9/17/82 Grateful Dead

Bands

1982

1/01SBD

Mickey's ranch studio

San Francisco, CA, USA

San Francisco, CA, USA

3:01:36

10 tapes

2/19

Golden Hall, Community Concorse

Golden Hall, Community Concorse

Pauley Pavilion, UCLA

Reno Centennial Coliseum

Recreation Hall, UC Davis

Cameron Indoor Stadium, Duke U.

Philadelphia, PA, USA

Philadelphia, PA, USA

2:52:54

7 tapes

4/08SBD

Onondaga County War Memorial

Community War Memorial Auditorium

Glenns Falls Civic Center

Glenns Falls, NY, USA

2:21:12

11 tapes

4/15

Providence Civic Center

Hartford Civic Center

Hartford Civic Center

Baltimore Civic Center

Moscone Convention Center

San Francisco, CA, USA

1:37:38

10 tapes

7/17

Ventura County Fairgrounds

Ventura County Fairgrounds

Compton Terrace Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Oklahoma City, OK, USA

St. Paul Civic Center

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Fieldhouse, U. Of Iowa

Seattle Center Coliseum

Glen Helen Regional Park

Saenger Performing Arts Center

West Palm Beach Auditorium

West Palm Beach, FL, USA

2:54:01

8 tapes

9/12SBD

Lakeland Civic Center

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

Charlottesville, VA, USA

Cumberland County Civic Center

Madison Square Garden

Madison Square Garden

Veterans Memorial Coliseum

Carrier Dome, Syracuse U.

Bob Marley Performing Arts Center

Bob Marley Performing Arts Center

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Sources

gd1982-09-17.135446.nak300.schley.flac1644

Source:

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016

Taper Notes:

View NotesNote: ID-18985 patches; West L.A. 0:00 > 0:08, Drums 4:18 > 6:24. 
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

gd1982-09-17.135445.nak300.schley.flac2448

Source:

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016

Taper Notes:

View NotesNote: ID-18985 patches; West L.A. 0:00 > 0:08, Drums 4:18 > 6:24. 
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

gd1982-09-17.mtx.haugh.82208.sbefail.flac16

Source:

(55%SBD + 15%AUD1 + 15%AUD2 + 15%AUD3)

gd1982-09-17.sbd.harrison.80770.sbeok.flac16

Source:

Set 1 SBD > Dolby B metal cassette master. Set 2 SBD > ? (likely cassette master)

Lineage:

Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge

Taper Notes:

View NotesRecording/Transfer Info:
Set 1.  
  Recording:  SBD > Dolby B metal cassette master
  Playback:  Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac
Set 2.  
  Recording:  SBD > ? (likely cassette master)
  Playback:  ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac

All Transfers By Rob Harrison
December 5, 2006

Notes:
-- Set 2 missing the first two songs
-- Set 1 was xferred from the physical CD master from the GD vault.  Me & My Uncle>Big River was recorded as a single track that I split in Soundforge.
-- Set 2 is missing from the GD vault.  Funny thing is that this show has circulated on DAT for many years.

1:18:38

SBD

SHNID:

gd82-09-17.pset2-sbd.fishman.18105.sbeok.shnf

Source:

Soundboard

Lineage:

partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN

Taper Notes:

View Notespartial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman

Scott Clugston and Charlie Miller

SHNID:

gd1982-09-17.142824.fob.senn421.wise.miller.clugston.flac2496

Source:

Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums"
- Other One themed space
- Noodle into Spanish Jam included in "Spanish Jam"
- Awesome capture

Mastered by Scott Clugston
July 2018

Scott Clugston and Charlie Miller

SHNID:

gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums"
- Other One themed space
- Noodle into Spanish Jam included in "Spanish Jam"
- Awesome capture

Mastered by Scott Clugston
July 2018

Matrix by Hunter Seamons

SHNID:

gd1982-09-17.152910.mtx.seamons.ht132.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

Taper Notes:

View NotesNotes:

Jim Wise's older transfer from 2008 was preferred over #142823.

Some initial light tape warbles and mix fluctuations in Bertha. The matrix becomes optimal around when Jerry sings "I went down under the sea . . ."

First performance of Throwing Stones.

Schley and Wise's recordings had a nice complementary sound for the audience-only matrix portion (for Touch Of Grey and Women Are Smarter) given that Schley's tape had very up-front vocals and instrumentation and Wise's was more ambient.

Clicks removed or reduced: 3 in High Time, 2 in Estimated Prophet, 5 in Space, 3 in Spanish Jam, 1 in Morning Dew.

