Weather Report Suite Prelude>Weather Report Suite>Let It Grow | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	94k	11.8k
7d	187.5k	23.6k
30d	1.3M	163.5k

2,080 shows

18,079 tapes

Phish

277.6k

Playback	Listens	Hours
48h	15.9k	2.5k
7d	41.4k	6.5k
30d	277.6k	43.1k

Bands

Playback	Listens	Hours
48h	51	4
7d	93	6
30d	847	53

Playback	Listens	Hours
48h	7	45m
7d	32	6
30d	153	25

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	1

Playback	Listens	Hours
48h	0	0m
7d	16	3
30d	267	36

83 shows

116 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	4	23m
7d	0	0m
30d	36	4

Playback	Listens	Hours
48h	1	2m
7d	6	31m
30d	149	12

Playback	Listens	Hours
48h	21	2
7d	84	7
30d	305	26

Playback	Listens	Hours
48h	8	50m
7d	27	3
30d	305	35

123 shows

134 tapes

Animal Liberation Orchestra

1.3k

Playback	Listens	Hours
48h	118	18
7d	167	21
30d	1.3k	157

Playback	Listens	Hours
48h	3	1
7d	52	10
30d	112	20

Playback	Listens	Hours
48h	56	5
7d	158	14
30d	1.1k	107

Playback	Listens	Hours
48h	0	0m
7d	42	9
30d	184	38

Playback	Listens	Hours
48h	76	10
7d	122	14
30d	676	85

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	8	43m
7d	30	3
30d	97	10

102 shows

107 tapes

Bela Fleck and the Flecktones

1.4k

Playback	Listens	Hours
48h	91	13
7d	138	18
30d	1.4k	177

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	7	37m
30d	46	3

Playback	Listens	Hours
48h	6	1
7d	35	4
30d	183	23

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	41	8

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	2	14m
7d	11	46m
30d	24	3

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	8	1
7d	0	0m
30d	42	6

Playback	Listens	Hours
48h	57	9
7d	63	10
30d	480	68

Playback	Listens	Hours
48h	179	25
7d	223	30
30d	2.1k	275

Playback	Listens	Hours
48h	5.7k	563
7d	11.8k	1.2k
30d	85.6k	8.5k

Playback	Listens	Hours
48h	91	6
7d	366	25
30d	1.6k	112

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	0	0m
7d	53	4
30d	94	8

Playback	Listens	Hours
48h	172	19
7d	412	48
30d	2.3k	257

1,226 shows

1,776 tapes

Bob Weir

Playback	Listens	Hours
48h	331	46
7d	724	91
30d	5k	660

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	18	3
7d	137	22
30d	1.1k	182

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	4	40m
7d	0	0m
30d	58	7

Playback	Listens	Hours
48h	64	7
7d	160	14
30d	1.2k	115

Playback	Listens	Hours
48h	101	11
7d	288	30
30d	1.1k	114

Playback	Listens	Hours
48h	136	7
7d	16	45m
30d	261	14

Playback	Listens	Hours
48h	0	0m
7d	44	6
30d	245	34

Playback	Listens	Hours
48h	39	3
7d	2	9m
30d	227	15

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	4	53m
7d	0	0m
30d	69	9

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	173	38
7d	313	63
30d	1.5k	317

Playback	Listens	Hours
48h	21	3
7d	26	5
30d	268	51

Playback	Listens	Hours
48h	39	3
7d	229	20
30d	753	64

Playback	Listens	Hours
48h	20	3
7d	63	10
30d	539	80

798 shows

855 tapes

Daniel Donato

Playback	Listens	Hours
48h	347	45
7d	737	97
30d	4k	556

Playback	Listens	Hours
48h	465	65
7d	1k	140
30d	6.3k	884

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	1	17m
7d	0	0m
30d	22	6

Playback	Listens	Hours
48h	0	0m
7d	30	3
30d	193	18

Playback	Listens	Hours
48h	2.6k	424
7d	5.6k	914
30d	39.3k	6.3k

Playback	Listens	Hours
48h	34	3
7d	47	5
30d	292	33

Playback	Listens	Hours
48h	25	2
7d	232	15
30d	1.2k	78

Playback	Listens	Hours
48h	95	12
7d	249	29
30d	1.5k	182

Playback	Listens	Hours
48h	848	175
7d	2k	415
30d	12.9k	2.7k

Playback	Listens	Hours
48h	8	48m
7d	94	9
30d	258	27

Playback	Listens	Hours
48h	262	43
7d	497	78
30d	3.2k	484

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	109	25

Playback	Listens	Hours
48h	140	17
7d	182	18
30d	1.6k	163

Playback	Listens	Hours
48h	18	3
7d	24	4
30d	249	40

Playback	Listens	Hours
48h	63	6
7d	370	34
30d	3.1k	275

Playback	Listens	Hours
48h	67	12
7d	77	12
30d	394	67

Playback	Listens	Hours
48h	9	58m
7d	40	7
30d	147	20

Playback	Listens	Hours
48h	47	9
7d	294	53
30d	1.8k	295

151 shows

291 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	77	10
7d	294	42
30d	1.8k	247

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	13	5

Playback	Listens	Hours
48h	100	5
7d	114	6
30d	713	39

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	6	45m
7d	5	37m
30d	78	11

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	40	10

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	98	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	3	52m
30d	8	2

Playback	Listens	Hours
48h	21	2
7d	18	2
30d	273	30

Playback	Listens	Hours
48h	0	0m
7d	51	4
30d	108	7

Playback	Listens	Hours
48h	5	16m
7d	19	1
30d	187	14

Playback	Listens	Hours
48h	2	5m
7d	19	1
30d	154	10

Playback	Listens	Hours
48h	806	124
7d	1.6k	244
30d	9.4k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

585

Playback	Listens	Hours
48h	59	5
7d	52	5
30d	585	52

Playback	Listens	Hours
48h	126	14
7d	144	15
30d	1.1k	130

Playback	Listens	Hours
48h	13	2
7d	15	2
30d	127	16

Playback	Listens	Hours
48h	22	4
7d	28	5
30d	253	55

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	17	3

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	1	14m
7d	2	47m
30d	54	13

Playback	Listens	Hours
48h	81	10
7d	253	29
30d	1.2k	139

374 shows

508 tapes

Godspeed You Black Emperor!

411

Playback	Listens	Hours
48h	23	7
7d	25	7
30d	411	116

Playback	Listens	Hours
48h	4	29m
7d	2	28m
30d	110	14

Playback	Listens	Hours
48h	4.5k	957
7d	10.1k	2.2k
30d	43.5k	9.1k

Playback	Listens	Hours
48h	68	6
7d	23	2
30d	251	22

363 shows

589 tapes

Grahame Lesh and Friends

1.9k

Playback	Listens	Hours
48h	173	27
7d	269	42
30d	1.9k	268

Playback	Listens	Hours
48h	9	1
7d	44	6
30d	115	15

Playback	Listens	Hours
48h	324	39
7d	735	85
30d	6.2k	724

Playback	Listens	Hours
48h	84	11
7d	165	20
30d	980	109

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	7	2
7d	9	1
30d	21	4

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	1	3m
7d	1	5m
30d	52	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	4	31m
7d	0	0m
30d	19	3

Playback	Listens	Hours
48h	4	14m
7d	42	3
30d	389	27

755 shows

1,036 tapes

Hard Working Americans

134

Playback	Listens	Hours
48h	2	2m
7d	17	2
30d	134	15

Playback	Listens	Hours
48h	17	3
7d	76	13
30d	400	67

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	12	1
7d	12	55m
30d	35	3

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	228	23

674 shows

846 tapes

Infamous Stringdusters

1.4k

Playback	Listens	Hours
48h	46	4
7d	209	19
30d	1.4k	132

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	11	2

Playback	Listens	Hours
48h	321	23
7d	630	41
30d	4.7k	308

Playback	Listens	Hours
48h	34	4
7d	58	6
30d	276	28

364 shows

491 tapes

Jazz Mandolin Project

Playback	Listens	Hours
48h	5	1
7d	9	2
30d	96	16

222 shows

280 tapes

Jeff Austin and Chris Castino

150

Playback	Listens	Hours
48h	3	14m
7d	38	4
30d	150	14

12 shows

14 tapes

Jeff Austin And Friends

154

Playback	Listens	Hours
48h	7	39m
7d	23	2
30d	154	15

Playback	Listens	Hours
48h	79	12
7d	268	38
30d	1.3k	177

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	102	20
7d	353	59
30d	2.6k	424

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.8k

Playback	Listens	Hours
48h	334	46
7d	460	64
30d	3.8k	528

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	15	2

2 shows

5 tapes

Joe Russo's Almost Dead

41.9k

Playback	Listens	Hours
48h	2.4k	452
7d	5.5k	1k
30d	41.9k	7.9k

Playback	Listens	Hours
48h	36	5
7d	134	16
30d	636	71

Playback	Listens	Hours
48h	134	13
7d	212	20
30d	2.3k	206

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	5	29m
30d	37	4

Playback	Listens	Hours
48h	1	7m
7d	6	23m
30d	112	8

Playback	Listens	Hours
48h	0	0m
7d	44	5
30d	104	10

73 shows

108 tapes

Karl Denson's Tiny Universe

185

Playback	Listens	Hours
48h	1	18m
7d	37	4
30d	185	26

Playback	Listens	Hours
48h	305	32
7d	591	61
30d	4.3k	418

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	8	1
7d	7	1
30d	72	11

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.2k

Playback	Listens	Hours
48h	1.1k	151
7d	2.4k	315
30d	15.2k	2k

Playback	Listens	Hours
48h	129	20
7d	363	48
30d	1.8k	238

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	1	10m
7d	16	3
30d	59	9

Playback	Listens	Hours
48h	62	13
7d	123	23
30d	651	124

Playback	Listens	Hours
48h	79	10
7d	104	11
30d	811	95

Playback	Listens	Hours
48h	255	23
7d	505	51
30d	3.7k	338

Playback	Listens	Hours
48h	230	34
7d	558	87
30d	3.1k	524

Playback	Listens	Hours
48h	416	36
7d	534	50
30d	5.6k	522

Playback	Listens	Hours
48h	163	13
7d	203	17
30d	1.3k	105

Playback	Listens	Hours
48h	93	18
7d	247	48
30d	1.4k	251

436 shows

621 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	74	7

Playback	Listens	Hours
48h	118	11
7d	422	39
30d	2.3k	212

Playback	Listens	Hours
48h	14	2
7d	38	3
30d	237	25

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	277	44
7d	404	64
30d	3.9k	614

Playback	Listens	Hours
48h	4	13m
7d	16	1
30d	390	24

Playback	Listens	Hours
48h	49	5
7d	19	2
30d	162	16

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	5	10m
7d	2	4m
30d	72	2

Playback	Listens	Hours
48h	46	4
7d	92	6
30d	974	67

Playback	Listens	Hours
48h	690	114
7d	1.7k	281
30d	10.2k	1.7k

1,986 shows

4,483 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	46	5

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	126	11

Playback	Listens	Hours
48h	236	24
7d	590	60
30d	4.6k	470

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	36	3

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	1	5m
7d	0	0m
30d	54	5

Playback	Listens	Hours
48h	64	9
7d	64	8
30d	500	71

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	2	9m
7d	0	0m
30d	25	5

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	97	8
7d	272	24
30d	1.8k	147

410 shows

597 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	113	11
7d	219	22
30d	1.2k	120

Playback	Listens	Hours
48h	60	7
7d	172	18
30d	851	90

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	19	4
7d	30	6
30d	130	23

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	8	58m
30d	98	14

Playback	Listens	Hours
48h	79	14
7d	205	39
30d	1.4k	270

689 shows

920 tapes

Phil Lesh and Friends

14.7k

Playback	Listens	Hours
48h	956	161
7d	2k	340
30d	14.7k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	104	16
7d	321	54
30d	2k	315

322 shows

462 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	449	57
7d	522	65
30d	4k	517

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	242	33
7d	531	67
30d	4k	519

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	19m

Playback	Listens	Hours
48h	4	36m
7d	80	11
30d	500	64

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	498	63
7d	1.1k	139
30d	7k	933

Playback	Listens	Hours
48h	151	13
7d	271	22
30d	1.3k	110

Playback	Listens	Hours
48h	32	3
7d	593	45
30d	1.9k	156

Playback	Listens	Hours
48h	251	21
7d	237	20
30d	2.2k	189

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	3	38m
7d	5	39m
30d	7	1

Playback	Listens	Hours
48h	273	27
7d	500	46
30d	3.9k	362

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	11	1
7d	0	0m
30d	33	3

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	9m
7d	26	5
30d	80	11

Playback	Listens	Hours
48h	6	53m
7d	1	11m
30d	116	13

Playback	Listens	Hours
48h	26	2
7d	114	10
30d	1.2k	102

Playback	Listens	Hours
48h	207	31
7d	485	80
30d	2.8k	441

Playback	Listens	Hours
48h	116	26
7d	175	41
30d	1.3k	315

Playback	Listens	Hours
48h	14	53m
7d	20	1
30d	274	15

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	26	4

Playback	Listens	Hours
48h	60	7
7d	112	18
30d	670	112

Playback	Listens	Hours
48h	140	30
7d	203	48
30d	1.8k	392

Playback	Listens	Hours
48h	152	22
7d	141	20
30d	1.6k	219

667 shows

1,139 tapes

String Cheese Incident

19.8k

Playback	Listens	Hours
48h	1.4k	227
7d	3.6k	612
30d	19.8k	3.3k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	9	59m
7d	27	2
30d	95	10

Playback	Listens	Hours
48h	8	1
7d	6	1
30d	246	45

Playback	Listens	Hours
48h	1	11m
7d	24	3
30d	149	20

Playback	Listens	Hours
48h	26	3
7d	108	12
30d	743	79

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	12	58m
30d	13	1

Playback	Listens	Hours
48h	966	106
7d	2.1k	233
30d	12.3k	1.5k

Playback	Listens	Hours
48h	2	3m
7d	69	3
30d	151	8

Playback	Listens	Hours
48h	106	13
7d	205	27
30d	1.6k	201

Playback	Listens	Hours
48h	32	4
7d	19	2
30d	329	50

473 shows

627 tapes

The California Honeydrops

425

Playback	Listens	Hours
48h	16	3
7d	48	7
30d	425	55

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	384	55
7d	587	78
30d	2.6k	370

Playback	Listens	Hours
48h	41	4
7d	25	2
30d	319	27

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	4	34m
7d	0	0m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	5	30m
7d	1	4m
30d	19	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	7	44m
7d	0	0m
30d	3	14m

Playback	Listens	Hours
48h	34	6
7d	20	3
30d	352	58

Playback	Listens	Hours
48h	0	0m
7d	9	51m
30d	131	15

275 shows

360 tapes

The Mountain Goats

Playback	Listens	Hours
48h	128	7
7d	1.1k	55
30d	3k	162

Playback	Listens	Hours
48h	85	6
7d	162	10
30d	877	62

Playback	Listens	Hours
48h	7	2
7d	44	9
30d	214	43

Playback	Listens	Hours
48h	133	14
7d	126	13
30d	953	101

Playback	Listens	Hours
48h	130	19
7d	199	29
30d	1.6k	242

Playback	Listens	Hours
48h	757	72
7d	1.2k	117
30d	6.7k	655

1,452 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	28	2
7d	12	44m
30d	62	4

Playback	Listens	Hours
48h	16	2
7d	141	15
30d	850	87

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	12	3
7d	9	2
30d	18	4

Playback	Listens	Hours
48h	123	12
7d	149	18
30d	1.4k	147

Playback	Listens	Hours
48h	112	8
7d	175	12
30d	908	60

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	290	47
7d	843	131
30d	7.2k	1k

Playback	Listens	Hours
48h	22	2
7d	66	6
30d	102	10

Playback	Listens	Hours
48h	135	20
7d	258	40
30d	1.7k	268

Playback	Listens	Hours
48h	413	62
7d	873	131
30d	4.9k	722

Playback	Listens	Hours
48h	0	0m
7d	33	3
30d	281	25

Playback	Listens	Hours
48h	105	8
7d	217	16
30d	1.5k	111

Playback	Listens	Hours
48h	1k	81
7d	1.8k	146
30d	12.9k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	1	7m
7d	10	1
30d	71	6

Playback	Listens	Hours
48h	14.4k	1.7k
7d	23.8k	2.8k
30d	138.4k	16.4k

Playback	Listens	Hours
48h	57	12
7d	189	31
30d	823	123

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.5k

Playback	Listens	Hours
48h	821	78
7d	2.2k	213
30d	11.5k	1.1k

Playback	Listens	Hours
48h	162	26
7d	260	44
30d	1.3k	206

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	81	14
7d	184	32
30d	1.6k	285

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	6	32m
30d	17	2

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.9k	232
7d	4k	559
30d	25.8k	3.5k

Playback	Listens	Hours
48h	949	142
7d	3k	428
30d	17.2k	2.5k

Playback	Listens	Hours
48h	1.4k	182
7d	5.5k	750
30d	36.4k	4.8k

Playback	Listens	Hours
48h	2.1k	251
7d	4.1k	499
30d	36.1k	4.6k

Playback	Listens	Hours
48h	2.3k	303
7d	7.1k	990
30d	57.5k	7.7k

Playback	Listens	Hours
48h	3.8k	481
7d	13.5k	1.8k
30d	64.6k	8.5k

Playback	Listens	Hours
48h	2.8k	353
7d	5.9k	739
30d	47.3k	5.9k

Playback	Listens	Hours
48h	2.8k	336
7d	8.3k	950
30d	30.6k	3.5k

Playback	Listens	Hours
48h	7.4k	832
7d	5.8k	651
30d	50.4k	5.6k

Playback	Listens	Hours
48h	1.4k	162
7d	2k	222
30d	14.4k	1.6k

Playback	Listens	Hours
48h	7k	761
7d	11.6k	1.3k
30d	44.6k	5.1k

Playback	Listens	Hours
48h	4.4k	610
7d	6.9k	832
30d	32.1k	3.9k

Playback	Listens	Hours
48h	4.4k	555
7d	5.5k	709
30d	29.5k	3.9k

Playback	Listens	Hours
48h	1.2k	151
7d	2.7k	331
30d	19.9k	2.5k

Playback	Listens	Hours
48h	1.5k	195
7d	3k	392
30d	25.8k	3.3k

Playback	Listens	Hours
48h	3.4k	395
7d	4.1k	473
30d	69.1k	8k

Playback	Listens	Hours
48h	1.6k	222
7d	3.3k	470
30d	20.6k	2.9k

Playback	Listens	Hours
48h	2k	267
7d	8.8k	1.1k
30d	40.1k	5.3k

Playback	Listens	Hours
48h	7.3k	1k
7d	14k	1.9k
30d	153.5k	21.2k

Playback	Listens	Hours
48h	8.1k	1.1k
7d	17k	2.3k
30d	142.3k	19.3k

Playback	Listens	Hours
48h	287	31
7d	509	53
30d	7.1k	724

Playback	Listens	Hours
48h	8.9k	1.2k
7d	19.4k	2.4k
30d	90.1k	11.6k

Playback	Listens	Hours
48h	4.3k	536
7d	13.7k	1.7k
30d	76.8k	10.1k

Playback	Listens	Hours
48h	2.8k	349
7d	5.3k	663
30d	40.2k	5k

Playback	Listens	Hours
48h	1.7k	185
7d	3.6k	399
30d	28.9k	3.2k

Playback	Listens	Hours
48h	1.8k	200
7d	5.5k	553
30d	38k	4k

Playback	Listens	Hours
48h	2.7k	335
7d	2k	279
30d	25.3k	3.7k

Playback	Listens	Hours
48h	326	38
7d	775	97
30d	7.2k	921

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	101	15
7d	216	36
30d	2k	281

Playback	Listens	Hours
48h	300	20
7d	493	37
30d	4.8k	328

Playback	Listens	Hours
48h	48	3
7d	37	3
30d	521	31

1974

Playback	Listens	Hours
48h	2	9m
7d	4	22m
30d	18	2

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	46	5
7d	168	22
30d	1.1k	135

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	67	7
7d	186	22
30d	1.6k	187

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	62	9
7d	199	37
30d	1.4k	209

San Francisco, CA, USA

867

Playback	Listens	Hours
48h	42	5
7d	84	9
30d	867	98

San Francisco, CA, USA

505

Playback	Listens	Hours
48h	31	6
7d	88	16
30d	505	89

Playback	Listens	Hours
48h	10	1
7d	10	1
30d	182	26

Playback	Listens	Hours
48h	11	2
7d	19	2
30d	198	27

Playback	Listens	Hours
48h	75	10
7d	55	8
30d	523	71

Playback	Listens	Hours
48h	22	3
7d	42	6
30d	121	17

Playback	Listens	Hours
48h	105	18
7d	190	40
30d	975	192

Playback	Listens	Hours
48h	9	2
7d	18	4
30d	299	52

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	84	10

Playback	Listens	Hours
48h	100	13
7d	210	27
30d	1.1k	144

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

620

Playback	Listens	Hours
48h	49	7
7d	70	9
30d	620	78

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

616

Playback	Listens	Hours
48h	42	5
7d	61	9
30d	616	88

Playback	Listens	Hours
48h	31	4
7d	146	17
30d	976	120

Playback	Listens	Hours
48h	40	4
7d	45	6
30d	367	48

Playback	Listens	Hours
48h	38	5
7d	117	14
30d	688	85

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

675

Playback	Listens	Hours
48h	8	42m
7d	70	9
30d	675	78

Playback	Listens	Hours
48h	13	2
7d	44	5
30d	297	37

Playback	Listens	Hours
48h	40	6
7d	115	17
30d	591	84

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

736

Playback	Listens	Hours
48h	53	8
7d	103	16
30d	736	111

Playback	Listens	Hours
48h	4.1k	539
7d	247	41
30d	1.2k	182

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

Playback	Listens	Hours
48h	2.1k	292
7d	4.8k	625
30d	6k	788

Playback	Listens	Hours
48h	392	44
7d	6.9k	790
30d	8.1k	931

Playback	Listens	Hours
48h	79	10
7d	1.5k	183
30d	4.9k	550

Playback	Listens	Hours
48h	10	2
7d	135	17
30d	5.7k	652

Playback	Listens	Hours
48h	266	39
7d	758	109
30d	9.7k	1.4k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.4k

Playback	Listens	Hours
48h	62	9
7d	164	23
30d	8.4k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

Playback	Listens	Hours
48h	80	12
7d	114	15
30d	6k	812

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.8k

Playback	Listens	Hours
48h	63	6
7d	65	6
30d	1.8k	183

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

2.2k

Playback	Listens	Hours
48h	36	4
7d	85	17
30d	2.2k	328

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

9.9k

Playback	Listens	Hours
48h	397	44
7d	1.1k	120
30d	9.9k	1.1k

Vancouver, British Columbia, Canada

1.2k

Playback	Listens	Hours
48h	55	6
7d	27	3
30d	1.2k	139

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

3.1k

Playback	Listens	Hours
48h	131	18
7d	221	29
30d	3.1k	403

Playback	Listens	Hours
48h	30	3
7d	51	7
30d	802	96

Playback	Listens	Hours
48h	173	19
7d	430	49
30d	1.9k	213

Playback	Listens	Hours
48h	6	26m
7d	6	40m
30d	94	8

San Francisco, CA, USA

2.3k

Playback	Listens	Hours
48h	110	18
7d	276	39
30d	2.3k	325

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	17	2
7d	132	16
30d	1.2k	142

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	108	11
7d	237	25
30d	1.4k	147

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)