	19	2
7d	70	9
30d	203	28

Playback	Listens	Hours
48h	293	30
7d	693	67
30d	4.4k	429

1,056 shows

1,395 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	90	13

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.7k

Playback	Listens	Hours
48h	1.1k	148
7d	2.9k	379
30d	15.7k	2.1k

Playback	Listens	Hours
48h	158	20
7d	345	46
30d	1.7k	238

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	4	34m
7d	5	46m
30d	54	8

Playback	Listens	Hours
48h	58	11
7d	50	9
30d	632	119

Playback	Listens	Hours
48h	42	4
7d	147	17
30d	808	95

Playback	Listens	Hours
48h	367	37
7d	555	55
30d	4.2k	379

Playback	Listens	Hours
48h	211	36
7d	522	79
30d	3.1k	528

Playback	Listens	Hours
48h	264	25
7d	1k	93
30d	5.9k	550

Playback	Listens	Hours
48h	80	7
7d	126	11
30d	1.4k	106

Playback	Listens	Hours
48h	112	23
7d	372	74
30d	1.3k	237

436 shows

621 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	79	8

Playback	Listens	Hours
48h	251	23
7d	424	38
30d	2.4k	225

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	243	27

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	227	36
7d	515	84
30d	4.2k	664

Playback	Listens	Hours
48h	4	11m
7d	25	2
30d	462	28

Playback	Listens	Hours
48h	19	2
7d	28	2
30d	170	17

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	15	37m
30d	70	2

Playback	Listens	Hours
48h	25	2
7d	83	5
30d	1.1k	75

Playback	Listens	Hours
48h	942	156
7d	2.1k	350
30d	10.3k	1.7k

1,986 shows

4,483 tapes

Mogwai

Playback	Listens	Hours
48h	6	30m
7d	6	41m
30d	41	4

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	126	11

Playback	Listens	Hours
48h	293	31
7d	648	67
30d	4.8k	489

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	36	3

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	54	5

Playback	Listens	Hours
48h	27	3
7d	135	20
30d	563	80

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	1	15m
30d	25	5

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	83	8
7d	312	26
30d	1.8k	148

410 shows

597 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	144	14
7d	148	15
30d	1.3k	124

Playback	Listens	Hours
48h	76	8
7d	219	22
30d	862	91

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	16	3
7d	21	4
30d	131	24

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	96	14

Playback	Listens	Hours
48h	122	23
7d	210	40
30d	1.5k	279

689 shows

920 tapes

Phil Lesh and Friends

15.6k

Playback	Listens	Hours
48h	1.1k	189
7d	2.6k	436
30d	15.6k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

1.9k

Playback	Listens	Hours
48h	151	26
7d	364	55
30d	1.9k	299

Playback	Listens	Hours
48h	236	32
7d	788	94
30d	4.2k	536

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	209	25
7d	875	114
30d	4.2k	545

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	57m

Playback	Listens	Hours
48h	32	4
7d	149	20
30d	483	62

Playback	Listens	Hours
48h	472	61
7d	1.5k	187
30d	7.1k	943

Playback	Listens	Hours
48h	111	9
7d	260	22
30d	1.3k	104

Playback	Listens	Hours
48h	347	25
7d	484	37
30d	1.8k	149

Playback	Listens	Hours
48h	142	12
7d	360	30
30d	2.4k	207

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	5	39m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	268	24
7d	655	63
30d	3.9k	368

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	62	7

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	26	5
7d	0	0m
30d	54	7

Playback	Listens	Hours
48h	0	0m
7d	38	4
30d	119	14

Playback	Listens	Hours
48h	39	4
7d	147	13
30d	1.3k	111

Playback	Listens	Hours
48h	327	54
7d	540	83
30d	2.7k	420

Playback	Listens	Hours
48h	85	19
7d	241	56
30d	1.3k	318

Playback	Listens	Hours
48h	12	44m
7d	65	4
30d	304	17

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	27	4

Playback	Listens	Hours
48h	38	5
7d	131	22
30d	730	118

Playback	Listens	Hours
48h	123	30
7d	378	85
30d	1.8k	404

Playback	Listens	Hours
48h	96	14
7d	234	32
30d	1.8k	248

667 shows

1,139 tapes

String Cheese Incident

20k

Playback	Listens	Hours
48h	1.6k	280
7d	3.8k	629
30d	20k	3.3k

1,284 shows

2,079 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	27	2
7d	11	1
30d	77	9

Playback	Listens	Hours
48h	6	1
7d	39	7
30d	252	46

Playback	Listens	Hours
48h	15	1
7d	29	4
30d	147	19

Playback	Listens	Hours
48h	30	3
7d	163	18
30d	840	89

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	3	12m
7d	9	47m
30d	10	49m

Playback	Listens	Hours
48h	1.3k	142
7d	2.5k	285
30d	12.6k	1.5k

Playback	Listens	Hours
48h	1	2m
7d	15	38m
30d	136	7

Playback	Listens	Hours
48h	118	16
7d	216	27
30d	1.7k	204

Playback	Listens	Hours
48h	18	2
7d	50	8
30d	368	58

473 shows

627 tapes

The California Honeydrops

463

Playback	Listens	Hours
48h	30	4
7d	51	7
30d	463	58

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	221	31
7d	612	83
30d	2.8k	395

Playback	Listens	Hours
48h	24	2
7d	1	5m
30d	361	31

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	1	4m
7d	1	4m
30d	20	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	14m

Playback	Listens	Hours
48h	7	1
7d	70	11
30d	362	61

Playback	Listens	Hours
48h	2	12m
7d	31	5
30d	128	15

Playback	Listens	Hours
48h	538	26
7d	930	49
30d	2.6k	145

Playback	Listens	Hours
48h	79	6
7d	132	10
30d	944	69

Playback	Listens	Hours
48h	12	3
7d	119	19
30d	257	52

Playback	Listens	Hours
48h	97	10
7d	140	15
30d	917	97

Playback	Listens	Hours
48h	121	18
7d	171	24
30d	1.5k	231

Playback	Listens	Hours
48h	759	72
7d	1.3k	124
30d	6.6k	659

1,452 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	12	44m
7d	1	5m
30d	56	4

Playback	Listens	Hours
48h	92	10
7d	149	16
30d	891	89

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	8	1
7d	12	2
30d	21	4

Playback	Listens	Hours
48h	96	11
7d	182	19
30d	1.4k	148

Playback	Listens	Hours
48h	54	4
7d	169	11
30d	857	57

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	453	68
7d	1.4k	192
30d	7.6k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	31	3
7d	15	2
30d	50	5

Playback	Listens	Hours
48h	150	24
7d	244	38
30d	1.7k	277

Playback	Listens	Hours
48h	470	69
7d	814	117
30d	4.9k	721

Playback	Listens	Hours
48h	21	2
7d	44	4
30d	328	29

Playback	Listens	Hours
48h	90	7
7d	267	21
30d	1.6k	118

Playback	Listens	Hours
48h	893	72
7d	2.4k	201
30d	13.3k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	10	1
7d	12	1
30d	68	6

Playback	Listens	Hours
48h	11.4k	1.4k
7d	26.1k	3.1k
30d	140.2k	16.6k

Playback	Listens	Hours
48h	88	14
7d	157	25
30d	859	126

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.3k

Playback	Listens	Hours
48h	1.3k	130
7d	2.1k	204
30d	11.3k	1.1k

Playback	Listens	Hours
48h	128	22
7d	256	43
30d	1.2k	189

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	103	18
7d	262	47
30d	1.7k	310

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	3	17m
7d	3	15m
30d	24	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	2.8k	390
7d	4.6k	626
30d	27.9k	3.7k

Playback	Listens	Hours
48h	1.4k	199
7d	2.1k	306
30d	15.9k	2.3k

Playback	Listens	Hours
48h	2.1k	276
7d	6.9k	900
30d	35.7k	4.7k

Playback	Listens	Hours
48h	1.8k	226
7d	5k	608
30d	40.8k	5.2k

Playback	Listens	Hours
48h	5.2k	716
7d	9.4k	1.3k
30d	56k	7.5k

Playback	Listens	Hours
48h	6.4k	823
7d	13.3k	1.7k
30d	64.6k	8.5k

Playback	Listens	Hours
48h	3.2k	397
7d	10.7k	1.3k
30d	50.3k	6.3k

Playback	Listens	Hours
48h	3.2k	383
7d	9.2k	1k
30d	27.8k	3.2k

Playback	Listens	Hours
48h	2.4k	264
7d	10.3k	1.2k
30d	49.8k	5.6k

Playback	Listens	Hours
48h	810	90
7d	4.6k	517
30d	14.9k	1.7k

Playback	Listens	Hours
48h	9.1k	998
7d	8.5k	993
30d	40k	4.7k

Playback	Listens	Hours
48h	2.8k	330
7d	6k	728
30d	30.4k	3.7k

Playback	Listens	Hours
48h	3.8k	490
7d	8.5k	1.1k
30d	29.3k	3.9k

Playback	Listens	Hours
48h	1.4k	168
7d	3.6k	451
30d	23.6k	2.9k

Playback	Listens	Hours
48h	1.5k	194
7d	4.2k	534
30d	27.6k	3.5k

Playback	Listens	Hours
48h	1.9k	213
7d	13.2k	1.6k
30d	81k	9.4k

Playback	Listens	Hours
48h	1.8k	256
7d	3.7k	520
30d	21.3k	3k

Playback	Listens	Hours
48h	6.2k	755
7d	5.5k	741
30d	37.5k	5k

Playback	Listens	Hours
48h	7.2k	1k
7d	19.4k	2.7k
30d	176.7k	24.6k

Playback	Listens	Hours
48h	8k	1.1k
7d	23.5k	3.2k
30d	138.5k	18.8k

Playback	Listens	Hours
48h	274	29
7d	653	68
30d	7.3k	753

Playback	Listens	Hours
48h	5k	638
7d	23.4k	2.8k
30d	89k	11.4k

Playback	Listens	Hours
48h	6.5k	835
7d	16.7k	2.2k
30d	77.9k	10.3k

Playback	Listens	Hours
48h	2.9k	358
7d	6.6k	821
30d	42.7k	5.3k

Playback	Listens	Hours
48h	1.7k	190
7d	6.2k	711
30d	35.4k	4k

Playback	Listens	Hours
48h	4k	389
7d	5.4k	553
30d	38.3k	4.1k

Playback	Listens	Hours
48h	913	129
7d	3.4k	450
30d	27.8k	4.1k

Playback	Listens	Hours
48h	503	61
7d	929	120
30d	7.3k	940

Playback	Listens	Hours
48h	116	19
7d	277	41
30d	2.1k	289

Playback	Listens	Hours
48h	208	15
7d	634	50
30d	5.1k	350

Playback	Listens	Hours
48h	19	1
7d	78	5
30d	598	35

1974

Playback	Listens	Hours
48h	4	22m
7d	4	23m
30d	18	2

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	59	8
7d	121	15
30d	1.1k	132

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	83	10
7d	180	22
30d	1.5k	184

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	95	18
7d	191	31
30d	1.5k	221

San Francisco, CA, USA

945

Playback	Listens	Hours
48h	33	4
7d	89	10
30d	945	106

San Francisco, CA, USA

507

Playback	Listens	Hours
48h	11	2
7d	90	15
30d	507	88

Playback	Listens	Hours
48h	6	48m
7d	10	1
30d	212	31

Playback	Listens	Hours
48h	14	2
7d	22	3
30d	383	52

Playback	Listens	Hours
48h	31	4
7d	95	13
30d	537	73

Playback	Listens	Hours
48h	10	1
7d	39	6
30d	117	17

Playback	Listens	Hours
48h	93	20
7d	162	33
30d	1k	203

Playback	Listens	Hours
48h	12	3
7d	48	8
30d	333	57

Playback	Listens	Hours
48h	0	0m
7d	31	4
30d	94	11

Playback	Listens	Hours
48h	70	9
7d	230	31
30d	1k	141

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

610

Playback	Listens	Hours
48h	42	5
7d	90	11
30d	610	76

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

611

Playback	Listens	Hours
48h	41	6
7d	136	20
30d	611	87

Playback	Listens	Hours
48h	56	6
7d	101	11
30d	1k	125

Playback	Listens	Hours
48h	19	3
7d	50	6
30d	378	49

Playback	Listens	Hours
48h	77	10
7d	161	20
30d	679	84

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

715

Playback	Listens	Hours
48h	33	4
7d	77	9
30d	715	82

Playback	Listens	Hours
48h	38	4
7d	43	5
30d	324	41

Playback	Listens	Hours
48h	27	4
7d	91	13
30d	682	96

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

730

Playback	Listens	Hours
48h	43	7
7d	107	16
30d	730	110

Playback	Listens	Hours
48h	134	22
7d	195	27
30d	1.2k	173

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.5k

Playback	Listens	Hours
48h	374	49
7d	331	47
30d	1.5k	214

Playback	Listens	Hours
48h	1.3k	145
7d	6.5k	745
30d	7.8k	887

Playback	Listens	Hours
48h	415	48
7d	3.9k	425
30d	4.9k	540

Playback	Listens	Hours
48h	40	5
7d	5.1k	579
30d	5.6k	646

Playback	Listens	Hours
48h	296	45
7d	1.4k	201
30d	9.6k	1.4k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.4k

Playback	Listens	Hours
48h	120	16
7d	338	50
30d	8.4k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

6.1k

Playback	Listens	Hours
48h	54	6
7d	150	20
30d	6.1k	828

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

2.1k

Playback	Listens	Hours
48h	42	4
7d	186	19
30d	2.1k	219

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

2.5k

Playback	Listens	Hours
48h	47	10
7d	74	14
30d	2.5k	368

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

11.6k

Playback	Listens	Hours
48h	608	67
7d	1.2k	131
30d	11.6k	1.3k

Vancouver, British Columbia, Canada

1.4k

Playback	Listens	Hours
48h	12	1
7d	153	17
30d	1.4k	154

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

3.6k

Playback	Listens	Hours
48h	112	15
7d	332	47
30d	3.6k	472

Playback	Listens	Hours
48h	40	5
7d	73	10
30d	867	104

Playback	Listens	Hours
48h	298	35
7d	586	66
30d	2k	221

Playback	Listens	Hours
48h	1	6m
7d	21	2
30d	116	10

San Francisco, CA, USA

2.3k

Playback	Listens	Hours
48h	128	16
7d	416	57
30d	2.3k	316

San Francisco, CA, USA

1.3k

Playback	Listens	Hours
48h	72	9
7d	133	14
30d	1.3k	150

San Francisco, CA, USA

1.3k

Playback	Listens	Hours
48h	123	13
7d	228	24
30d	1.3k	144

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)