Fantastic recordings and show!

gd1982-09-17.144658.aud.lamarre.berger.flac24

Source:

source: aud cassette master taped by Doug Lamarre nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b **mics adjusted on 12' stand & sound improves at Dupree's**

Lineage:

nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

gd1982-09-17.144657.aud.lamarre.berger.flac16

Source:

source: aud cassette master taped by Doug Lamarre nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b **mics adjusted on 12' stand & sound improves at Dupree's**

Lineage:

nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

2:44:24

Taper:

Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager

Transferrer:

Kyle Holbrook

SHNID:

gd1982-09-17.139320.JVC-HM200E.holbrook.flac2448

Source:

Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on

Lineage:

Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)

Taper Notes:

View Notesrecording notes:
Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
$ set opens with fluctuating levels
* taper says-"no left signal", when there was one, brief cut as deck was paused for about 1   second at start of song.
//tape flip
& some drums were not recorded; we started back when Jerry took stage and   Space begins
** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam
# slight cut @105:14 due to accidental pause button hit.
% distortion from the PA several times; noted on other AUD masters.
^ overall distortion on Tape AND PA
+ Bobby says "Hey listen, thanks for keeping us alive all these years"

2:44:24

Taper:

Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager

Transferrer:

Kyle Holbrook

SHNID:

gd1982-09-17.139319.JVC-HM200E.holbrook.flac1644

Source:

Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on

Lineage:

Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48; Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)

Taper Notes:

View Notesrecording notes:
Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
$ set opens with fluctuating levels
* taper says-"no left signal", when there was one, brief cut as deck was paused for about 1   second at start of song.
//tape flip
& some drums were not recorded; we started back when Jerry took stage and   Space begins
** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam
# slight cut @105:14 due to accidental pause button hit.
% distortion from the PA several times; noted on other AUD masters.
^ overall distortion on Tape AND PA
+ Bobby says "Hey listen, thanks for keeping us alive all these years"

gd1982-09-17.nak300.chasingwilma.119075.flac16

Source:

nakamichi 300 fob> d-5sony> mc

Lineage:

nakamichi 300 fob> d-5sony> mc

gd1982-09-17.aud.morris.111030.sbeok.flac24

Source:

(FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris

Taper Notes:

View NotesTape flip in Drums spliced at 4:48. 
Recorded on the floor FOB by Bob Morris - thanks to Sam for help.
Transfer (Jun 09) and 2496 conversion / edits (May 10) by Bob Morris.

gd1982-09-17.fob.nak300.morris.99888.flac16

Source:

(FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

gd1982-09-17.nak300.friend.andrewf.99679.flac16

Source:

3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard

Lineage:

MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496

Taper Notes:

View NotesNotes: 
- Security heard hassling tapers near start of Candyman. 
- Patch from ID-91483 in Drums from 4:31 to 6:26. 
- 2nd Set disc break is seamless.

gd1982-09-17.nak300.friend.andrewf.99678.flac24

Source:

3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard.

Lineage:

MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496

Taper Notes:

View NotesNotes: 
- Security heard hassling tapers near start of Candyman. 
- Patch from ID-91483 in Drums from 4:31 to 6:26.

gd1982-09-17.aud.wise.91483.sbeok.flac16

Source:

FOB, Sennheiser MD-421's > Sony TC-D5.

Lineage:

CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC.

Taper Notes:

View Notes- Patch from ShnID-18985 in Drums, 5:12 > 5:25. 
- Second set disc break is seamless. 
- THANKS to Jim Wise for the discs!

gd1982-09-17.mtx.dts.82184.sbefail.flac16

Mark Cohen, David Minches

SHNID:

gd82-09-17.cohen.minches.18985.sbeok.shnf

Source:

Audience Recording: Nak 700s> Sony D5

Taper Notes:

View NotesNak 700s> Sony D5 recorded by Mark Cohen, A:D by Mark Cohen, D>SHN by David Minches

gd82-09-17.aud.lai.2577.sbefail.shnf

Source:

Audience or Matrix?

Taper Notes:

View Notesset 1, encore; sbd; transfer by Mike Lai from Bruce Fried seed; tracked for 1x80; a later <a href="http://db.etree.org/shninfo_detail.php?shnid=2577" rel="nofollow">expanded</a> shn set with this d1 is complete

gd82-09-17.nak300.clugston.335.sbeok.shnf

Source:

Audience Recording: Nak CM300's

Lineage:

Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassetteplayed back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive >CEP > CDWave > CDRWin > Yamaha CR8424 CDR

Taper Notes:

View NotesMaster FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette
played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive >
CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell