1981-05-16 | Grateful Dead

Bands

Featured

Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

181 shows

217 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,996 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1981

Los Angeles and San Francisco, CA

Early Show Pittsburgh, PA, USA

Early Show Pittsburgh, PA, USA

Cole Field House, U. of Maryland

College Park, MD, USA

Madison Square Garden

Madison Square Garden

Utica Memorial Auditorium

Veterans' Memorial Coliseum

Berkeley Community Theater

Philadelphia, PA, USA

Philadelphia, PA, USA

Glenns Falls Civic Center

Glenns Falls, NY, USA

Veterans Memorial Coliseum

Veterans Memorial Coliseum

Providence Civic Center

Athletic Center, Rutgers U

New Brunswick, NJ, USA

Barton Hall, Cornell University

Onondaga County War Memorial

San Francisco, CA, USA

Oklahoma City, OK, USA

Kansas City Municipal Auditorium Arena

St. Paul Civic Center

Alpine Valley Music Theatre

McNichols Sports Arena

McNichols Sports Arena

McArthur Court, University Of Oregon

Salt Lake City, UT, USA

3:00:43

9 tapes

8/14

Seattle Center Coliseum

Portland Memorial Coliseum

McArthur Court, U. of Oregon

Compton Terrace Amphitheatre

Stabler Arena, Lehigh U.

War Memorial Auditorium

Amsterdam, Netherlands

Amsterdam, Netherlands

Amsterdam, Netherlands

Assembly Hall, U. of Illinois

Champaign-Urbana, IL, USA

Indianapolis, IN, USA

Des Moines Civic Center

Events Center, U. of Colorado

Fiesta Hall, San Mateo County Fairgrounds

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland, CA, USA

7:38:41

20 tapes

Sources

SOURCE 1 OF 13

gd1981-05-16.sbd.miller.30647.sbeok.flac16

Source:

Set 1: SBD -> Master Cassette -> Reel -> Dat, Set 2: SBD -> Master Cassette -> Dat

Lineage:

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC

Taper Notes:

View NotesNotes:
-- Seamless transition between Discs 2 and 3.
-- Stella Blue through end of show Nak 300/CP4>Cm>Sound Forge>CD

SOURCE 2 OF 13

Jim Wise, Eddie Claridge

SHNID:

gd81-05-16.wise.wiley.14714.sbeok.shnf

Source:

Audience Recording

Lineage:

FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR

Taper Notes:

View NotesMain Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley

SOURCE 3 OF 13

Scott Clugston and Charlie Miller and David Beckwith

SHNID:

gd1981-05-16.142974.set2.aud.beckwith.sterry.miller.clugston.flac1648

Taper Notes:

View NotesNotes:
- Thanks to George Sterry for the master cassette recording
- Thanks to David Beckwith for liberating the tapes from eBay 
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Hunter Seamons and the folks responsible for the shnid107484 matrix source which supplies the the crowd and first 12:24 of "Shakedown Street"
- Thanks to Frank Streeter and the folks responsible for the shnid139959 Sennheiser 421 source which supplies a 0:07 patch in the transition between "Saint Of Circumstance" and "Spanish Jam", as well as the "Encore Break" and first few notes of "Uncle John's Band" (0:34 total)
- Pitch corrected
- eBay tape liberation

Mastered by Scott Clugston
July 2018

SOURCE 4 OF 13

Scott Clugston and Charlie Miller and David Beckwith

SHNID:

gd1981-05-16.142973.set2.aud.beckwith.sterry.miller.clugston.flac2496

Taper Notes:

View NotesNotes:
- Thanks to George Sterry for the master cassette recording
- Thanks to David Beckwith for liberating the tapes from eBay 
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Hunter Seamons and the folks responsible for the shnid107484 matrix source which supplies the crowd and first 12:24 of "Shakedown Street"
- Thanks to Frank Streeter and the folks responsible for the shnid139959 Sennheiser 421 source which supplies a 0:07 patch in the transition between "Saint Of Circumstance" and "Spanish Jam", as well as the "Encore Break" and first few notes of "Uncle John's Band" (0:34 total)
- Pitch corrected
- eBay tape liberation

Mastered by Scott Clugston
July 2018

SOURCE 5 OF 13

Charlie Miller and Scott Clugston

SHNID:

gd1981-05-16.139959.fob.senn421.streeter.miller.clugston.flac2496

Source:

Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496

Taper Notes:

View Notesc1ec03d7e8662af80d1818de584e714a *gd81-05-16 s1 t01 Crowd_Tuning.flac
e1ed53e3cda2eb95e23172aed5cad024 *gd81-05-16 s1 t02 Feel Like A Stranger.flac
ad67379a1ae7ca25958b1f10135387d4 *gd81-05-16 s1 t03 Friend Of The Devil.flac
ec3efdfe4d74634bcba989311a5f2946 *gd81-05-16 s1 t04 Me & My Uncle.flac
619a4845795a6115568fb799cf3f9fa9 *gd81-05-16 s1 t05 Big River.flac
b792bf7b53d30c99be57477003bbbd29 *gd81-05-16 s1 t06 Althea.flac
a0b1675637a4f67aff24de309597528b *gd81-05-16 s1 t07 CC Rider.flac
627ea06d3c8d3d75595a5879d2248080 *gd81-05-16 s1 t08 Brown Eyed Women.flac
1fce6a0a5f8c221a4bba8b58950b08a3 *gd81-05-16 s1 t09 Passenger.flac
56db094587ee641dc31bfddb66c052b0 *gd81-05-16 s1 t10 High Time.flac
3fa98dc39958751797cf3005e2cba8bc *gd81-05-16 s1 t11 Let It Grow.flac
da454065d758cb030e9a2b0a50a7a91d *gd81-05-16 s1 t12 Don't Ease Me In.flac
069e43570576f2d9c31bf23fdb9be7be *gd81-05-16 s2 t01 Crowd_Tuning.flac
c6446914a28aa32aa9c722095ccbd8c8 *gd81-05-16 s2 t02 Shakedown Street.flac
2713156c8984d19706df8433878d9701 *gd81-05-16 s2 t03 Bertha.flac
a220f88d9165dc0ff2d9d3f077b4a7fa *gd81-05-16 s2 t04 Lost Sailor.flac
d3209132206cf3cacddba88d134de951 *gd81-05-16 s2 t05 Saint Of Circumstance.flac
703a7072f3993f518bd19d4e5cdbbe29 *gd81-05-16 s2 t06 Spanish Jam.flac
3a21e105f19d02a51c4ca96771360f7b *gd81-05-16 s2 t07 Drums.flac
ca6aee2d85f6ebed6cc3afb11bcac6b1 *gd81-05-16 s2 t08 Space.flac
55157c5447a5ea9118f67a61a685061a *gd81-05-16 s2 t09 Truckin'.flac
b463af0a9f20479588132d13c2b87517 *gd81-05-16 s2 t10 Stella Blue.flac
2ce5329246b258b458496592947c4179 *gd81-05-16 s2 t11 Going Down The Road Feeling Bad.flac
bc0ec3b3264207f09cc3e94274464c08 *gd81-05-16 s2 t12 One More Saturday Night.flac
926a4fa6a8c2e0d3a1d2fc298b7e21f8 *gd81-05-16 s2 t13 Uncle John's Band.flac

SOURCE 6 OF 13

Charlie Miller and Scott Clugston

SHNID:

gd1981-05-16.139958.fob.senn421.streeter.miller.clugston.flac1644

Source:

Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Frank Streeter for the master recording
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid2212 senn421 source which supplies the the final 0:29 of "CC Rider", the first 0:33 of "Brown Eyed Women", "Shakedown Street > Bertha" in its entirety, the first 0:23 of "Lost Sailor", as well as a 1:26 patch in "Drums"
- Between song transitions smoothed

Transfer by Charlie Miller
Mastered by Scott Clugston
Date 11/18/17

SOURCE 7 OF 13

gd1981-05-16.152450.beyer201-prescott.holbrook.flac2448

Source:

Microphones: Beyer m201c Recorder: Sony TC-D5 Dolby Location: worn in cowboy hat about 60-75' from stacks in Balcony This Source: 1GenAUDCA

Lineage:

Taper Notes:

View Notes//   tape flip    missed about 15 seconds of music
+    PA distortion noises throughout

SOURCE 8 OF 13

gd1981-05-16.152449.beyer201-prescott.holbrook.flac1644

Source:

Microphones: Beyer m201c Recorder: Sony TC-D5 Dolby Location: worn in cowboy hat about 60-75' from stacks in Balcony This Source: 1GenAUDCA

Lineage:

Taper Notes:

View Notes//   tape flip    missed about 15 seconds of music
+    PA distortion noises throughout

SOURCE 9 OF 13

Transferred by Andrew F. 07/2020

SHNID:

gd1981-05-16.150394.s2.aud.schley.flac2448

Lineage:

Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesNote: This does not match current sources. 1st Set MAC is lost :(
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

SOURCE 10 OF 13

gd1981-05-16.mtx.seamons.107484.flac16

Source:

Matrix using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

SOURCE 11 OF 13

gd81-05-16.nak300-dmow.28007.sbeok.flacf

Source:

Audience Recording: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape;

Taper Notes:

View Notes<b>flac16</b>; 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Taped, Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford

SOURCE 12 OF 13

gd1981-05-16.fob-senn.wise-sacks.2212.shnf

Source:

FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).

Taper Notes:

View NotesMaster Tape appears to suffer from some deterioration, which manifests itself as some faint clicking/popping during quiet passages.  There are also a few (analog) dropouts during the second set.  But, this is, imho, such a fine audience recording that it's worth getting into circulation nonetheless.  Download a track or 2 and make up your own mind.  Seeded to etree on 11-2-00 by [email protected]

SOURCE 13 OF 13

Jim Wise; Mike Parrillo

SHNID:

gd1981-05-16.senn421.wise.parillo.2203.shnf

Source:

Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard) > Maxell XL-II (Dolby B)

Lineage:

Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR