Beat It On Down The Line | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	83k	10.5k
7d	237.8k	30.3k
30d	1.3M	169.5k

2,080 shows

18,077 tapes

Phish

289.1k

Playback	Listens	Hours
48h	20k	3k
7d	49.4k	7.5k
30d	289.1k	45k

Bands

Playback	Listens	Hours
48h	48	3
7d	113	8
30d	990	62

Playback	Listens	Hours
48h	6	52m
7d	35	5
30d	194	31

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	17	2

Playback	Listens	Hours
48h	9	1
7d	20	3
30d	326	43

81 shows

114 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	21	3

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	39	5

Playback	Listens	Hours
48h	1	6m
7d	63	5
30d	246	20

Playback	Listens	Hours
48h	51	5
7d	101	9
30d	289	26

Playback	Listens	Hours
48h	19	2
7d	90	11
30d	329	37

123 shows

134 tapes

Animal Liberation Orchestra

1.5k

Playback	Listens	Hours
48h	27	4
7d	103	14
30d	1.5k	189

430 shows

534 tapes

Antibalas

Playback	Listens	Hours
48h	12	2
7d	10	2
30d	87	14

Playback	Listens	Hours
48h	49	6
7d	170	19
30d	1.2k	121

Playback	Listens	Hours
48h	26	5
7d	17	3
30d	158	34

Playback	Listens	Hours
48h	32	4
7d	66	9
30d	651	83

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	0	0m
7d	45	4
30d	76	8

102 shows

107 tapes

Bela Fleck and the Flecktones

1.6k

Playback	Listens	Hours
48h	72	9
7d	386	48
30d	1.6k	191

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	7	38m
30d	40	3

Playback	Listens	Hours
48h	3	21m
7d	3	52m
30d	171	22

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	47	9

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	5	26m
30d	20	3

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	27	4
30d	44	7

Playback	Listens	Hours
48h	2	19m
7d	175	25
30d	496	69

Playback	Listens	Hours
48h	75	11
7d	309	42
30d	2.1k	276

Playback	Listens	Hours
48h	5k	490
7d	15.8k	1.6k
30d	89.4k	8.9k

Playback	Listens	Hours
48h	189	10
7d	320	21
30d	1.8k	127

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	48	5

Playback	Listens	Hours
48h	210	26
7d	307	37
30d	2.2k	252

Playback	Listens	Hours
48h	291	32
7d	846	100
30d	5.7k	745

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	3	48m

3 shows

8 tapes

Brothers Past

Playback	Listens	Hours
48h	24	5
7d	123	20
30d	1k	175

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	1	7m
7d	21	2
30d	75	9

Playback	Listens	Hours
48h	71	6
7d	108	10
30d	1.2k	122

Playback	Listens	Hours
48h	131	14
7d	122	14
30d	975	101

Playback	Listens	Hours
48h	0	0m
7d	75	4
30d	507	30

Playback	Listens	Hours
48h	18	3
7d	36	5
30d	228	31

Playback	Listens	Hours
48h	0	0m
7d	44	3
30d	313	21

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	1	2
30d	71	9

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	149	29
7d	328	70
30d	1.5k	306

Playback	Listens	Hours
48h	11	3
7d	47	8
30d	275	54

Playback	Listens	Hours
48h	95	8
7d	212	18
30d	652	55

Playback	Listens	Hours
48h	19	3
7d	80	13
30d	541	80

798 shows

855 tapes

Daniel Donato

Playback	Listens	Hours
48h	253	32
7d	714	99
30d	4k	564

Playback	Listens	Hours
48h	469	66
7d	1.3k	180
30d	6.4k	895

797 shows

1,058 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	12	3
30d	23	6

Playback	Listens	Hours
48h	6	33m
7d	8	31m
30d	190	17

Playback	Listens	Hours
48h	2.3k	384
7d	7k	1.1k
30d	40.4k	6.4k

Playback	Listens	Hours
48h	20	2
7d	100	12
30d	249	28

Playback	Listens	Hours
48h	59	4
7d	188	13
30d	1.3k	82

Playback	Listens	Hours
48h	136	16
7d	221	26
30d	1.6k	193

Playback	Listens	Hours
48h	927	190
7d	2.2k	465
30d	13.4k	2.8k

Playback	Listens	Hours
48h	18	2
7d	36	4
30d	173	19

Playback	Listens	Hours
48h	203	32
7d	485	77
30d	3.2k	487

Playback	Listens	Hours
48h	3	43m
7d	19	4
30d	104	24

Playback	Listens	Hours
48h	59	7
7d	311	33
30d	1.8k	180

Playback	Listens	Hours
48h	20	3
7d	50	8
30d	282	45

Playback	Listens	Hours
48h	171	15
7d	623	56
30d	3.3k	291

Playback	Listens	Hours
48h	28	4
7d	55	9
30d	418	73

Playback	Listens	Hours
48h	18	3
7d	19	2
30d	136	17

Playback	Listens	Hours
48h	103	21
7d	421	71
30d	1.8k	287

151 shows

290 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	1	8m

47 shows

50 tapes

ekoostik hookah

Playback	Listens	Hours
48h	134	19
7d	361	51
30d	2k	278

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	29m
30d	10	4

Playback	Listens	Hours
48h	33	2
7d	147	8
30d	728	40

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	77	11

122 shows

181 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	4	48m
30d	47	11

Playback	Listens	Hours
48h	0	0m
7d	41	4
30d	101	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	3	52m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	0	0m
7d	33	4
30d	305	34

103 shows

118 tapes

Fruit Bats

Playback	Listens	Hours
48h	6	24m
7d	20	1
30d	79	5

Playback	Listens	Hours
48h	1	5m
7d	78	6
30d	224	18

Playback	Listens	Hours
48h	20	1
7d	11	54m
30d	146	10

Playback	Listens	Hours
48h	511	82
7d	1.6k	245
30d	10.2k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

652

Playback	Listens	Hours
48h	21	2
7d	169	16
30d	652	57

Playback	Listens	Hours
48h	84	10
7d	317	37
30d	1.2k	143

Playback	Listens	Hours
48h	2	18m
7d	27	3
30d	130	17

Playback	Listens	Hours
48h	2	12m
7d	38	8
30d	336	72

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	2	11m
7d	0	0m
30d	11	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	3	38m
7d	4	46m
30d	75	17

101 shows

167 tapes

God Street Wine

Playback	Listens	Hours
48h	120	14
7d	291	35
30d	1k	123

374 shows

508 tapes

Godspeed You Black Emperor!

399

Playback	Listens	Hours
48h	8	2
7d	108	31
30d	399	112

Playback	Listens	Hours
48h	0	0m
7d	60	6
30d	172	22

Playback	Listens	Hours
48h	5k	1.1k
7d	9.1k	1.9k
30d	39.5k	8.2k

Playback	Listens	Hours
48h	25	2
7d	57	5
30d	270	25

363 shows

589 tapes

Grahame Lesh and Friends

2.1k

Playback	Listens	Hours
48h	81	13
7d	255	37
30d	2.1k	299

37 shows

112 tapes

Grampas Grass

Playback	Listens	Hours
48h	18	2
7d	39	5
30d	71	10

Playback	Listens	Hours
48h	310	37
7d	1.2k	142
30d	6.5k	748

Playback	Listens	Hours
48h	68	7
7d	174	20
30d	974	106

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	2	12m
7d	0	0m
30d	12	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	31	2
30d	67	4

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	7	33m
7d	70	4
30d	421	29

755 shows

1,036 tapes

Hard Working Americans

178

Playback	Listens	Hours
48h	8	49m
7d	17	2
30d	178	19

Playback	Listens	Hours
48h	39	7
7d	37	6
30d	396	65

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	26	2

Playback	Listens	Hours
48h	12	1
7d	25	2
30d	233	24

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	135	11
7d	176	15
30d	1.6k	147

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	60	11

Playback	Listens	Hours
48h	401	28
7d	1k	69
30d	5.3k	345

Playback	Listens	Hours
48h	35	3
7d	60	6
30d	251	24

364 shows

491 tapes

Jazz Mandolin Project

119

Playback	Listens	Hours
48h	5	1
7d	6	2
30d	119	19

222 shows

280 tapes

Jeff Austin and Chris Castino

112

Playback	Listens	Hours
48h	24	2
7d	3	11m
30d	112	10

12 shows

14 tapes

Jeff Austin And Friends

137

Playback	Listens	Hours
48h	2	7m
7d	15	2
30d	137	14

Playback	Listens	Hours
48h	112	15
7d	294	41
30d	1.2k	158

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.7k

Playback	Listens	Hours
48h	131	21
7d	414	71
30d	2.7k	444

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.3k

Playback	Listens	Hours
48h	240	33
7d	571	77
30d	4.3k	599

258 shows

309 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	3	22m
7d	1	10m
30d	7	1

2 shows

5 tapes

Joe Russo's Almost Dead

45.4k

Playback	Listens	Hours
48h	2.9k	549
7d	8.5k	1.6k
30d	45.4k	8.6k

Playback	Listens	Hours
48h	82	9
7d	185	20
30d	576	65

Playback	Listens	Hours
48h	99	10
7d	487	42
30d	2.7k	236

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	4	37m
7d	7	1
30d	41	5

Playback	Listens	Hours
48h	0	0m
7d	17	1
30d	158	12

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	4	29m
7d	11	48m
30d	80	7

73 shows

108 tapes

Karl Denson's Tiny Universe

188

Playback	Listens	Hours
48h	17	2
7d	55	9
30d	188	27

Playback	Listens	Hours
48h	192	20
7d	725	67
30d	4.5k	435

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	6	1
7d	11	2
30d	93	13

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.7k

Playback	Listens	Hours
48h	1.1k	144
7d	2.9k	375
30d	15.7k	2.1k

Playback	Listens	Hours
48h	168	23
7d	304	43
30d	1.6k	232

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	4	36m
7d	1	11m
30d	65	9

Playback	Listens	Hours
48h	19	4
7d	48	8
30d	669	128

Playback	Listens	Hours
48h	60	7
7d	162	19
30d	817	97

Playback	Listens	Hours
48h	105	10
7d	664	64
30d	4.2k	381

977 shows

1,315 tapes

Lettuce

Playback	Listens	Hours
48h	291	43
7d	468	76
30d	3k	516

Playback	Listens	Hours
48h	248	22
7d	1.2k	109
30d	6.1k	567

Playback	Listens	Hours
48h	76	6
7d	138	11
30d	1.4k	108

Playback	Listens	Hours
48h	71	14
7d	357	69
30d	1.2k	226

436 shows

621 tapes

Marco Benevento

Playback	Listens	Hours
48h	17	1
7d	21	1
30d	83	8

Playback	Listens	Hours
48h	191	19
7d	375	32
30d	2.3k	211

Playback	Listens	Hours
48h	19	1
7d	39	4
30d	247	27

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	175	27
7d	642	100
30d	4.5k	703

Playback	Listens	Hours
48h	0	0m
7d	83	7
30d	471	29

Playback	Listens	Hours
48h	0	0m
7d	39	3
30d	178	18

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	22	46m
30d	79	2

Playback	Listens	Hours
48h	55	4
7d	118	9
30d	1.1k	76

Playback	Listens	Hours
48h	824	147
7d	2.1k	338
30d	10.2k	1.7k

1,985 shows

4,482 tapes

Mogwai

Playback	Listens	Hours
48h	4	29m
7d	2	12m
30d	60	6

Playback	Listens	Hours
48h	1	4m
7d	37	4
30d	125	11

Playback	Listens	Hours
48h	263	26
7d	605	66
30d	4.8k	489

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	36	3

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	68	6

Playback	Listens	Hours
48h	35	5
7d	114	18
30d	588	83

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	1	15m
7d	14	2
30d	25	5

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	90	7
7d	332	27
30d	1.9k	159

410 shows

597 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	35	4
7d	201	20
30d	1.3k	128

Playback	Listens	Hours
48h	92	9
7d	148	15
30d	830	88

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	21	4
7d	13	2
30d	124	22

Playback	Listens	Hours
48h	0	0m
7d	4	38m
30d	100	14

Playback	Listens	Hours
48h	43	9
7d	188	39
30d	1.5k	287

689 shows

920 tapes

Phil Lesh and Friends

15.9k

Playback	Listens	Hours
48h	900	151
7d	2.8k	501
30d	15.9k	2.8k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

1.9k

Playback	Listens	Hours
48h	96	16
7d	375	53
30d	1.9k	296

322 shows

462 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	344	38
7d	789	98
30d	4k	525

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	358	48
7d	781	103
30d	4.3k	561

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	38	7
7d	151	20
30d	472	58

Playback	Listens	Hours
48h	535	66
7d	1.4k	178
30d	7.1k	944

Playback	Listens	Hours
48h	107	8
7d	234	21
30d	1.2k	101

Playback	Listens	Hours
48h	226	19
7d	189	16
30d	1.5k	127

Playback	Listens	Hours
48h	111	10
7d	405	35
30d	2.4k	216

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	2	29m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	188	18
7d	774	74
30d	4.1k	383

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	71	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	54	7

Playback	Listens	Hours
48h	1	11m
7d	69	7
30d	126	15

Playback	Listens	Hours
48h	55	5
7d	180	15
30d	1.5k	122

Playback	Listens	Hours
48h	112	17
7d	470	72
30d	2.7k	422

Playback	Listens	Hours
48h	62	15
7d	249	61
30d	1.3k	315

Playback	Listens	Hours
48h	12	48m
7d	84	5
30d	291	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	13	2
7d	1	21m
30d	14	2

Playback	Listens	Hours
48h	82	15
7d	116	18
30d	674	109

Playback	Listens	Hours
48h	83	18
7d	396	89
30d	1.9k	413

Playback	Listens	Hours
48h	49	6
7d	305	41
30d	1.9k	262

667 shows

1,139 tapes

String Cheese Incident

19.7k

Playback	Listens	Hours
48h	1.6k	271
7d	3.6k	584
30d	19.7k	3.2k

1,284 shows

2,079 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	4	40m
7d	37	5
30d	78	9

Playback	Listens	Hours
48h	0	0m
7d	73	13
30d	283	51

Playback	Listens	Hours
48h	9	1
7d	20	3
30d	139	19

Playback	Listens	Hours
48h	75	8
7d	114	12
30d	842	89

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	9	47m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	786	91
7d	2.1k	249
30d	12.6k	1.5k

Playback	Listens	Hours
48h	6	14m
7d	15	41m
30d	211	10

Playback	Listens	Hours
48h	82	10
7d	257	33
30d	1.8k	216

Playback	Listens	Hours
48h	7	1
7d	63	10
30d	395	62

473 shows

627 tapes

The California Honeydrops

517

Playback	Listens	Hours
48h	12	1
7d	71	9
30d	517	66

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	36m

Playback	Listens	Hours
48h	372	48
7d	351	50
30d	2.6k	377

Playback	Listens	Hours
48h	1	5m
7d	15	60m
30d	381	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	3	14m

Playback	Listens	Hours
48h	0	0m
7d	70	11
30d	370	63

Playback	Listens	Hours
48h	17	2
7d	41	6
30d	138	17

Playback	Listens	Hours
48h	492	26
7d	642	36
30d	2.1k	118

Playback	Listens	Hours
48h	31	2
7d	168	12
30d	1.1k	79

Playback	Listens	Hours
48h	71	11
7d	81	13
30d	288	59

Playback	Listens	Hours
48h	15	1
7d	167	18
30d	942	99

Playback	Listens	Hours
48h	31	4
7d	259	35
30d	1.6k	234

Playback	Listens	Hours
48h	380	37
7d	1.2k	112
30d	6.5k	651

1,452 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	58	5

Playback	Listens	Hours
48h	67	7
7d	134	14
30d	871	88

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	21m
7d	5	55m
30d	14	3

Playback	Listens	Hours
48h	43	5
7d	162	17
30d	1.4k	147

Playback	Listens	Hours
48h	58	4
7d	159	10
30d	826	55

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	437	63
7d	1.4k	182
30d	7.7k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	13	1
7d	2	12m
30d	40	4

