1986-03-28 | Grateful Dead

View NotesThe SBD tape was missing aprx 1:17 of Space and the very beginning of The Wheel. I grabbed the MAC source from the archive and used Soundforge to patch-in the missing part with cross-fades. Also used Soundforge to repair the pitch on the sbd source, and made fades for the start and end. I also retracked everything with CD-Wave, checked SBE-OK and made checksums with TLH. There's some minor hiss and cassette tape noise, but not bad at all. Nov 2005 - ENJOY!

SOURCE 2 OF 20

2:06:30

Taper:

Jim Vita

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1986-03-28.166964.beyer.m160.vita.miller.clugston.flac2496

Source:

Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps source which supplies a 0:21 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2024

SOURCE 3 OF 20

Scott Clugston, Charlie Miller

SHNID:

gd1986-03-28.166963.beyer.m160.vita.miller.clugston.flac1648

Source:

Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps source which supplies a 0:21 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2024

SOURCE 4 OF 20

Charlie Miller and Joe Noel

SHNID:

gd1986-03-28.141049.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Source:

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info:
- source #
- s1t08 - last two seconds
- s1t09 - first thirty nine seconds
- s2t07 - 7:33 - 7:48

Notes:
- Tape pauses & flips; cross faded.
- Check out Weir takin' a verse in Iko.  Gets Jerry talkin' bout Hey Now!
- Twenty count intro for BIODTL
- "we want Phil" chant before BoR.  "Here I is folk." -Phil
- Nary a ticket for these two shows, scored em both in trades.
- Lets just say while having some fun the boys paced themselves.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

SOURCE 5 OF 20

Charlie Miller and Joe Noel

SHNID:

gd1986-03-28.139469.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Source:

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- Tape pauses & flips; cross faded.
- Check out Weir takin' a verse in Iko.  Gets Jerry talkin' bout Hey Now!
- Twenty count intro for BIODTL
- "we want Phil" chant before BoR.  "Here I is folk." -Phil
- Nary a ticket for these two shows, scored em both in trades.
- Lets just say while having some fun the boys paced themselves.

SOURCE 6 OF 20

2:10:15

Taper:

Oade, Bryant, Rich Castwirk

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1986-03-28.139325.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16

Source:

Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller

Lineage:

Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

Taper Notes:

View Notes- Water damage caused digi static & tape breaks throughout this beautiful recording.
- Each patch was either or normalized, eq'd & leveled.  In some cases all of the above.
- Some digi static remains but only between song.
- Check out Weir takin' a verse in Iko.  Gets Jerry talkin' bout Hey Now!
- Twenty count intro for BIODTL
- "we want Phil" chant before BoR.  "Here I is folk." -Phil
- Nary a ticket for these two shows, scored em both in trades.
- Lets just say while having some fun the boys paced themselves.

SOURCE 7 OF 20

2:06:11

SHNID:

gd1986-03-28.167374.senn441.lamarre.miller.clugston.flac2496

SOURCE 8 OF 20

2:06:11

SHNID:

gd1986-03-28.167373.senn441.lamarre.miller.clugston.flac1648

SOURCE 9 OF 20

2:04:16

Taper:

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-28.156133.akgc422.davis-holbrook.flac2448

Source:

Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC

Lineage:

Taper Notes:

View NotesRecording Information:
//  tape flips
low frequency distortion throughout whole set.
speed corrected 1.75%
bass distortion from overloaded pre-amps/low 9v batteries at several points in recording
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

SOURCE 10 OF 20

2:04:16

Taper:

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-28.156132.akgc422.davis-holbrook.flac1644

Source:

Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC

Lineage:

Taper Notes:

View NotesRecording Information:
//  tape flips
low frequency distortion throughout whole set.
speed corrected 1.75%
bass distortion from overloaded pre-amps/low 9v batteries at several points in recording
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

SOURCE 11 OF 20

gd1986-03-28.127544.chasingwilma.flac24

Source:

source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 12 OF 20

gd1986-03-28.nak300.morris.crazyfingers.106564.flac16

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

SOURCE 13 OF 20

gd1986-03-28.mtx.chappell.sb28.95598.flac16

SOURCE 14 OF 20

A. Egert and D. McCabe

SHNID:

gd1986-03-28.fob.thompson.motb.88953.flac24

Source:

2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC (Denon HD8 90)

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96]

SOURCE 15 OF 20

A. Egert and D. McCabe

SHNID:

gd1986-03-28.fob.thompson.motb.88950.flac16

Source:

2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC (Denon MD8 90)

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] > ? WAV 16 > FLAC

SOURCE 16 OF 20

gd1986-03-28.nak300.damico.87706.flac16

Source:

nak 300 mics w/cp4 shotguns > sony d-5 > mac

Lineage:

mac > nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend

SOURCE 17 OF 20

gd1986-03-28.aud.alexander.tetzeli.79328.flac24

Source:

(2 Sennheiser 421s + 2 Nakamichi 300 shotguns > Yamaha mixer > Sony D5) > MAC

Lineage:

MAC > Nakamichi DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC

SOURCE 18 OF 20

gd1986-03-28.aud.alexander.tetzeli.79289.flac16

Source:

Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC

Lineage:

MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC

SOURCE 19 OF 20

Bill Koucky and Chris Ladner

SHNID:

gd1986-03-28.senn.koucky.gmb.32520.flac16

Source:

FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master

Lineage:

Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC

Taper Notes:

View NotesClean edits from Cassette master source. FOB recording in small arena during taper
section days, but at this General Admission show tapers could set up in front of board.

SOURCE 20 OF 20

gd86-03-28.neumann-hogan.hogan.5004.sbeok.shnf

Source:

FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500

Taper Notes:

View NotesFOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan