1978-04-16 | Grateful Dead

View NotesNotes:

- Tape flip in "Drums" has been patched with shnid 98781 - Thank you Bob Wagner and David Minches

Thank you to Tim Dalton for providing another excellent source.

Thank you to Charlie Miller for doing the transfer.

edited and mastered
SIRMick
November 2019

SOURCE 2 OF 17

2:35:12

SBD

gd1978-04-16.sbd.miller.82273.sbeok.flac16

Source:

SBD -> Master Reel -> PCM -> Dat (44.1k) D

Lineage:

Dat -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View NotesNotes:

-- Set 2 is seamless
-- This source doesn't have the flaws that the other sources have
-- Reel flip during Drumms fixed with crossfade

SOURCE 3 OF 17

PCM provided by anonymous, while hiding out away from the Bay Area. Edited & Mastered using Adobe Audition by Joe Noel April 15, 2020

SHNID:

gd1978-04-16.149552.BettyBoard.Anon.Noel.t-flac16

Source:

Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM

Lineage:

Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44

Taper Notes:

View Notespatch info:
- shnid s2t06 (3 x Sony ECM-54P) supplies
- s2t06; 07:17 - 07:33

Notes:
- emphasis decoded & dc offset removed
- the copy from pcm clone was via a 601esd and spdif, thus a clone of the beta pcm and not an analog out to analog in copy.
- shnid 148386 channels are incorrect.  This source is correct

SOURCE 4 OF 17

gd1978-04-16.139240.sbd.ForTheFaithful_KTS528-529.flac1644

Source:

Soundboard: Commercial bootleg release; "For The Faithful"

Lineage:

EAC (secure) > Flacfrontend (level 8)

Taper Notes:

View NotesCommercial bootleg release; "For The Faithful"
Soundboard; Kiss The Stone records KTS 528/529 released 1996

SOURCE 5 OF 17

gd1978-04-16.sbd.cantor.motb.81457.sbeok.flac16

Source:

Betty Soundboard

Lineage:

SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac

Taper Notes:

View NotesNotes from MOTB: This is one of those OMG recordings... we wish this was the quality all of our releases.

Notes from Jim Goldman: In 1990 or so my uncle was going to throw out a big box of reel to reel tapes and since he still had the machine he bought to play them on I wanted to go through the box. Most of the reels were WLS top 40 for 6 years in a row not missing a week. I found a diferent type of tape (Ampex) and it said GD Huntington and that was it. I of course wanted to transfer it as best I could and there were no real 24/48 recorders out there except for computer recording. The computer room was on the complete other side of the home so we did a transfer in real time on a Phillips "super CD" recorder which meant 24/48. What may have happened is we ran out of room on a CD and had to stop the recorder very quickly to change CDs and that may also make the missing verse question answered. I started again at the wrong place. this was a huge challenge and I think we did OK.

SOURCE 6 OF 17

gd1978-04-16.sbd.lai.34971.sbeok.shnf

Source:

SBD>R2R>PCM>DAT>CDR>SHN

Taper Notes:

View NotesSeed to Etree by : [email protected]	
Thanks to Mike Lai for the seed!

**
additional info added to newsgroup 2/01 posting:
Note: static for a few seconds at the beginning of Sunshine Daydream. Posted to abgd.highspeed by breaker 02/2001

**
note 12/2005: I fixed a sector boundary error on D1t12. Further, shntool.txt noted that the WAVE headers were not canonical (44 bytes) for any of the files. By running everything through xACT 1.55 and writing new SHN files, the new files were made canonical by stripping unnecessary data via shntool's built-in strip mode. Finally, I brought the 2nd set file names into a consistent naming pattern. xACT then wrote a new md5 file and shntool report. gearfab.etree.org

SOURCE 7 OF 17

Master Reel> PCM> ??> DAT> Sonic Solutions> CD

SOURCE 8 OF 17

2:24:02

SBD

Transferrer:

[email protected] Thanks to Mike Lai for the seed!

SHNID:

gd1978-04-16.sbd.lai.16619.sbeok.shnf

Source:

SBD>R2R>PCM>DAT>CDR>SHN

Taper Notes:

View Notessmall splice in Samson & Delilah @ 3:30

SOURCE 9 OF 17

gd78-04-16.sbd.lai.292.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> Reel > PCM> DAT> CDR> SHN

Taper Notes:

View NotesSBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream

SOURCE 10 OF 17

Scott Clugston and Charlie Miller

SHNID:

gd1978-04-16.148566.sony.54p.wagner.miller.clugston.flac2496

Source:

Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 11 OF 17

Scott Clugston and Charlie Miller

SHNID:

gd1978-04-16.148565.sony.54p.wagner.miller.clugston.flac1648

Source:

Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 12 OF 17

1:10:45

SHNID:

gd1978-04-16.147802.1st.set.fob.shure.sm57.sublette.miller.clugston.flac2496

Source:

Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158

Lineage:

Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Kathy Sublette for the Master Audience Cassettes
- Thanks to Ted Mattes for finding the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Level fluctuations in the beginning of "Jack Straw"
- Pitch corrected
- Set 2 tape stolen

Mastered by Scott Clugston
September 2019

SOURCE 13 OF 17

1:10:45

SHNID:

gd1978-04-16.147801.1st.set.fob.shure.sm57.sublette.miller.clugston.flac1648

Source:

Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158

Lineage:

Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Kathy Sublette for the Master Audience Cassettes
- Thanks to Ted Mattes for finding the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Level fluctuations in the beginning of "Jack Straw"
- Pitch corrected
- Set 2 tape stolen

Mastered by Scott Clugston
September 2019

SOURCE 14 OF 17

gd1978-04-16.sonyecm54P.wagner.minches.98791.flac16

Source:

3 Sony ECM-54 Ps> Sony 158

Lineage:

Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version

Taper Notes:

View Notes- Thanks to Joe B. Jones for pitch correction.

SOURCE 15 OF 17

gd1978-04-16.mtx.seamons.98535.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)

SOURCE 16 OF 17

Jerry Moore and Rob Berger

SHNID:

gd1978-04-16.ecm54p.moore.berger.98510.flac16

Source:

(3)sony ecm54p's>nak 550>patch>sony tc-158sd

Lineage:

mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac

Taper Notes:

View Notesonly aud in circulation for this show

SOURCE 17 OF 17

gd1978-04-16.sonyecm54p.berger.98509.flac24

Source:

(3)sony ecm54p's>nak 550>patch>sony tc-158sd

Lineage:

mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac

Taper Notes:

View Notessource: aud 1st gen reel
Jerry Moore's copy

notes: only aud in circulation for this show