Playback	Listens	Hours
48h	44	8
7d	324	50
30d	1.7k	274

Playback	Listens	Hours
48h	351	53
7d	882	123
30d	4.8k	719

Playback	Listens	Hours
48h	27	2
7d	34	3
30d	327	28

Playback	Listens	Hours
48h	133	9
7d	239	19
30d	1.6k	118

Playback	Listens	Hours
48h	784	69
7d	2.6k	221
30d	13.2k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	6	33m
7d	9	44m
30d	62	5

Playback	Listens	Hours
48h	9.8k	1.2k
7d	26.5k	3.2k
30d	138.7k	16.4k

Playback	Listens	Hours
48h	87	15
7d	101	15
30d	859	119

1,416 shows

2,242 tapes

Yonder Mountain String Band

11k

Playback	Listens	Hours
48h	600	57
7d	2.1k	205
30d	11k	1k

Playback	Listens	Hours
48h	103	18
7d	236	40
30d	1.1k	174

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	1	3m

Playback	Listens	Hours
48h	67	11
7d	258	44
30d	1.7k	306

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	3	15m
7d	4	30m
30d	21	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.4k	192
7d	5.3k	697
30d	28.3k	3.8k

Playback	Listens	Hours
48h	503	74
7d	3.5k	503
30d	15.5k	2.2k

Playback	Listens	Hours
48h	3.1k	409
7d	7k	894
30d	38.3k	5k

Playback	Listens	Hours
48h	1.9k	218
7d	5.2k	656
30d	40k	5.2k

Playback	Listens	Hours
48h	2.7k	389
7d	9.8k	1.3k
30d	53.8k	7.1k

Playback	Listens	Hours
48h	6.9k	900
7d	6.6k	890
30d	57.3k	7.6k

Playback	Listens	Hours
48h	2.2k	276
7d	15.1k	1.9k
30d	57.3k	7.2k

Playback	Listens	Hours
48h	4.1k	469
7d	8.1k	935
30d	25.4k	2.9k

Playback	Listens	Hours
48h	1.8k	201
7d	12.1k	1.3k
30d	49.8k	5.6k

Playback	Listens	Hours
48h	1.6k	183
7d	4.4k	490
30d	14.6k	1.6k

Playback	Listens	Hours
48h	2.6k	300
7d	6.1k	707
30d	36.7k	4.3k

Playback	Listens	Hours
48h	2.4k	291
7d	3.4k	441
30d	27.9k	3.4k

Playback	Listens	Hours
48h	2.2k	283
7d	10.9k	1.5k
30d	28k	3.7k

Playback	Listens	Hours
48h	1.3k	160
7d	3.3k	417
30d	24.2k	3k

Playback	Listens	Hours
48h	1.4k	180
7d	4.5k	576
30d	27.7k	3.5k

Playback	Listens	Hours
48h	2.2k	257
7d	16.1k	1.9k
30d	80.8k	9.4k

Playback	Listens	Hours
48h	1.4k	192
7d	3.8k	541
30d	21.2k	3k

Playback	Listens	Hours
48h	1.9k	250
7d	5.6k	757
30d	37.5k	5k

Playback	Listens	Hours
48h	5.6k	778
7d	20.5k	2.8k
30d	191.3k	26.6k

Playback	Listens	Hours
48h	8.6k	1.2k
7d	25.4k	3.4k
30d	130.5k	17.7k

Playback	Listens	Hours
48h	130	13
7d	1.1k	122
30d	7.5k	774

Playback	Listens	Hours
48h	11.2k	1.3k
7d	22.6k	2.9k
30d	83.5k	10.8k

Playback	Listens	Hours
48h	6.4k	855
7d	14k	1.8k
30d	80.8k	10.6k

Playback	Listens	Hours
48h	2.2k	275
7d	7.1k	880
30d	47.3k	5.9k

Playback	Listens	Hours
48h	1.7k	192
7d	6.7k	761
30d	35.4k	4k

Playback	Listens	Hours
48h	1.5k	161
7d	3.5k	388
30d	36.1k	3.9k

Playback	Listens	Hours
48h	932	133
7d	3.5k	484
30d	28k	4.1k

Playback	Listens	Hours
48h	291	38
7d	1.1k	140
30d	7.3k	944

Playback	Listens	Hours
48h	60	9
7d	657	87
30d	2.1k	284

Playback	Listens	Hours
48h	295	23
7d	624	48
30d	5.2k	348

Playback	Listens	Hours
48h	12	42m
7d	96	6
30d	599	35

1974

Playback	Listens	Hours
48h	3	16m
7d	2	13m
30d	19	2

San Francisco, CA, USA

Playback	Listens	Hours
48h	66	8
7d	83	11
30d	1k	127

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	88	10
7d	206	24
30d	1.5k	180

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	106	17
7d	189	26
30d	1.4k	209

San Francisco, CA, USA

948

Playback	Listens	Hours
48h	47	4
7d	85	10
30d	948	107

San Francisco, CA, USA

467

Playback	Listens	Hours
48h	64	11
7d	50	9
30d	467	81

Playback	Listens	Hours
48h	6	1
7d	6	2
30d	225	33

Playback	Listens	Hours
48h	5	36m
7d	20	3
30d	425	59

Playback	Listens	Hours
48h	30	5
7d	120	16
30d	598	81

Playback	Listens	Hours
48h	32	5
7d	3	17m
30d	100	14

Playback	Listens	Hours
48h	101	21
7d	138	27
30d	1.1k	201

Playback	Listens	Hours
48h	24	3
7d	76	13
30d	333	57

Playback	Listens	Hours
48h	3	22m
7d	31	4
30d	96	11

Playback	Listens	Hours
48h	97	12
7d	203	27
30d	1k	136

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

644

Playback	Listens	Hours
48h	19	2
7d	104	13
30d	644	80

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

624

Playback	Listens	Hours
48h	46	6
7d	167	24
30d	624	90

Playback	Listens	Hours
48h	33	4
7d	148	17
30d	1k	125

Playback	Listens	Hours
48h	17	2
7d	32	4
30d	404	52

Playback	Listens	Hours
48h	12	1
7d	129	15
30d	652	81

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

693

Playback	Listens	Hours
48h	28	3
7d	90	11
30d	693	80

Playback	Listens	Hours
48h	16	2
7d	23	3
30d	326	41

Playback	Listens	Hours
48h	27	3
7d	89	13
30d	701	99

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

698

Playback	Listens	Hours
48h	41	6
7d	68	9
30d	698	104

Playback	Listens	Hours
48h	78	10
7d	211	28
30d	1.2k	179

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.4k

Playback	Listens	Hours
48h	119	16
7d	258	39
30d	1.4k	200

Playback	Listens	Hours
48h	5.9k	665
7d	282	33
30d	1.5k	168

Playback	Listens	Hours
48h	2.7k	307
7d	2.6k	277
30d	3.5k	381

Playback	Listens	Hours
48h	78	10
7d	5.2k	591
30d	5.6k	644

Playback	Listens	Hours
48h	367	50
7d	7.5k	1.1k
30d	9.3k	1.3k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.4k

Playback	Listens	Hours
48h	71	10
7d	709	108
30d	8.4k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

6.2k

Playback	Listens	Hours
48h	47	6
7d	145	20
30d	6.2k	831

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

3.2k

Playback	Listens	Hours
48h	33	3
7d	297	30
30d	3.2k	347

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

2.8k

Playback	Listens	Hours
48h	28	5
7d	137	24
30d	2.8k	433

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

12.4k

Playback	Listens	Hours
48h	462	51
7d	1.2k	137
30d	12.4k	1.4k

Vancouver, British Columbia, Canada

1.4k

Playback	Listens	Hours
48h	29	3
7d	155	17
30d	1.4k	156

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

3.8k

Playback	Listens	Hours
48h	96	14
7d	529	72
30d	3.8k	495

Playback	Listens	Hours
48h	31	4
7d	116	14
30d	944	112

Playback	Listens	Hours
48h	224	25
7d	389	43
30d	1.7k	194

Playback	Listens	Hours
48h	5	33m
7d	19	2
30d	112	9

San Francisco, CA, USA

2.3k

Playback	Listens	Hours
48h	101	15
7d	553	75
30d	2.3k	322

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	75	8
7d	146	17
30d	1.4k	165

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	81	8
7d	108	12
30d	1.4k	151

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)