Wharf Rat > | 1986-12-15 | Grateful Dead

View NotesField: Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C (Master) Tapers: Adam Smith & Andy Liu (dwonk)<br />
Location: DFC of Taper Section (actually FOB by about 30 feet), 10' spread between mics (AB Stereo, two channel) <br />
Transfer: Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC

SOURCE 2 OF 19

2:40:42

SBD

Rating:

8.33 / 18 ratings

SHNID:

gd86-12-15.sbd.kpfa.19600.sbeok.shnf

Source:

Soundboard

Lineage:

Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.]

Taper Notes:

View NotesMaster Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.]

SOURCE 3 OF 19

Don Beckham and Tony Suraci

Transferrer:

Tony Suraci

SHNID:

gd1986-12-15.nakcm304.beckham.suraci.sbeok.80809.flac16

Source:

Nak CM304>Sony D5

Lineage:

Nak CR5A>Lunatec V3>SD 722

Taper Notes:

View Notes*Thanks to Don for running my rig.
Notes: This is the 16Bit version.

SOURCE 4 OF 19

Joani Walkerand Paul Scotton

Transferrer:

Charlie Miller

SHNID:

gd1986-12-15.sbd.walker-scotton.miller.99035.sbeok.flac16

Source:

SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesPatch Info:
Nakamichi 300/CP4 -> Cassette Master -> FLAC (shnid=80809) supplies:
Drums (2:10 - 2:22)

Notes:
-- Set 2 is seamless
-- Thanks to Joani Walker and Paul Scotton for the Cassettes

SOURCE 5 OF 19

gd1986-12-15.sbd.braverman.13270.shnf

Source:

Master Cassette> DAT> CD

Lineage:

CD> SHN

Taper Notes:

View NotesTouch of Grey opens with a strange mix, but loosens up just as the vocals begin.

Drums and space are seamless and can be reassembled by those who desire to do so. In fact, there is a break of nearly a minute between the two; nice of them to oblige.

Serious level problems in Disk 3 fixed, more or less.

SOURCE 6 OF 19

gd1986-12-15.128689.mtx.nicksmix.flac16

Source:

2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035

Taper Notes:

View NotesMixed By Nick Crump
Eugene, Oregon
May 2014

Audience source has a brief cut during Drums, left unpatched. 
Also, several cuts between songs during 1st set. Gaps were left in, soundboard was not cut so as to preserve the pace of the show. There is some Dead Space.
This is the first show after Jerry's recovery from a coma.

SOURCE 7 OF 19

gd1986-12-15.sbd.kpfa.16330.shnf

Source:

Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN

SOURCE 8 OF 19

gd1986-12-15.nak300.damico.88884.flac16

Source:

nak 300 mics w/cp4 shotguns > sony d-5 > mac

Taper Notes:

View Notesi left the discs the same way i taped them . disc 2 ends with drums and disc 3 starts off with the rest of drums ....

SOURCE 9 OF 19

Charlie Miller and Joe Noel

SHNID:

gd1986-12-15.141034.Senn.Hessberg.Miller.Noel.t-flac1644

Source:

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesNotes:
- cross fades applied to tape pauses
- arguably one of, if not the most important event since Magoo's Pizza Parlor.
- "It was kinda like we never left; technical difficulties, tuning up between tunes." Phil 
- 5 count BIODTL
- The Candyman's (back) in town!! (with a couple of new tunes)
- He can play the guitar like a bat outta hell!
* 1st performances of WPCTS & BMR
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2


Patch Info:
- source #80809 (T. Suraci & D. Beckham) supplies;
- s1t08; last two seconds
- s1t09; 0:00 - 0:17
- s2t06; 6:38 - 7:25

SOURCE 10 OF 19

gd1986-12-15.140293.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644

Taper Notes:

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk, and my apologies for not properly acknowledging their efforts sooner.
- Thanks to Jim Wise for the hard disk drive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the folks responsible for the shnid80809 Nakamichi CM304 source which supplies a 0:02 patch in "Iko Iko", as well as a 0:09 patch in "Wharf Rat"
- Noodle into Playin' Reprise included in "Playin' In The Band Reprise"

Mastered by Scott Clugston
December 16, 2017

SOURCE 11 OF 19

gd1986-12-15.sbd.tetzeli.moore.8230.sbeok.shnf

Source:

SBD > ?? > Cassette > analog signal to ESS Maestro sound card > .wav > CDR > .wav > .shn

Taper Notes:

View NotesMissing end of Good Loving and Johnny B. Goode encore

I didn't do any fades on the drums or the end of Good Loving.  I figured I'd leave that up to the individual.

Special thanks to Thom Moore for the tapes!

SOURCE 12 OF 19

Charlie Miller and Joe Noel

SHNID:

gd1986-12-15.139362.Senn.Hessberg.Miller.Noel.t-flac24

Source:

Sennheiser ME80 > Cassette Master (Sony TC-D5M)

Lineage:

Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96 Edited & Mastered in Audacity by Joe Noel: Flac 24/96

Taper Notes:

View NotesNotes:
- cross fades applied to tape pauses
- arguably one of, if not the most important event since Magoo's Pizza Parlor.
- "It was kinda like we never left; technical difficulties, tuning up between tunes." Phil
- 5 count BIODTL
- The Candyman's (back) in town!! (with a couple of new tunes)
- He can play the guitar like a bat outta hell!
* 1st performances of WPCTS & BMR


Patch Info:
- source #80809 (T. Suraci & D. Beckham) supplies;
- s1t08; last two seconds
- s1t09; 0:00 - 0:17
- s2t06; 6:38 - 7:25

SOURCE 13 OF 19

gd1986-12-15.aud.Holtz.Naks.114699.flac16

Source:

Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz

Taper Notes:

View NotesNotes:

-Special Thanks to Indydarkstar for use of the UA-5.  

-More special thanks to Martha W., Doug and Nancy K., and Brian and LeeAnn O. for making this run of shows a very special and memorable time.

SOURCE 14 OF 19

gd1986-12-15.137576.5-1.tobin.flac1648

Source:

<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin

SOURCE 15 OF 19

gd1986-12-15.132367.nak300.gidley.flac2448

Source:

OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2015

Taper Notes:

View NotesNote: Next in line MAC provides patches: first five seconds of 
When Push Comes to Shove, and twelve seconds near end of Drums.

SOURCE 16 OF 19

gd1986-12-15.137558.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 17 OF 19

2:48:25

SBD

Transferrer:

Maxtrix by Kevin Tobin

SHNID:

gd1986-12-15.137555.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin

SOURCE 18 OF 19

gd1986-12-15.137554.upg-aud.tobin.flac16

Source:

(original shnid = 88884) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin

Taper Notes:

View Notes1st set only needed minor patching and 2nd set was missing 20 seconds in the middle of Drums.
Speedwise the audience was fast when compared to other recordings - .500 seconds per minute.

Brokedown House Production

SOURCE 19 OF 19

gd1986-12-15.132368.nak300.gidley.flac1644

Source:

OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2015

Taper Notes:

View NotesNote: Next in line MAC provides patches: first five seconds of 
When Push Comes to Shove, and twelve seconds near end of Drums.